Search results for ""Author Hattula Moholy-Nagy""

Occupied continuously for 1,500 years, Tikal was the most important demographic, economic, administrative, and ritual center of its region. The collection of materials recovered at Tikal is the largest and most diverse known from the Lowlands. This book provides a major body of primary data. The artifacts, represented by such raw materials as chert and shell are classified by type, number, condition, possible ancient use, form, material, size, and such secondary modifications as decoration and reworking, as well as by spatial distribution, occurrence in the various types of structure groups, recovery context, and date. The same format, with the exception of typology, is used for unworked materials such as mineral pigments and vertebrate remains. While few artifact reports go beyond a catalog of objects organized by type or raw material, this report puts the materials into their past cultural contexts and thus is of interest to a wide range of scholars. Content of this book's CD-ROM may be found online at this location: http://core.tdar.org/document/376593. University Museum Monograph, 118

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The pre-Columbian city we call Tikal was abandoned by its Maya residents during the tenth century A.D. and succumbed to the Guatemalan rain forest. It was not until 1848 that it was brought to the attention of the outside world. For the next century Tikal, remote and isolated, received a surprisingly large number of visitors. Public officials, explorers, academics, military personnel, settlers, petroleum engineers, chicle gatherers, and archaeologists came and went, sometimes leaving behind material traces of their visits. A short-lived hamlet was established among the ancient ruins in the late 1870s. In 1956 the University of Pennsylvania Museum of Archaeology and Anthropology initiated its fourteen-year-long Tikal Project. This report chronicles documented visits to Tikal during the century following its modern discovery, and presents the post-Conquest material culture recovered by the Tikal Project in the course of its investigation of the pre-Columbian city. Further research on the nineteenth-century settlement was carried out in 1998 in its southern part by the Lacandon Archaeological Project (LAP) under the direction of Joel W. Palka of the University of Illinois at Chicago. The material culture recovered by the LAP supplements the Tikal Project collection and is referenced here. Historical Archaeology at Tikal, Guatemala is intended as a contribution to nineteenth and early twentieth century Lowland Mesoamerican research. It is rounded out with several appendices that will be of interest to historians and historical archaeologists. The printed volume includes many black and white photographs and drawings. A gallery of color photographs, several from Palka's 1998 excavations, is included on the accompanying CD-ROM. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/document/376606. University Museum Monograph, 135

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In this, the first monograph of Richard Filipowski, a major figure bridging the Bauhaus and American midcentury modernism finally gets his due. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protégé of founder László Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988. With a foreword by László Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars - several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history - the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

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TR27A reports on goods used as markers of social status and goods used in ritual. It describes the splendid ornaments and insignia of jade, shell, pearls, and inscribed bone shown in representations on monuments and pottery vessels and recovered from the burials of Tikal's elites. Each artifact is described in the text, tabulated, and richly illustrated with drawings and photographs. An accompanying CD-ROM includes updated databases for all recovered objects, enabling the reader to discover detailed relationships between artifact, date, and context. It also includes William R. Coe's drafts of reconstructions of destroyed offerings and typologies for ceremonial lithics and shell "Charlie Chaplin" figurines. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/project/376586. University Museum Monograph, 127

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