Search results for ""Author George Grossmith""

With an Introduction and Notes by Michael Irwin, Professor of English Literature, University of Kent at Canterbury. The Diary of a Nobody is so unassuming a work that even its author, George Grossmith, seemed unaware that he had produced a masterpiece. For more than a century this wonderfully comic portrayal of suburban life and values has remained in print, a source of delight to generations of readers, and a major literary influence, much imitated but never equalled. If you don’t recognise yourself at some point in The Diary you are probably less than human. If you can read it without laughing aloud you have no sense of humour.

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George Grossmith enjoyed a successful career spanning four decades as an accomplished singer, comic actor and songwriter. He was particularly renowned for his performances in a number of Gilbert and Sullivan operas. His younger brother Weedon trained as an artist and worked as a portrait painter before turning his hand to acting and playwriting. The brothers shared a gift for comedy and from 1888 to 1889 they collaborated on a series of brilliantly observed columns in Punch magazine featuring the diary of an impossibly pompous lower-middle-class bank clerk named Charles Pooter. The Diary of a Nobody went on to be published in book form in 1892 and it has been in print ever since.

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Channelling a razor-sharp satire through the everyday mishaps of the immortal comic character Mr Pooter, George and Weedon Grossmith's The Diary of a Nobody is edited with an introduction and notes by Ed Glinert in Penguin Classics.Mr Pooter is a man of modest ambitions, content with his ordinary life. Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. In the bumbling, absurd, yet ultimately endearing character of Pooter, the Grossmith brothers created a wonderful portrait of the class system and the inherent snobbishness of the suburban middle-class suburbia - one which sends up the late Victorian crazes for Aestheticism, spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody. This edition contains the original illustrations by Weedon Grossmith and an introduction by Ed Glinert, author of The London Compendium, discussing the novel's serialisation in Punch, the growth of the suburbs and the figure of Mrs Pooter.George Grossmith (1847-1912) initially worked as a journalist, reporting Police Court proceedings for The Times. In 1870 he began his career as a singer and entertainer, creating some of the most memorable characters in Gilbert and Sullivan's operettas. Weedon Grossmith (1854-1919) brother of George, was educated at the Slade and the Royal Academy with a view to following a career as a painter, and exhibited at the Grosvenor Gallery and the Royal Academy. Joining a theatre company in 1885, he toured the provinces and America. The best-known of his many plays, The Night of the Party, was published in 1901.If you enjoyed The Diary of a Nobody, you might like Jerome K. Jerome's Three Men in a Boat, also available in Penguin Classics.'The funniest book in the world'Evelyn Waugh'True humour ... with its mixture of absurdity, irony and affection ... a masterpiece, immortal'J.B. Priestley

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The Diary of a Nobody, the spoof diary of Charles Pooter, a London clerk, first appeared as a book in 1892 and has never been out of print since. The hilariously trivial doings of the accident-prone Pooter, his wife Carrie and their troublesome son Lupin have inspired many writers since, including the authors of Bridget Jones’s Diary and The Secret Diary of Adrian Mole. The satirical novelist Evelyn Waugh called it “the funniest book in the world.” This enduring classic of Victorian social comedy is now available in a newly edited Broadview edition.This edition includes a critical introduction, comprehensive notes on the many historical allusions in the text, and a wide selection of relevant contemporary materials on the clerk’s life, suburbia, spiritualism, and domestic economy. A selection of Weedon Grossmith’s original illustrations also accompanies the novel.

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