Search results for ""Author Frank Felsenstein""

In Anti-Semitic Stereotypes, Felsenstein focuses on English cultural attitudes toward Jews during what is known as the "longer" eighteenth century, from roughly 1660 through 1830. He describes the persistence through the period of certain negative biases that, in many cases, can be traced back at least to the late Middle Ages. Felsenstein finds evidence of these biases in a wide range of primary sources-chapbooks, ephemeral pamphlets, tracts, jest books, prints, folklore, proverbial expressions, and so on, as well as in the products of higher culture. With the advent of the nineteenth century, however, he sees a gradual development of more liberal attitudes in English society, "inchmeal evidence of the loosening hold upon the collective imagination of medieval beliefs concerning the Jews."

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This book presents two unpublished plays by the English radical, John Thelwall (1764-1834), who, as a leading member of the prorevolutionary London Corresponding Society, was tried and acquitted of high treason in 1794. A close friend of Coleridge, Thelwall was a prolific man of letters who produced novels, poetry, journalism, criticism, scientific and political essays, and autobiography. Both plays, libretti for the London theater, are especially topical today as popular literary forms to polemicize critical issues of race, empire, revolution, and sexuality. Incle and Yarico (1787) comically treats the well-known eighteenth-century love story of Inkle and Yarico, in which an English merchant betrays and sells into slavery an Indian maiden, and innocent 'Noble Savage.' The play may well be the earliest drama penned specifically in the cause of abolition. The Incas (1792) allegorizes the French Revolution and the English suppression of dissent in portraying a confrontation between the Europeans and the New World. Drawing upon and extending the precepts of Enlightenment radicalism, Thelwall undermines the justifications for empire. These manuscript plays, recovered from library archives at Yale University and the British Library, add to the growing canon of an author whose reputation continues to be augmented by new discoveries and fresh insights. In separate introductions and explanatory notes, the editors contextualize each play in terms of the London theater, the slave trade controversy, representations of race, and opposition to empire.

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Tobias Smollett travelled through Europe with his wife in 1763-65 in a journey designed to recover his mental and physical health after the death of their daughter. The resulting travel narrative provoked controversy and anger in the eighteenth century, when it was often negatively compared to Laurence Sterne’s fictional European travels in A Sentimental Journey through France and Italy. Unlike Sterne’s sensitive hero, Smollett is argumentative, acerbic, and often contemptuous of local customs.In addition to a critical introduction, this edition provides extensive annotation and appendices with material on Smollett’s correspondence, the book’s reception in the eighteenth and nineteenth centuries, related travel writing, and Smollett’s infamous satirization as “Smelfungus” in Sterne’s A Sentimental Journey.

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Bringing together leading scholars of literature, history, library studies, and communications, Print Culture Histories Beyond the Metropolis rejects the idea that print culture necessarily spreads outwards from capitals and cosmopolitan cities and focuses attention to how the residents of smaller cities, provincial districts, rural settings, and colonial outposts have produced, disseminated, and read print materials. Too often print media has been represented as an engine of metropolitan modernity. Rather than being the passive recipients of print culture generated in city centres, the inhabitants of provinces and colonies have acted independently, as jobbing printers in provincial Britain, black newspaper proprietors in the West Indies, and library patrons in "Middletown," Indiana, to mention a few examples. This important new book gives us a sophisticated account of how printed materials circulated, a more precise sense of their impact, and a fuller of understanding of how local contexts shaped reading experiences.

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