Search results for ""Author Gerard Carruthers""

The Edinburgh Companion to Robert Burns provides both a comprehensive introduction to and the most contemporary critical contexts for the study of Robert Burns. Detailed commentary on the artistry of Burns is complemented by material on the cultural reception and afterlife of this most iconic of world writers. The biographical construction of Burns is examined as are his relations to Scottish, Romantic and International cultures. Burns is also approached in terms of his engagements with Ecology, Gender, Pastoral, Politics, Pornography, Slavery, and Song-culture, and there is extensive coverage of publishing history including Burns's place in popular, bourgeois and Enlightenment cultures during the late eighteenth century. This is the most modern collection of critical responses to Burns from scholars from the United Kingdom and North America, which, more than ever before, seeks to place Burns as a 'mainstream' man of Enlightenment and Romantic impetus and to explain the enduring and sometimes controversial fascination for both the man and his work over more than two hundred years. Key Features *Modern critical approaches to Burns: including readings of biographical construction, gender and publishing and reception history *Detailed discussion of the cultural afterlife of Burns *Location of Burns in the Enlightenment and Romantic periods *Entirely new readings of Burns's major poems

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A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.

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This guide combines detailed literary history with discussion of contemporary debates about Scottishness. The book considers the rise of Scottish Studies, the development of a national literature, and issues of cultural nationalism. Beginning in the medieval period during a time of nation building, the book goes on to focus on the 'Scots revival' of the eighteenth and nineteenth centuries before moving on to discuss the literary renaissance of the twentieth century. Debates concerning Celticism and Gaelic take place alongside discussion of key Scottish writers such as William Dunbar, Robert Burns, Walter Scott, Thomas Carlyle, Margaret Oliphant, Hugh MacDiarmid, Alasdair Gray, Janice Galloway and Liz Lochhead. The book also considers emigre writers to Scotland; Scottish literature in relation to England, the United States and Ireland; and postcolonialism and other theories that shed fresh light on the current status and future of Scottish literature. Key Features *Identifies the main trends in the emergence and development of Scottish literature, situating them in historical and cultural context *Discusses long-running debates about Scottish language and national identity through detailed readings of authors and texts *Introduces students to a variety of comparative and theoretical approaches which further develop an understanding of Scottish literature *Encourages reflection on questions of Scottish nationalism, cultural politics, canonicity and the rise of Scottish Studies

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Scotland, like so many other nations, has produced poetry that is patriotic, that paints landscapes, people and situations, that speaks to personal matters, and those equally everyday matters pertaining to the mind and to the spirit. The Christian heritage of Scotland has long been played out in verse, through Celtic devotional works, Catholic works, Protestant works, and not forgetting satires on the Puritanism in Scotland's post-Reformation identity. Language and culture have been equally multifarious in the nation so that three major languages: Scots, English and Gaelic (examples of which are translated in this anthology) compete and co-exist in poetry. The fifteenth century poet, William Dunbar, joked that there was no music in hell except for the bagpipes, and there speaks something of the historic lowland attitude to the Gaidhealtachd (Gaelic speaking Scotland, principally the highlands). Hostility and eventual harmony is a marker of the Scottish highlands/lowlands divide as much as for that between Scotland and England. Historic tension is not to be dismissed but, certainly, the poetic palette of Scotland is one of multilingual richness, and shows an enduringly high quality whatever the cultural vicissitudes that play a part. The medieval Makars, most prominently Robert Henryson, William Dunbar and Gavin Douglas, are often taken to represent a golden age when poetry in Scots ran the full range of mood, mode and subject matter. If this has, perhaps, never been bettered, the sixteenth century lyrics and sonnets of Alexander Montgomerie, Alexander Scott and other poets around the court of James VI, and the eighteenth century vernacular 'revival' of Allan Ramsay, Alexander Ross, Robert Fergusson and Robert Burns represent at points equally brilliant periods; and the twentieth century 'modern renaissance' of Hugh MacDiarmid, Violet Jacob and William Souter proved that Scots remained a viable poetic currency, as a living poet such as Tom Leonard continues to demonstrate. Poetry in Gaelic too has its tradition of peaks where the flame seems to burn more visibly at certain times than others. Alexander Macdonald (Alasdair Mac Mhaghstir Alasdair), Rob Donn (Rob Donn MacAoidh) and Duncan MacIntyre (Donnchadh Bàn Mac an t-Saoir) make the eighteenth century a high point in achievement, while Sorley Maclean, George Campbell Hay and Iain Crichton Smith do similarly for the twentieth century: the latter three, arguably, making Gaelic verse the most able variety in Scotland during the last sixty years. Historically as many successes are scored in Scottish poetry in English. James Thomson, author of The Seasons, joins James Macpherson translator/creator of the poetry of 'Ossian' in promulgating works that are seminally iconic and influential right across the artistic genres, painting and music as much as literature, in western culture. The romantic, patriotic poetic image of Scotland is sounded in English as much as in any other language, as the writing of Walter Scott or Lady Nairne attests. James (B.V.) Thomson, John Davidson, Edwin Muir, Norman MacCaig, W.S. Graham, Edwin Morgan, Liz Lochhead, Kathleen Jamie and Don Paterson are all deeply Scottish poets speaking through the nineteenth and twentieth centuries to the worldwide audience that exists for creative utterance that both emanates from but is never limited by the particularity of place. Scotland's story is one that is never certain, but, enduringly and importantly its poetry is.

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Examines representations of Robert Burns and his work in a wide range of performance modes Examination of representation of Robert Burns and his work in a wide range of performance modes Analysis of 'Robert Burns' as a cultural performance rising from different representations of his work by different editors, composers, writers, performers and film-makers Fresh detailed studies of Burns as a performed and performative construct, exploring ways in which he is encountered as a living author Contributions by leading experts in music, drama, film and history as well as literature Perspectives on Burns songs offered by musical experts and leading performers This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular culture. A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.

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The 1820 Scottish Rising has been increasingly studied in recent decades. This collection of essays looks especially at local players on the ground across multiple regional centres in the west of Scotland, as well as the wider political circumstances within government and civil society that provide the rising’s context. It examines insurrectionist preparation by radicals, the progress of the events of 1820, contemporary accounts and legacy memorialisation of 1820, including newspaper and literary testimony, and the monumental ‘afterlife’ of the rising. As well as the famous march of radicals led by John Baird and Andrew Hardie, so often seen as the centre of the 1820 ‘moment’, this volume casts light on other, more neglected insurrectionary activity within the rising and a wide set of cultural circumstances that make 1820 more complex than many would like to believe. 1820: Scottish Rebellion demonstrates that the legacy of 1820 may be approached in numerous ways that cross disciplinary boundaries and cause us to question conventional historical interpretations.

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When talking about the Enlightenment, ornithology is seldom the first topic of conversation. Still, Enlightenment and ornithology converge in one important respect, that of abundance. In our time, new-wave ornithologists have renewed their faith in eighteenth-century expectations for the discovery of a gigantic number of bird species. It is at this intersection between abundant modern science and ambitious Enlightenment ideology that this remarkable collection of five essays on Alexander Wilson (1766-1813), the father of American ornithology, makes its original and delightful contribution. Alexander Wilson: Enlightened Naturalist recovers Wilson’s literary, artistic and musical pursuits, and the cultural contexts of his life in the Scotland of Robert Burns. It also explores Wilson’s scientific and philosophic contribution to American ornithology in American Ornithology; or The Natural History of the Birds of the United States, published in Philadelphia between 1808 and 1814. Alexander Wilson is richly illustrated, links to a web site of audio readings of Wilson’s Scots poems– links that are embedded in the ebook–and includes a tribute to the late Edward H. Burtt, Jr., who died shortly before publication.

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