Search results for ""Author George L. Mosse""

Originally published in 1970, Germans and Jews brings together George L. Mosse’s thoughts on a critical time in German history when thinkers on both the left and the right shared a common goal. In the late nineteenth and early twentieth centuries, intellectuals across the political spectrum aimed to solve the problems of contemporary society by creating a force that would eliminate both state Marxism and bourgeois society: a “third force” beyond communism and capitalism. This pervasive turn in ideology had profound effects on German history. In Mosse’s reading, left-wing political efforts became increasingly unrelated to reality, while the right finally discovered in fascism the force it had been seeking. This innovative perspective has implications for understanding not only the rise of fascism and Nazism in Germany but also the rise and fall of the New Left in the United States and Europe, which was occurring at the time of Mosse’s writing. A new critical introduction by Sarah Wobick-Segev, research associate at the University of Hamburg, places Mosse’s work in its historical and intellectual contexts and draws lessons for students and scholars today.

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Max Nordau was a famous writer, a practicing physician, a bourgeois examplar of enterprise and energy when his Degeneration appeared in Germany in 1892. He argued that the spirit of the times was characterized by enervation, exhaustion, hysteria, egotism, and inability to adjust or to act. Culture had degenerated, he said, and if criminals, prostitutes, anarchists, and lunatics were degenerates, so were the authors and artists of the era. Degeneration, and the controversy it aroused, served to define the fine de siècle. Its targets included Nietzsche, Oscar Wilde, Ibsen, Tolstoy, Richard Wagner, Zola, and Walt Whitman. The book was enormously influential. Nordau anticipated Freud in describing art as a product of neurosis, and he set a precedent for psychological and sociological critiques of literature. You may wish to talk back to Degeneration, as George Bernard Shaw did, but you will be entertained by its vitality. Holbrook Jackson, in The Eighteen Nineties, called the book "an example of the very liveliness of a period which was equally lively in making or marring itself."

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The Culture of Western Europe, George L. Mosse’s sweeping cultural history, was originally published in 1961 and revised and expanded in 1974 and 1988. Originating from the lectures at the University of Wisconsin–Madison for which Mosse would become famous, the book addresses, in crisp and accessible language, the key issues he saw as animating the movement of culture in Europe. Mosse emphasizes the role of both rational and irrational forces in making modern Europe, beginning with the interplay between eighteenth-century rationalism and nineteenth-century Romanticism. He traces cultural and political movements in all areas of society, especially nationalism but also economics, class identity and conflict, religion and morality, family structure, medicine, and art. This new edition restores the original 1961 illustrations and features a critical introduction by Anthony J. Steinhoff, professor in the department of history at the UniversitÉ du QuÉbec À MontrÉal, contextualizing Mosse’s project and arguing for its continued relevance today.

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The Fascist Revolution is the culmination of George L. Mosse's groundbreaking work on fascism. Originally published posthumously in 1999, the volume covers a broad spectrum of topics related to cultural interpretations of fascism from its origins through the twentieth century. In a series of magisterial turns, Mosse examines fascism's role in the French Revolution, its relationship with nationalism and racism, its use by intellectuals to foment insurrection, and more as a means to define and understand it as a popular phenomenon on its own terms. This new edition features a critical introduction by Roger Griffin, professor emeritus of modern history at Oxford Brookes University, contextualizing Mosse's research as fascism makes a global resurgence.

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First published in 1975, The Nationalization of the Masses is George L. Mosse’s major statement about political symbols and the means of their diffusion. Focusing on Germany and, to a lesser degree, France and Italy, Mosse analyzes the role of symbols in fueling mass politics, mass movements, and nationalism in a way that is broadly applicable and as relevant today as it was almost fifty years ago. In this analysis Mosse introduces terms like “secular religion,” “political liturgy,” “national mystique,” “the new politics,” and “the aesthetics of politics” that are now standard in studies of nationalism and fascism, demonstrating the importance of his cultural, anthropologically informed lens to contemporary discourse. This new edition contains a critical introduction by Victoria de Grazia, Moore Collegiate Professor of History at Columbia University, contextualizing Mosse’s research and exploring its powerful influence on subsequent generations of historians.

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