Search results for ""Author Giovanni Boccaccio""

Tradicionalmente se ha considerado la vidasexual, así como los engaños y trampas de losque muchas veces se ha de participar para quesea verdaderamente satisfactoria ?por ejemplo,practicándola con quien se desea, y no solo conquien se puede (el cónyuge)?, como patrimoniomasculino sobre el que las mujeres no tienen nivoz ni voto.Esta visión tradicional la combatió Boccacciohace ya muchos siglos. En los relatos aquí recogidosson ellas las que llevan la voz cantante, enun sentido nada sentimental: son las mujereslas que diseñan ingeniosas artimañas para acostarsecon quienes les place, sin que sus maridos,inocentes ellos, se enteren de nada.Las narraciones de Boccaccio bienpodrían titularse: ?Manual para elengaño de maridos descuidados ypoco satisfactorios?.

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Giovanni Boccaccio is famous for his masterpiece The Decameron, but his Latin Eclogues are relatively unknown. David R. Slavitt's English translation makes these important pieces accessible to a new audience of readers. Elegant and engaging, these pastoral poems address the great issues of Boccaccio's Italy, including the political and military intrigues of the day. Boccaccio modeled his poems on Petrarch's eclogues and, before him, those of Virgil and Theocritus. Slavitt's impeccable translations are highly readable, while his editorial interjections both elucidate the poet's intended meaning and frame the poems for the reader. These charming works offer wonderful insight into daily life in Renaissance Italy. A prolific and award-winning translator, Slavitt turns the Eclogues into vibrant modern English, capturing not only the words of Boccaccio but the flavor of the original language. The availability of The Latin Eclogues in English is a major contribution to the study of the literature and history of the Italian Renaissance.

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In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint. The result is a towering monument of European literature and a masterpiece of imaginative narrative that has inspired writers from Chaucer to Shakespeare . Translated with an introduction by G.H. McWilliam'McWilliam's finest work, his translation of Boccaccio's Decameron remains one of the most successful and lauded books in the series'The Times

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Four hilarious and provocative stories from Boccaccio's Decameron, featuring cuckolded husbands, cross-dressing wives and very bad priests.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Giovanni Boccaccio (1313-1375). Boccaccio's Decameron is available in Penguin Classics in both a complete and selected edition.

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Bawdy and moving, hilarious and reflective - these stories offer the very best of Boccaccio's Decameron in a brilliant, playful new translation.This hugely enjoyable volume collects the best stories of Boccaccio's masterwork in a fresh, accessible new translation by Peter Hainsworth. It includes such celebrated, thought-provoking tales as 'Isabella and the Pot of Basil' (famously adapted by Keats) and 'Patient Griselda' alongside many boisterous and daring stories featuring faithless wives, philandering priests and curious nuns.

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Genealogy of the Pagan Gods by Giovanni Boccaccio (1313–1375) is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world.The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from 200 Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography.Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry.

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After the composition of the Decameron, and under the influence of Petrarch’s humanism, Giovanni Boccaccio (1313–1375) devoted the last decades of his life to compiling encyclopedic works in Latin. Among them is Famous Women, the first collection of biographies in Western literature devoted exclusively to women.The 106 women whose life stories make up this volume range from the exemplary to the notorious, from historical and mythological figures to Renaissance contemporaries. In the hands of a master storyteller, these brief biographies afford a fascinating glimpse of a moment in history when medieval attitudes toward women were beginning to give way to more modern views of their potential.Famous Women, which Boccaccio continued to revise and expand until the end of his life, became one of the most popular works in the last age of the manuscript book, and had a signal influence on many literary works, including Chaucer’s Canterbury Tales and Castiglione’s Courtier. This edition presents the first English translation based on the autograph manuscript of the Latin.

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"Life of Dante" brings together the earliest accounts of Dante available, putting the celebratory essay of literary genius Giovanni Boccaccio together with the historical analysis of leading humanist Leonardo Bruni. Their writings, along with the other sources included in this volume, provide a wealth of insight and information into Dante's unique character and life, from his susceptibility to the torments of passionate love, his involvement in politics, scholastic enthusiasms and military experience, to the stories behind the greatest heights of his poetic achievements.Not only are these accounts invaluable for their subject matter, they are also seminal examples of early biographical writing. Also included in this volume is a biography of Boccaccio, perhaps as great an influence on world literature as Dante himself.

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“The Decameron has had numerous English translations, most of them bowdlerized or reliant on corrupt texts. The challenge is to move gracefully between the widely varying idioms employed for different tales and Rebhorn is notably successful in handling this, avoiding both an excess of slack colloquialism and the pish-tush-forsooth faux-antique of earlier renderings. The achievement genuinely honors its original.”—JONATHAN KEATES, The Telegraph

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Ten young Florentines flee the Black Death of 1348 by escaping to a country villa overlooking the city. There they spend ten days telling each other one hundred stories. Their stories run the gamut of medieval genres—romance, tragedy, comedy and farce—and are rich with wit, earthiness and even bawdy irreverence. Boccaccio’s reputation as one of the world’s greatest authors rests entirely on this singular, overflowing work. A tribute to the essential power of storytelling and laughter, even in the most trying times, The Decameron has been a source and inspiration for countless other storytellers over the centuries. Published on the 700th anniversary of Boccaccio’s birth, Wayne A. Rebhorn’s Decameron now speaks to us directly in a "lively, contemporary... English" (Stephen Greenblatt).

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This Norton Critical Edition includes: fifty-five judiciously chosen stories from Wayne A. Rebhorn’s translation of The Decameron; introductory materials, explanatory footnotes and three maps; biographical works by Filippo Villani and Ludovico Dolce, along with literary studies by Francesco Petrarca, Andreas Capellanus and Boccaccio; and eleven critical essays, including those by Giuseppe Mazzotta, Millicent Marcus, Teodolinda Barolini, Susanne L. Wofford, Luciano Rossi and Richard Kuhns. Also included are a chronology and selected bibliography.

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With a new foreword. Written in the fourteenth century by Italian author, poet and scholar Giovanni Boccaccio, the Decameron contains stories told by ten young Florentines who have fled the city to escape the Plague. Presented within the sophisticated structure of a surrounding frame story, the one hundred allegorical tales are shared through the voices of these people as they spend their nights regaling the company with tales intended to guide and comfort, from the erotic, sensual, and bawdy to the intellectual, philosophical and tragic. The work’s fundamental purpose is one of ethical instruction through the means of beautiful and entertaining prose, touching on themes of morality, fortune, human will, wit, virtue, female agency, and love won and lost. This is Boccaccio's masterpiece and is generally viewed as the work that confirmed his reputation as the founder of Italian prose literature. It is also one of the world's great literary masterpieces. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore, epic literature and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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The Decameron (c.1351) was written in the wake of the Black Death, a shattering epidemic which had shaken Florence's confident entrepreneurial society to its core. In a country villa outside the city, ten young noble men and women who have escaped the plague decide to tell each other stories. Boccaccio's skill as a dramatist is masterfully displayed in this virtuoso performance of one hundred tales, vivid portraits of people from all stations in life, with plots which revel in a bewildering variety of human reactions. Themes are playfully restated from one story to another within an elegant and refined framework. One of Chaucer's most fruitful sources for the Canterbury Tales, Boccaccio's work artfully combines the essential ingredients of narrative: fate and desire, crises and quick-thinking. This new translation by Guido Waldman captures the exuberance and variety and tone of Boccaccio's masterpiece. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A milestone in feminist literature, this marvelous European romance, narrated by a woman, is considered the first psychological novel in a modern language and a precursor of stream-of-consciousness fiction. Written by Giovanni Boccaccio between 1343 and 1345, The Elegy has never before been available in a complete or accurate English translation. Lady Fiammetta, the first-person narrator and protagonist, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, driven by irresistible passion, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his elderly father is said to be dying. When he fails to keep his promise to return, Fiammetta, in what is the heart of the narrative, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative, in fact, adds up to an indictment of men as both readers and lovers. Eliciting a remarkably wide range of responses from readers and critics, Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist.

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A new version of John Payne's Victorian translation, with an Introduction by Cormac O Cuilleanain. 1348. The Black Death is sweeping through Europe. In Florence, plague has carried off one hundred thousand people. In their Tuscan villas, seven young women and three young men tell tales to recreate the world they have lost, weaving a rich tapestry of comedy, tragedy, ribaldry and farce. Boccaccio's Decameron recasts the storytelling heritage of the ancient and medieval worlds into perennial forms that inspired writers from Chaucer and Shakespeare down to our own day. Boccaccio makes the incredible believable, with detail so sharp we can look straight into the lives of people who lived six hundred years ago. His Decameron hovers between the fading glories of an aristocratic past - the Crusades, the Angevins, the courts of France, the legendary East - and the colourful squalor of contemporary life, where wives deceive husbands, friars and monks pursue fleshly ends, and natural instincts fight for satisfaction. Here are love and jealousy, passion and pride - and a shrewd calculation of profit and loss which heralds the rise of a dynamic merchant class. These stories show us early capitalism during a moment of crisis and revelation.

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The Italian author Giovanni Boccaccio has had a long and colourful history in English translation. This new interdisciplinary study presents the first exploration of the reception of Boccaccio's writings in English literary culture, tracing his presence from the early fifteenth century to the 1930s. Guyda Armstrong tells this story through a wide-ranging journey through time and space - from the medieval reading communities of Naples and Avignon to the English court of Henry VIII, from the censorship of the Decameron to the Pre-Raphaelite Brotherhood, from the world of fine-press printing to the clandestine pornographers of 1920s New York, and much more. Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators. Armstrong is thereby able to reveal how the medieval text in translation is remade and re-authorized for every new generation of readers.

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