Search results for ""Author Gretchen Garner""
Ohio University Press Winold Reiss and the Cincinnati Union Terminal: Fanfare for the Common Man
When Winold Reiss won the commission to design and install the immense mosaic murals in the Cincinnati Union Terminal in 1931, he was already a noted artist. After immigrating to the United States from Germany in 1913, he quickly had become a sought-after portraitist and designer of large public art projects. The Cincinnati Union Terminal murals are extraordinary not only for their size and the boldness of their color and design but also for the artist’s use of mosaic, an unusual choice for the time. After Reiss’s death, he and his work fell into relative obscurity as tastes and trends in art changed. The terminal itself closed in 1972 and was partially demolished. It reopened in 1990, transformed into the Cincinnati Museum Center, and the awe-inspiring murals of the rotunda are once again on view to visitors. Winold Reiss and the Cincinnati Union Terminal collects full-color images of the mosaic murals, including those rescued before the demolition. Gretchen Garner traces the inception of the mural project and the selection of Reiss to design and construct it, as well as Reiss’s own development as an American artist and the artistic and historical context for the work. In this book, these evocative and vibrant murals—a signal work of public art in Ohio and in the nation—finally get the attention they deserve.
£40.50
Johns Hopkins University Press Disappearing Witness: Change in Twentieth-Century American Photography
American photographers documented and defined the twentieth century in a remarkable array of images, the style and content of which evolved dramatically over the course of the century. In Disappearing Witness, photographer and art historian Gretchen Garner chronicles this transformation, from the introduction of the 35-millimeter camera in the 1920s to the digital photography of today. Accompanied by over 125 key works in the history of photography-fine-art, documentary, and editorial-her thoughtful and enlightening discussion traces American photography's aesthetic, commercial, and technological changes, as the medium's primary role of spontaneous witness gradually gave way to contrived arrangement and artistic invention. Garner discusses direct witness as the dominant paradigm for American photographers from the 1920s to the 1960s. During these decades, photographers saw their medium primarily as a vehicle for truthful description and sometimes as a weapon against social injustice. In the 1960s, however, photographic practice and its cultural significance shifted to reflect more personal, idiosyncratic, and staged visions of reality-a trend, Garner notes, that has intensified with digital photography. The major portion of the book is devoted to post-1960s work, exploring how the changes have affected portraiture, documentary, landscape, still life, fashion, and the new genre of self-imagery. In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.
£40.00
Ohio University Press Winold Reiss and the Cincinnati Union Terminal: Fanfare for the Common Man
When Winold Reiss won the commission to design and install the immense mosaic murals in the Cincinnati Union Terminal in 1931, he was already a noted artist. After immigrating to the United States from Germany in 1913, he quickly had become a sought-after portraitist and designer of large public art projects. The Cincinnati Union Terminal murals are extraordinary not only for their size and the boldness of their color and design but also for the artist’s use of mosaic, an unusual choice for the time. After Reiss’s death, he and his work fell into relative obscurity as tastes and trends in art changed. The terminal itself closed in 1972 and was partially demolished. It reopened in 1990, transformed into the Cincinnati Museum Center, and the awe-inspiring murals of the rotunda are once again on view to visitors. Winold Reiss and the Cincinnati Union Terminal collects full-color images of the mosaic murals, including those rescued before the demolition. Gretchen Garner traces the inception of the mural project and the selection of Reiss to design and construct it, as well as Reiss’s own development as an American artist and the artistic and historical context for the work. In this book, these evocative and vibrant murals—a signal work of public art in Ohio and in the nation—finally get the attention they deserve.
£22.99
