Search results for ""Author Gabriela Rangel""

Beginning with a Bang! features the shift between the explosive and experimental moment in the Argentine art scene of the 1960s, and the current scene emerging after the extreme crises in Argentina during the last 40 years. In the 1960s, artists explored destruction and dematerialization to propose original contributions to the fields of conceptual and action-based art. Today, artists explore fiction and intimacy as critical strategies to review and rebuild the artistic system. The exhibition catalogue brings together a historical section as well as information of performance-based actions and sound and video works by Argentine contemporary artists: Marina De Caro, Ana Gallardo, Graciela Hasper, Roberto Jacoby and Syd Krochmalny, Fabio Kacero, Fernanda Laguna, Patricio Larrambebere, Eduardo Navarro, Leandro Tartaglia, and Judi Werthein. Included are essays by Ana Longoni, Victoria Noorthoorn, Daniel Quiles, and Gabriela Rangel; manifestos by Alberto Greco, Aldo Pellegrini, Manuel Peralta Ramos and Eduardo Costa, Raul Escari, and Roberto Jacobi, as well as a historical timeline of Argentine art.

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The first substantial monograph on Elsa Gramcko, an artist who redefined abstraction and assemblage Postwar artist Elsa Gramcko (1925–94) never identified her practice with a formal artistic movement but freely explored geometric abstraction, Surrealism and Informalism through painting, assemblage, and sculpture. She is often associated with prominent Venezuelan women artists such as Gego (Gertrude Goldschmidt), Tecla Tofano and Mercedes Pardo, who also began to expand the limits of art in the 1960s. The publication frames Gramcko’s contribution to global modernism outside the doctrinal limitations of the avant-garde, offering a comprehensive survey of her artistic practice from the mid-1950s through the mid-1970s—from her paintings of graphic, biomorphic shapes to her groundbreaking assemblages made of conglomerate techniques that morphed the use of found wooden boards and planks. It includes essays by Gabriela Rangel and art historian and writer Aruna D’Souza, which examine Gramcko’s critical approach to petro-modernity, along with with unpublished letters the artist wrote to Alejandro Otero in the early 1960s that defined her relationship to objecthood.

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