Search results for ""Author Harriet Hudson""
Medieval Institute Publications William Caxton's Paris and Vienne and Blanchardyn and Eglantine
Blanchardyn and Eglantine and Paris and Vienne were last edited in 1890 and 1957, respectively. The proposed edition incorporates recent scholarship and criticism, including new critical editions of French texts closely related to Caxton’s sources for both romances. Other relevant scholarly traditions include: studies of the two romances and late medieval romance in England and France; gender studies, especially the role of women in these narratives; scholarship relating to the owners and readers of Caxton’s romances and associated manuscripts; studies of courtesy literature and its relationship to romance; and scholarship on Caxton, his career, publications, prose style, and language.
£28.00
Canongate Books Ltd The Man Who Came Back
£9.89
Medieval Institute Publications William Caxton's "Paris and Vienne" and "Blanchardyn and Eglantine"
These texts are English versions of romances well known in medieval and early Renaissance Europe, but outside the modern canon of early English literature. Unlike Caxton's other romances, they do not belong to the matters of the Nine Worthies; they are independent narratives of love and adventure presenting two differing but complementary accounts of chivalry and courtly love. Following fifteenth-century fashions, they treat conventional materials with a degree of realism and imbue characters with subjectivity. "Blanchardyn," published at the behest of Margaret, mother of Henry VII, is militaristic and attentive to governance, and notable for its affective, redundant narration and sophisticated style. "Paris" features a linear plot, lively characters, and employs generic motifs to explore issues of social mobility, family dynamics, and female autonomy. Blanchardyn and Eglantine and Paris and Vienne were last edited in 1890 and 1957, respectively. This edition incorporates recent scholarship and criticism, including new critical editions of French texts closely related to Caxton's sources for both romances. Other relevant scholarly traditions include: studies of the two romances and late medieval romance in England and France; gender studies, especially the role of women in these narratives; scholarship relating to the owners and readers of Caxton's romances and associated manuscripts; studies of courtesy literature and its relationship to romance; and scholarship on Caxton, his career, publications, prose style, and language.
£87.70
Canongate Books Ltd The Windy Hill
£21.59
Medieval Institute Publications Four Middle English Romances: Sir Isumbras, Octavian, Sir Eglamour of Artois, Sir Tryamour
"Sir Isumbras," "Octavian," "Sir Eglamour of Artois," and "Sir Tryamour" are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. The tale the romances tell—of exiled queens, orphaned children, and penitent fathers—was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.
£17.50
