Search results for ""Author Henry Fielding""

Tom Jones is one of the earliest English novels, and was hugely popular when it was first published in 1749. It tells the story of the foundling Tom and his journey towards adulthood and marriage. As might be expected, this journey is a complicated one: Tom falls in love with a neighbour's daughter, discovers that he has a rival for his love in the shape of the unpleasant Master Blifil, and is expelled from Mr Allworthy's house after a series of misadventures.

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Abandoned as an infant and of unknown parentage, Tom Jones is raised in the household of the irreproachable, altruistic Squire Allworthy. Growing up to be a high-spirited, lusty youth, Tom finds himself vulnerable to temptation in the form of a local wench, though his heart is ultimately claimed by the beautiful Sophia Western, the daughter of a neighbouring landowner. When Tom''s amorous misadventures compel the squire to expel his young charge from his home, and when Sophia flees from her domineering and boisterous father to avoid an undesired union with the odious Master Blifil, a colourful, picaresque journey through eighteenthcentury England ensues, one punctuated by a parade of unforgettable Hogarthian grotesques and timeless comic set pieces.Characterized by both razor-sharp wit and broad, racy humour, and described by Coleridge as boasting one of the three most perfect plots ever planned, Tom Jones was an instant hit on its publication in 1749, and is widely cons

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Cuando Henry Fielding publica Jonathan Wild en 1743, el autor era ya uno de los hombres de letras más reconocidos, admirados, odiados y polémicos de su tiempo, a pesar de que su carrera como novelista había comenzado tan sólo dos años antes. La posterior publicación de Tom Jones, su obra maestra, consolidó a Fielding como uno de los grandes autores de prosa de ficción de su época, convirtiéndole en uno de los padres de la novela inglesa del XVIII y de la novela realista europea. El Fielding vividor y optimista que escribió en sus novelas cantos llenos de perspicacia e inteligencia a la alegría de vivir, con una franqueza sexual tachada frecuentemente de inmoral, muestra en Jonathan Wild su vena más cínica, pesimista e irónica sobre la naturaleza humana. Su mensaje final resuena, desgraciadamente, lleno de vigente actualidad: la satisfacción de ser "grande" no emana de los resultados materiales de dicha grandeza, sino del mero orgullo de saberse superior o distinto a los demás.

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Shamela es una obra clave dentro de la literatura inglesa, dado que impulsó el inicio como novelista de uno de los considerados pioneros de la novela inglesa, Henry Fielding. Esta parodia breve y mordaz, de la cual se propone al Servicio de Publicaciones de la UMA su primera traducción en lengua española, sirve a Fielding para ajustar cuentas con diversos adversarios literarios y políticos al mismo tiempo que ataca con fiereza a diversos ámbitos de la sociedad inglesa de principios del siglo XVIII, entre ellos la religión y la política. El que acabaría siendo autor de Joseph Andrews, novela que contó con una gran influencia cervantina, aprovecha el enorme éxito y repercusión de Pamela, la primera novela del editor y autor inglés Samuel Richardson, para trazar una caricatura de la historia que narró el triunfo de la virtud de una joven criada frente a los intentos de abuso por parte de su señor; dicha caricatura le da la vuelta a la versión de Richardson, hace mofa de su estilo literari

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SHAMELA is a brilliant parody of Samuel Richardson's PAMELA, in which a virtuous servant girl long resists her master's advances and is eventually 'rewarded' with marriage. Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. JOSEPH ANDREWS, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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With its combination of satire and sentiment, its focus on the seedy side of London life, and its unexpected shifts in tone, Amelia has intrigued and disturbed readers since its first publication. Eagerly awaited by Henry Fielding’s eighteenth-century readers of Tom Jones, the novel perplexed many of them. Amelia counters the traditional courtship plot of eighteenth-century novels with its convincing portrayal of a marriage between an errant husband and his wife, and is ahead of its time in its depiction of the alienation of modern city life.Appendices include contemporary criticism and related works by Alexander Pope and Sarah Fielding.

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'I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach.' (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes - together with a presentation of love as charity, as friendship, and in its sexual taste - are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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An accurate text of Shamela (Fielding’s satire of Samuel Richardson’s Pamela, the most popular epistolary novel of the eighteenth century) as well as An Essay on the Knowledge of the Characters of Men, selections from The Champion, and the Preface to The Adventures of David Simple are also included. All of the texts are fully annotated. "Backgrounds" contains generous extracts from works that Fielding satirized—Pamela and Conyer Middleton’s Dedication to the Life of Cicero—and emulated—Gil Blas and selections from Don Quixote, the Roman Comique, and Le Paysan Parvenu. The section concludes with a general explanation of the political and religious contexts in which Joseph Andrews was written. "Criticism" offers a broad range of responses to the novel. Contemporary assessments include selected letters of Thomas Gray, William Shenstone, Samuel Richardson, and others as well as commentary from The Student, or Oxford and Cambridge Monthly Miscellany, by William Hazlitt, James Beattie, and Sarah Fielding and Jane Collier. Modern assessments are by Mark Spilka, Dick Taylor, Jr., Martin Battestin, Sheldon Sacks, Morris Golden, Brian McCrea, and Homer Goldberg. A Selected Bibliography is also included.

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Best known today for the novels Joseph Andrews and Tom Jones, Henry Fielding was just as renowned in his own time as a prolific and highly successful dramatist. Among his most popular plays was The Tragedy of Tragedies: Or, The Life and Death of Tom Thumb, one of the most extraordinary parodies in English theater. The print version of the play incorporates, in an elaborate structure of annotations, a remarkable satire of heroic drama and of the pretensions and excesses of “false scholarship.”This edition includes the text of the play itself and the text of the extraordinary notes (by Fielding’s pseudonym “H. Scriblerus Secundus”), appearing in facing page layout; extensive explanatory notes for the modern reader appear at the bottom of the page. Also included are a substantial introduction and a wide range of background materials that set the work in the context of its time. These contextual materials include contemporary reviews, excerpts from the plays that Fielding’s parody most frequently targeted, and selections from works that provided inspiration for The Tragedy of Tragedies—from contemporary versions of the “Tom Thumb” folktale to satirical writing by authors such as Alexander Pope, John Gay, and George Villiers.

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'he carried Good-nature to that wonderful and uncommon Height, that he never did a single Injury to Man or Woman, by which he himself did not expect to reap some Advantage' The real-life Jonathan Wild, gangland godfather and self-styled 'Thieftaker General', controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Henry Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human 'greatness' and 'goodness'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Henry Fielding's picaresque tale of a young man's search for his place in the world, The History of Tom Jones is edited with notes and an introduction by Thomas Keymer and Alice Wakely in Penguin Classics.A foundling of mysterious parentage brought up by Mr Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighbouring squire - though he sometimes succumbs to the charms of the local girls. But when his amorous escapades earn the disapproval of his benefactor, Tom is banished to make his own fortune. Sophia, meanwhile, is determined to avoid an arranged marriage to Allworthy's scheming nephew and escapes from her rambunctious father to follow Tom to London. A vivid Hogarthian panorama of eighteenth century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.In his introduction Thomas Keymer discusses narrative techniques and themes, the context of eighteenth century fiction and satire, and the historical and political background of the Jacobite rebellion. This volume also includes a chronology, further reading, notes, a glossary and an appendix on Fielding's revisions.Henry Fielding (1707-1754) born at Sharpham Park, in Somerset, was a dramatist, novelist, political agitator and founder of London's first police force, the 'Bow Street Runners'. As a playwright he was a thorn in the side of Sir Robert Walpole's Whig government, who effectively legislated his retirement from the theatre with the Licensing Act of 1737. Undeterred, Fielding launched his career as a novelist in 1740 with Shamela (a parody of Samuel Richardson's Pamela), followed by Joseph Andrews (1741), an anticipation of his masterpiece, the comic novel Tom Jones (1749).If you enjoyed The History of Tom Jones, you might like Henry Fielding's The Life and Opinions of Tristram Shandy, Gentleman, also available in Penguin Classics.

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Joseph Andrews, first published in 1742, is in part a parody of Samuel Richardson’s Pamela. But whereas Richardson’s novel is marked by the virtues of female chastity and the triumph of steadfast morality, Fielding’s Joseph Andrews is peopled with lascivious women, thieves, hypocrites, and general fools. As we follow the characters in their travels, what unfolds is a lively panoramic satire of mid-Georgian England.

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Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue.This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

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The Modern Husband * The Clandestine Marriage * She Stoops to Conquer * Wild Oats This edition brings together four eighteenth-century comedies that illustrate the full variety of the century's drama. Fielding's The Modern Husband , written before the 1737 Licensing Act that restricted political and social comment, depicts wife-pandering and widespread social corruption. In Garrick and Colman's The Clandestine Marriage two lovers marry in defiance of parental wishes and rue the consequences. She Stoops to Conquer explores the comic and not-so-comic consequences of mistaken identity, and in Wild Oats, the 'strolling player' Rover is a beacon of hope at a time of unrest. Part of the Oxford English Drama series, this edition has modern-spelling texts, critical introduction, wide-ranging annotation and an informative bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury. Tom Jones is widely regarded as one of the first and most influential English novels. It is certainly the funniest. Tom Jones, the hero of the book, is introduced to the reader as the ward of a liberal Somerset squire. Tom is a generous but slightly wild and feckless country boy with a weakness for young women. Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness. This ‘comic, epic poem in prose’ will make the modern reader laugh as much as it did his forbears. Its biting satire finds an echo in today’s society, for as Doris Lessing recently remarked ‘This country becomes every day more like the eighteenth century, full of thieves and adventurers, rogues and a robust, unhypocritical savagery side-by-side with people lecturing others on morality’.

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