Search results for ""Author Gilbert Sorrentino""
Marion Boyars Publishers Ltd Aberration of Starlight
£8.01
Dalkey Archive Press Blue Pastoral
"I see him now! Somewhere out there in that gloaming that we call the Past that Time forgot--his ratty beard and frizzy hair, his hearty grease sandwiches, his rusted bicycle clips. An unlikely hero, your good faces seem to say..."And so we meet our hero Serge "Blue" Gavotte, a modern-day Candide who quits his job, mounts a piano atop a broken-down pushcart and sets off with wife and child on a visionary quest across contemporary America in search of the "Perfect Musical Phrase." From the dismal plains of the Midwest to the technicolor sunsets of the Southwest, Blue refuses to let financial troubles, lecherous professors or the burdensome weight of his piano prevent him from reaching his final goal.A work of art masquerading as artifice, "Blue Pastoral" is a madhouse production whose hilarious cast of styles and forms includes everything from Rabelaisian lists to Swiftian satires to parodies of such pastoral modes as the eclogue, the idyll, and the elegy.
£9.99
Dalkey Archive Press Crystal Vision
Both comic and haunting, ?"Crystal Vision"?invokes the world of magic and the arcane as filtered through a group of characters gathered on the streets and in the stores of their Brooklyn neighborhood to gossip, insult, lust, brag, and argue. In a series of seventy-eight short narratives, Gilbert Sorrentino perfectly captures the speech, illusions, and confusion of The Magician, Ritchie, The Arab, Irish Billy, Big Duck, Doc Friday, Fat Frankie, and many others. Through formal inventiveness, Sorrentino liberates these characters from the confines of realism and gives us their world--zany, vulgar, hilarious, and exuberant.
£9.99
Dalkey Archive Press Mulligan Stew
Widely regarded as Sorrentino's finest achievement, Mulligan Stew takes as its subject the comic possibilities of the modern literary imagination. As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery," his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew" an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists—as Hugh Kenner in "Harper's" wrote, "for another such virtuoso of the List you'd have to resurrect Joyce." Soon, Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammet) take on lives of their own, completely sabotaging his narrative. Sorrentino has vastly extended the possibilities of what a novel can be in this extraordinary work, which both parodies and pays homage to the art of fiction.
£16.00
Marion Boyars Publishers Ltd Blue Pastoral
£10.01
Marion Boyars Publishers Ltd Crystal Vision
£15.00
Coffee House Press The Abyss of Human Illusion
Edited by his son Christopher Sorrentino, this is Gilbert Sorrentino’s final novel, completed just before his death in 2006. As Christopher writes, “Among his last words to me, when I visited him in the hospital the night before he died, were, `I’m sick of this bullshit.’” And it’s no wonder. Sorrentino spent his whole career fighting the bullshit that had crept into American writing. Along the way he gathered some enemies (his obituary in the New York Times quoted at length from a ancient critical attack), but he is still a hero to many writers and readers. As the San Francisco Chronicle says, ““Of the elder generation of postmodernists, only Thomas Pynchon and Sorrentino remain truly dangerous.” And as Bookforum assserts, “One of [Brooklyn]’s most intriguing and authentic homegrown talents, Sorrentino’s Bay Ridge deserves to be appreciated alongside Malamud’s Crown Heights, Arthur Miller’s Coney Island, Henry Miller’s and Betty Smith’s Williamsburg, Hamill’s and Auster’s Park Slope, and Lethem’s Boerum Hill.” In this novel, Sorrentino again proves that there is no place like the Brooklyn of his imagination—a city lost in time between the Depression era and some fraudulent bohemia of the present. Familiar, caustically funny, and cathartic, all his usual characters are here, too, including some we’ve met in previous books—aging artists, miserable couples, crackerjack salesmen, drunken soldiers, tyrannical white-collar supervisors, and avariciously stupid book reviewers.
£10.99