Search results for ""Author Francisco Goldman""

The Interior Circuit is Goldman's story of his emergence from grief five years after his wife's death, symbolized by his attempt to overcome his fear of driving in the city. Embracing the DF (Mexico City) as his home, Goldman explores and celebrates the city which stands defiantly apart from so many of the social ills and violence wracking Mexico. This is the chronicle of an awakening, both personal and political, 'interior' and 'exterior', to the meaning and responsibilities of home. Mexico's narcotics war rages on and, with the restoration of the Institutional Revolutionary Party (the PRI) to power in the 2012 elections, the DF's special apartness seems threatened. In the summer of 2013, when Mexican organized-crime violence and deaths erupt in the city in an unprecedented way, Goldman sets out to try to understand the menacing challenges the city now faces. By turns exuberant, poetic, reportorial, philosophic, and urgent, The Interior Circuit fuses a personal journey to an account of one of the world's most remarkable and often misunderstood cities.

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FINALIST FOR THE PULITZER PRIZE FOR FICTION 2022'Full of rebellious comedy and vitality... Goldman's autobiographical immersion answers the urgent cry of memory... [He] is a natural storyteller - funny, intimate, sarcastic, all-noticing.' James Wood, New YorkerFrancisco Goldman's first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity - whether Jewish/Catholic, white/brown, native/expat - and one misfit's quest to heal his damaged past and find love.Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the spectre of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing - as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him 'monkey boy,' all loom.Told in an intimate, irresistibly funny and passionate voice, this extraordinary portrait of family and growing up 'halfie' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

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'Full of rebellious comedy and vitality... Goldman's autobiographical immersion answers the urgent cry of memory... [He] is a natural storyteller - funny, intimate, sarcastic, all-noticing.' James Wood, New YorkerFrancisco Goldman's first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity - whether Jewish/Catholic, white/brown, native/expat - and one misfit's quest to heal his damaged past and find love.Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the spectre of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing - as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him 'monkey boy,' all loom.Told in an intimate, irresistibly funny and passionate voice, this extraordinary portrait of family and growing up 'halfie' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.

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Celebrated novelist Francisco Goldman married a beautiful young writer named Aura Estrada in a romantic Mexican hacienda in the summer of 2005. The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura's death by her family and blaming himself, wanted to die, too. But instead he wrote Say Her Name, a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain. Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe - and always through the prism of her gifted writings - Goldman seeks her essence and grieves her loss. Humour leavens the pain as he lives through the madness of utter grief and creates a living portrait of a love as joyous and playful as it is deep and profound. Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura - who she was and who she would have been.

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On a Sunday night in 1998, Bishop Juan Gerardi, Guatemala's leading human rights activist, was bludgeoned to death. Two days earlier, a Church-sponsored report had implicated Guatemala's government in the disappearances of 200,000 civilians. The Church, feeling that it could not rely on the legal system, took the controversial decision to assemble a team of men, Los Intocables (The Untouchables), to take down Gerardi's killers.In a gripping reconstruction, worthy of Graham Greene, Francisco Goldman traces Los Intocables struggle with the Guatemalan authorities to reveal the true story, uncovering the involvement of youth gangs, political corruption and organised crime. Most of all, he tells the story of an extraordinary group of courageous people and their fight for justice.

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Francisco, a young veteran of the war in Nicaragua, comes to New York with 14 other men to staff Urua, a wreck of a ship sitting idle on a Brooklyn pier, leaving Francisco and his fellow crew members trapped, unable to find work or return home.

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Economist & The Financial TimesOne day a few years ago, 300 migrants were kidnapped between the remote desert towns of Altar, Mexico, and Sasabe, Arizona. A local priest got 120 released, many with broken ankles and other marks of abuse, but the rest vanished. Óscar Martínez, a young writer from El Salvador, was in Altar soon after the abduction, and his account of the migrant disappearances is only one of the harrowing stories he garnered from two years spent traveling up and down the migrant trail from Central America and across the US border. More than a quarter of a million Central Americans make this increasingly dangerous journey each year, and each year as many as 20,000 of them are kidnapped.Martínez writes in powerful, unforgettable prose about clinging to the tops of freight trains; finding respite, work and hardship in shelters and brothels; and riding shotgun with the border patrol. Illustrated with stunning full-color photographs, The Beast is the first book to shed light on the harsh new reality of the migrant trail in the age of the narcotraficantes.

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