Search results for ""Author Gillian Conoley""

By one of America's most adventurous poets--Peace moves just beyond outrage and anger to bring the reader to revelations and shifts of consciousness, to possible visions and sightings in the shattered yards of the global dream

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WINNER of the 39TH NORTHERN CALIFORNIA BOOK AWARD IN POETRY FINALIST for the 89TH CALIFORNIA BOOK AWARD IN POETRY SHORTLISTED for the 2019 GOLDEN POPPY BOOK AWARD IN POETRY Conoley’s selected poems assemble a shockingly varied body of work, comprising narrative, lyric, and fragmented forms. Her coruscating vibrant poems are informed by visual art and film, political engagement and playful linguistic constructions. Throughout, one can trace Conoley’s obsessions and concerns: democracy, metaphysics, motherhood, gender and race, futurity and history.

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Conscious of politics and of music, these poems continue Conoley's explorations into the questions of grace and redemption, self and other, death in life, language and being, democracy and song. This collection takes its title from Italian philosopher and critic Giorgio Agamben's notion of a post-rapturous world whose figures roam the earth, striving to find new community, new meaning. Gillian Conoley's collections include Lovers in the Used World, Beckon, Tall Stranger (nominee for the National Book Critics Circle Award), Some Gangster Pain and the chapbooks Woman Speaking Inside Film Noir and Fatherless Afternoon. Winner of several Pushcart Prizes, the Jerome J. Shestack Award in Poetry and included in Best American Poetry, she is poet-in-residence and professor at Sonoma State University, where she is the founder and editor of Volt.

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Sonically vivid, as empire and climate fall into catastrophe, these poems open portals where the living and the dead find one another in new communication.From Shelley Memorial Award Winner Gillian Conoley, Notes from the Passenger reminds us how with increased gun violence, war, plague, white supremacy, we are no longer “in control.” We are no longer drivers; we are passengers––destination unknown. Arriving like missives from a bardic journey, these poems explore how system collapse has led to a new space-time continuum. As our perception/projection of world shifts in the quotidian contemporary and historical—even ancient—time, these cinematic linguistically vibrant poems seek new order beyond division, within catastrophe and joy, written on the edge of being.

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