Search results for ""Author Hawthorne Susan""

The butterfly effect is a concept from physics in which it is surmised that small actions can have enormous consequences, and that the flutter of a butterfly's wing on one side of the world can cause devastating storms on the other side. Susan Hawthorne explores the impact of the love between lesbians. The butterfly effect is a force that can destroy families and bring down governments, but also a force full of vitality and world changing creativity.

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A vivid desert odyssey; the falling woman travels through a haunting landscape of memory, myth and mental maps. Told in three voices – Stella, Estella and Estelle – this is an inspiring story drawn from childhood memories, imagined worlds and the pressing realities of daily life. The Falling Woman charts one woman’s journey into the heartland. It is a journey taken across the desert, into the heart of memory, and into the mythic heart, that place to which we return in times of crisis.

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Thirteen-year-old Avis confronts the limitations imposed on her at school. She has epilepsy and some of the teachers want to stop her participating in the sport she loves most. Susan Hawthorne captures the voice and longings of a child at the edge of self-realisation. This collection draws on the experience of epilepsy mixed with imagination, mythic consciousness and an intense realisation of life.

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In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published. Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.

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This collection of imagist poems combines mythology, archaeology and translation. Susan Hawthorne draws on the history and prehistory of Rome and its neighbours to explore how the past is remembered. Under the guidance of Curatrix, Director of the Musæum Matricum, and Latin poet, Sulpicia, travellers Diana and Agnese are led through the mythic archives about wolves and sheep before attending an epoch-breaking party to which they are invited by Empress Livia.

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Valence. Considering war through poetry and theory is a powerful rage against the brutality and greed of war; against the particular suffering of women in war; against our indifference but more importantly, our sense of powerless in the face of wars most of us neither support nor would ever instigate. Here is a poet of moral conscience in the fine tradition of Adrienne Rich; a poet writing across boundaries; striving with each form to elucidate, illuminate, change.

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When two women and a dog set off on a holiday they have no inkling of what’s to come. They wake to find the river has crept up silently during the night. Trapped by floodwater, they devise escape routes only to be faced with more obstacles at every turn. Only the dog remains calm. This novella grips you with its language, its pace, its anxieties.

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Cyclonic storms inform the still eye of Earth's Breath. It's an eye that radiates out from the personal to the communal, tracking its subject matter through the lenses of history and myth. Susan Hawthorne's poetry shifts with seismic intensity, from tranquility to roar, bureaucratic inertia to survival, and the slow recovery from destruction to regeneration.

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Who invented hieroglyphics? Who did Einstein’s mathematics? Who led the defence of Viet Nam in 40 AD? Who invented the first computer? Who built the pyramid at Giza? Who developed the merino sheep? Who was the first writer in the world? Who invented the wheel? All were women. When the next person asks: Where are all the famous women artists/inventors/architects/writers/scientists? – this book will make it easy to find their names.

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An intriguing approach to the rewriting of myth, this book takes the reader on a journey through the history of languages and symbolic traditions. Through a main character, Queenie, a cow of many abilities and a history that takes in the creation of the universe, readers come to see the world in new ways. Cow leaps and flies into imaginative realms carrying mythology and language. Cow creates the universe and travels through the sky as a herd of stars.

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After September 11, feminists around the world spoke out, wrote for newspapers, for email lists and for the Internet. But in the male-dominated mass media, it was hard to find feminist perspectives. This collection brings together women who discuss the connections between war, terrorism, fundamentalism, racism, global capitalism and male violence. From the USA to Afghanistan, from Pakistan to Palestine, from Australia to Europe they have deconstructed this story and retold it from a feminist perspective in a powerful indictment of current global politics. Contributors include Barbara Kingsolver and Ani DiFranco, Naomi Klein.

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An international anthology of writings on cyberculture and feminist interventions. A diverse and at times fractious discussion of issues raised by these new forms of cultural expression. The contributors engage with a range of questions including: What is cyberfeminism? How does feminism influence multimedia production? What are the possibilities for feminist activism and research on the internet? How are colonisation, cybersex and virtuality to be theorised? How do these technologies affect our theories about bodies and minds? And what are the implications for creative artists?

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Following Mary Shelley's Frankenstein, writers rework images of the body, resisting those wanting to create monsters and angels.

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Horses and women have always shared a bond. Why else do little girls plaster their schoolbooks with pony pictures? Why do women spend weekends devotedly mucking out paddocks? Or willingly go out in public wearing tight, unforgiving, pale jodhpurs? How is it that otherwise fastidious females cheerfully fill their cars with hay, their nails with dirt and their boots with mud, while turning out gleaming horses, with barely a tail-hair out of place? It seems that in days when urban sprawl is overtaking paddocks and trails, and country life seems so far away, little girls (and big ones!) still dream of horses.

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A sister volume to the internationally successful A Girl’s Best Friend, this book explores the relationships between women and their cats - or more aptly, cats and their women. There are cats of all colours and sizes - from the city, the farm, the bush; cats who can open fridges, sign contracts, and cats-in-drag. They get stuck in strange places and survive amazing ordeals. Some disappear only to return mysteriously; others live on as most treasured memories. They entertain, amuse, frustrate and delight us; they tug at our hearts and offer insight into our lives. A delightful collection of writing from women and girls all around the world, accompanied by beautiful photographs of their feline friends.

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