Search results for ""Author Gary Scharnhorst""
University of Illinois Press Julian Hawthorne: The Life of a Prodigal Son
Julian Hawthorne (1846-1934), Nathaniel Hawthorne's only son, lived a long and influential life marked by bad circumstances and worse choices. Raised among luminaries such as Thoreau, Emerson, and the Beecher family, Julian became a promising novelist in his twenties, but his writing soon devolved into mediocrity. What talent the young Hawthorne had was spent chasing across the changing literary and publishing landscapes of the period in search of a paycheck, writing everything from potboilers to ad copy. Julian was consistently short of funds because--as biographer Gary Scharnhorst is the first to reveal--he was supporting two households: his wife in one and a longtime mistress in the other. The younger Hawthorne's name and work ethic gave him influence in spite of his haphazard writing. Julian helped to found Cosmopolitan and Collier's Weekly. As a Hearst stringer, he covered some of the era's most important events: McKinley's assassination, the Galveston hurricane, and the Spanish-American War, among others. When Julian died at age 87, he had written millions of words and more than 3,000 pieces, out-publishing his father by a ratio of twenty to one. Gary Scharnhorst, after his own long career including works on Mark Twain, Oscar Wilde, and other famous writers, became fascinated by the leaps and falls of Julian Hawthorne. This biography shows why.
£29.70
McFarland & Co Inc Mark Twain and the Critics, 1891-1910: Selected Notices of the Late Writings
Over the final twenty years of his life, Mark Twain was an incredibly controversial figure. He evolved from the "clown prince of American literature" into a biting social critic and political observer. While some pundits hailed him as a satirist equal to Cervantes and Jonathan Swift, others excoriated him as a "degenerate literary freak" who wielded a "scurrilous and venomous pen."This volume traces the evolution of Mark Twain's public image between 1891 and his death in 1910. It features hundreds of reviews and other critical notices printed in magazines and newspapers across the U.S. and other English-speaking countries. This selected sample represents the full range of critical opinion, whether favorable or hostile, about Mark Twain's late writings. Sources reflect geographical differences in Twain's contemporary reputation, such as the conflicted responses in the British colonies towards Mark Twain's anti-imperialism and the pious disapproval in the American heartland for his attacks on foreign missions.
£58.50
University of Nebraska Press John Ermine of the Yellowstone
No one knew how the blue-eyed, blond-haired white baby came to be abandoned, but the Crow tribe that found him raised him as one of its own. As he grew into adolescence, White Weasel was taken to Crooked-Bear, a white man who had long ago abandoned society for a solitary mountain existence and who acted as counselor to the Crow elders. Under Crooked-Bear’s tutelage, White Weasel was schooled in white ways and rechristened John Ermine. Frederic Remington’s compelling tale relates Ermine’s successful reintroduction into white society, his heroic exploits as a scout in the military, and his growing interest in a white lady, Miss Katherine Searles. In his love for Katherine, Ermine must face the complexities and inequalities of American society. Although American culture may well laud Ermine's military prowess and personal integrity, since he is “wild” he can never truly rise through the ranks of society. It is inevitable that Ermine’s story ends in tragedy.John Ermine of the Yellowstone is both an epic Western in the classic sense and a complex tale that captures the conflict between European Americans and Native Americans in the Wild West. John Ermine is the tragic character caught between two cultures, unable to assimilate fully into either. Famed artist Frederic Remington uses his pen to convey the irreparable stalemate between two groups of people in an untamed West while making a moving argument for the preservation of a truly wild western front.
£17.64
University of Illinois Press Oscar Wilde in America: The Interviews
Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.
£22.99
University of Illinois Press Oscar Wilde in America: The Interviews
Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.
£89.10
