Search results for ""Author Gerry Smyth""

This book investigates the role of literary criticism in the process of Irish decolonisation since the late eighteenth century, with special emphasis on the 1950s. Drawing on the work of both Irish and international commentators – including Edward Said, David Lloyd, Gayatri Chakravorty Spivak and Luke Gibbons – Gerry Smyth seeks to reconfigure the established relations between literature and criticism. Smyth then sets his analysis against a modular theory of decolonisation based on a reading of Irish history from the perspective of contemporary postcolonial and post-structural theory. Engaging with debates in a number of current fields, Decolonisation and Criticism challenges many assumptions and practices of Irish literary history.

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Recent developments in Irish literature are largely ignored in existing critical texts on Irish culture. This is the first study to make a detailed examination of the new novelists and themes emerging in the genre, as well as covering the foundations of contemporary Irish fiction. Gerry Smyth provides a broad overview of the forms and theories that comprise the traditional Irish novel and explores the ways in which modern writers challenge established notions of Irish fiction. Focusing on the work of leading contemporary Irish writers – including Roddy Doyle, Glenn Patterson, Emma Donoghue and Patrick McCabe – Smyth employs innovative techniques in his analysis, such as the relevance of post-colonial theory to Irish literature, and the links between literature and wider cultural and political developments. Also included is a previously unpublished interview with Roddy Doyle.

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This book argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent since the revolutionary period at the outset of the twentieth century. The author goes on to argue that the novel is the literary form most apt for the exploration of betrayal in its social, political and psychological dimensions. The significance of this thesis comes into focus in terms of a number of recent developments – most notably, the economic downturn (and the political and civic betrayals implicated therein) and revelations of the Catholic Church’s failure in its pastoral mission. As many observers note, such developments have brought the language of betrayal to the forefront of contemporary Irish life. This book offers a powerful analysis of modern Irish history as regarded from the perspective of some of its most incisive minds, including James Joyce, Liam O’Flaherty, Elizabeth Bowen, Francis Stuart, Eugene McCabe and Anne Enright.

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The sea is beautiful and alluring, but it is also dangerous and deadly. Above all, it is unknowable and untameable. Storytelling offered our ancestors a means to understand and interact with the natural world, and in time these stories coalesced into the mythological systems of the world. And the ocean features in every mythological system in history. To reflect and explore this, Gerry Smyth has gathered together myths and folktales from cultures around the world – Native American, Caribbean, Polynesian, Persian, Indian, Scandinavian and European. Just as these stories have been passed down through generations, he brings his own narrative interpretation with additional discussion on their meaning. Stories are divided into seven sections: Origin Stories; Gods and Humans; Voyages; Lost Places, Imagined Spaces; Weather and Nature; Down to the Sea in Ships; Fabulous Beasts; and embellished with illustrations from the wide-ranging collections of the Library.

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This book argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent since the revolutionary period at the outset of the twentieth century. The author goes on to argue that the novel is the literary form most apt for the exploration of betrayal in its social, political and psychological dimensions. The significance of this thesis comes into focus in terms of a number of recent developments – most notably, the economic downturn (and the political and civic betrayals implicated therein) and revelations of the Catholic Church’s failure in its pastoral mission. As many observers note, such developments have brought the language of betrayal to the forefront of contemporary Irish life. This book offers a powerful analysis of modern Irish history as regarded from the perspective of some its most incisive minds, including James Joyce, Liam O’Flaherty, Elizabeth Bowen, Francis Stuart, Eugene McCabe and Anne Enright.

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Passed down in the oral tradition and sung traditionally as working songs, sea shanties tell the human stories of life at sea: hard graft, battling the elements, the loss of ships or pining for a lady on shore. Its pages decorated with hand-drawn or wood-cut illustrations from celebrated artist Jonny Hannah, Sailor Song addresses the current modern revival of sea shanties, and seeks to celebrate and to explore the historical, musical and social history of the traditional sea song through 40 beautiful, mournful, haunting and uplifting shanties. Acclaimed shanty devotee Gerry Smyth presents the background to each one alongside musical notation. The lyrics are elaborated with explanations of terminology, context including historical facts and accounts of life at sea, and the characters, both fictional and non-fictional, that appear in the songs from the great age of sail to the last days of square-rig. Where appropriate, a direct digital link is made to a shanty recording in the British Library Sound Archive.

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