Search results for ""Author Gillian Conoley""
Nightboat Books A Little More Red Sun on the Human: New & Selected Poems
WINNER of the 39TH NORTHERN CALIFORNIA BOOK AWARD IN POETRY FINALIST for the 89TH CALIFORNIA BOOK AWARD IN POETRY SHORTLISTED for the 2019 GOLDEN POPPY BOOK AWARD IN POETRY Conoley’s selected poems assemble a shockingly varied body of work, comprising narrative, lyric, and fragmented forms. Her coruscating vibrant poems are informed by visual art and film, political engagement and playful linguistic constructions. Throughout, one can trace Conoley’s obsessions and concerns: democracy, metaphysics, motherhood, gender and race, futurity and history.
£13.49
Wave Books Profane Halo
Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning. Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt.
£9.99
Nightboat Books Notes from the Passenger
Sonically vivid, as empire and climate fall into catastrophe, these poems open portals where the living and the dead find one another in new communication.From Shelley Memorial Award Winner Gillian Conoley, Notes from the Passenger reminds us how with increased gun violence, war, plague, white supremacy, we are no longer “in control.” We are no longer drivers; we are passengers––destination unknown. Arriving like missives from a bardic journey, these poems explore how system collapse has led to a new space-time continuum. As our perception/projection of world shifts in the quotidian contemporary and historical—even ancient—time, these cinematic linguistically vibrant poems seek new order beyond division, within catastrophe and joy, written on the edge of being.
£12.99
City Lights Books Thousand Times Broken: Three Books
Thousand Times Broken brings together three extraordinary, previously untranslated books in which Henri Michaux's art and poetry merge in ways never seen before, composing a journey in which we----with the great visionary Michaux as our guide----are invited to hover between reading and looking, between the ineffable and the known, between body and spirit into a realm where it is possible to perceive "what one otherwise doesn't perceive, what one hardly suspects at all." Composed between 1956-1959, during Michaux's mescaline experiments, all three books engage a dynamic struggle between the mark and the word as Michaux searches for a medium up to the task of expressing the inexpressible. Included are Four Hundred Men on the Cross, a ghostly, enigmatic contemplation of Michaux's loss of faith, Peace in the Breaking, written under the influence of mescaline, its title poem of pure ascension sent flowing into the same spine-like furrows of Michaux's India ink drawings, and Watchtowers on Targets, a singular, automatic collaboration with surrealist and abstract expressionist painter Roberto Matta. Translated from the French by noted poet Gillian Conoley. Praise for Thousand Times Broken: "This is an invaluable addition to Michaux's works in English, filling an important gap with a vivid, vibrant linguistic performance."--Cole Swensen "In his quest for the inexpressible, Michaux represents the ultimate paradox, at once visionary mystic and rationalist, as he seeks to chart the journey without end. Gillian Conoley's skilled and vital translations, as well as her deeply illuminating commentaries on the three extraordinary volumes collected here, are indeed a revelation and a gift."--Michael Palmer "In Gillian Conoley's committed, devoted translation, with her thoughtful introduction, appear three visionary works from Henri Michaux. Michaux's turbulent but nuanced struggle with the cosmic defamiliarization of verbal and visual art registers risk wherein alphabetical signs become marks or figures, and figures become signs, become words."--Norma Cole "In these three remarkable works from the late fifties, in which the activity of inscription inhabits the abstract mark as well as the signifying word, Michaux "perceived what one otherwise doesn't perceive, what one hardly suspects if at all." Now, through Gillian Conoley's impassioned translation, Anglophone readers can perceive it too."--Barry Schwabsky, poet and critic for The Nation About the Author: One of the most influential French writers and visual artists of the twentieth century, Henri Michaux was known for his explorations of perception and consciousness. Gillian Conoley is the author of seven books of poetry and edits the long-running journal Volt.
£12.99