Search results for ""Author Graham Bader""
Yale University Press Poisoned Abstraction: Kurt Schwitters between Revolution and Exile
A definitive resource, full of fresh insights and new revelations, on one of the most influential interwar artists This richly illustrated book offers a definitive new assessment of the oeuvre of Kurt Schwitters (1887–1948), a central figure of the interwar European avant-garde. Active as an artist, designer, publisher, performer, critic, poet, and playwright, Schwitters is best known for intimately scaled, materially rich collages and assemblages made from found objects—often refuse—that the artist described as having lost all contact with their role and history in the world at large. But as Graham Bader explores, such simple separation of art from life is precisely what Schwitters’s “poisoned abstraction” calls into question. Considering works reaching from Schwitters’s earliest collage-based pieces of 1918–19, through his 1920s advertising designs, to his seminal environmental installation the Merzbau, Bader carefully unpacks the meaning behind such projects and sheds new light on the tumultuous historical conditions in which they were made. In the process, he reveals a new Schwitters—aesthetically committed and politically astute—for our time. This authoritative account reframes our understanding of Schwitters’s multifaceted artistic practice and explores the complex entwinement of art, politics, and history in the modern period.
£47.50
Mitchell-Innes & Nash Roy Lichtenstein Reflected
Roy Lichtenstein Reflected presents a selection of paintings that treat ideas of reflections and doubling. A strategy that spanned Lichtenstein's career, mirroring was explored in his Reflections series of the 1980s, in which he used his early work as subject matter, fracturing it with mirrored glass. Reflected also includes drawings, source materials and exclusive clippings from the artist's notebooks.
£31.50
Hatje Cantz Katharina Grosse Studio Paintings 1988–2022 (Bilingual edition): Returns, Revisions, Inventions
The immediate physical presence of color is central to Katharina Grosse’s creative endeavor. Through an open-ended creative process in which painting takes on the form of a performance, color embodies movement, making its emotional potential tangible. These issues are not only driving her dramatically large in situ works painted across various surfaces in public places. They also inform her studio paintings, which have played an equally central role in her practice from the start. This book is the first study focusing on Grosse’s studio practice from the late 1980s to the present. Five essays and an insightful interview with the artist explore how Grosse expands the concept of painting - not just in open space, but also on canvas - through creating an ephemeral character and removing the limitations of its traditional frame.
£45.00
