Search results for ""Author Hendrik Folkerts""
Silvana Mounira Al Solh: I Strongly Believe in Our Right to Be Frivolous
Irony and self-reflectivity are central to Mounira Al Sohl's work, which explores feminist issues, tracks patterns of microhistory, also being socially engaged, political and escapist all at once. In a series of drawings, Al Solh collects personal histories and experiences that merge from humanitarian and political crises in Syria and the Middle East. The more than 150 drawings and embroideries presented here document deeply personal encounters and conversations between Al Solh and Syrian refugees as well as other refugees from the Middle East. Text in English and Arabic..
£49.50
Yale University Press Jan Van Imschoot: The End is Never Near
A comprehensive overview of the oeuvre of Belgian painter Jan Van Imschoot A comprehensive overview of the oeuvre of Belgian painter Jan Van Imschoot (b. 1963), whose contemporary work builds bridges to predecessors such as Caravaggio, Tintoretto, Goya, and Manet. Van Imschoot’s painting consciously opts for a clear, sometimes contradictory and ironic style. The directness of his decisive brushwork and his balanced yet audacious use of color is strikingly contemporary, while his work draws on historical themes from literature and art history. In this way, Van Imschoot engages in a continuous dialogue with the past, in which he, with a dose of cynicism, often targets phenomena or figures that find themselves on the fringes of (contemporary) society. Bringing together more than 220 works by Van Imschoot with five accompanying texts, this book gives fresh insight into the painting practice of this Belgian master.Distributed for Mercatorfonds
£55.00
Art Institute of Chicago Igshaan Adams: Desire Lines
A timely exploration of the allusive, sculptural fiber work of an important contemporary South African artist The book presents an early career survey of the work of Cape Town–based artist Igshaan Adams (b. 1982), showcasing his multimedia practice since 2009. In addition to exploring recurring motifs in his work—Arabic calligraphy, the rose, the (self-)portrait, Sufi symbols, and pathways literal and metaphorical—the publication highlights some of Adams’s material concerns, including his sculptural applications of weaving, his embrace of recycled materials related to black South African domesticity and interiority, and his use of the gallery wall and floor in installations. Hendrik Folkerts surveys the artist’s recent work, addressing its engagement with presence, absence, and the trace.. Adams himself offers a visual essay enabling readers to see details they would be imperceptible in a gallery setting. In shorter essays and poetic texts, the other authors focus on the South African historical and political context, specific artworks, and particular creative strategies, materialities, and narratives.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (April 2–August 1, 2022)
£20.00
