Search results for ""Author Francis Spufford""

'Anyone who reads or ever read children's books - read this. It's a joy.' Irish Times 'Exhilarating.' New York Times Book Review 'Sublime.' Peter Ackroyd, The Times ** An Evening Standard, Daily Telegraph, Independent, Guardian and Irish Times Book of the Year. ** What would you find if you went back and re-read your favourite books from childhood?In The Child That Books Built Francis Spufford revisits all those childhood obsessions: fairy tales; Where the Wild Things Are; The Lord of the Rings; The Chronicles of Narnia; Little House on the Prairie; The Wind in the Willows; The Earthsea Trilogy and more. In these treasured tales Francis Spufford discovers both delight and sadness - the thrill as worlds of imagination opened up before him mixed with the memories of a boy who retreated into books when faced with a family tragedy.

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'Passionate, challenging, tumultuously articulate . . . Fascinating.' John Carey, Sunday Times'A wonderful, effortlessly brilliant book.' Evening Standard'A rare gem, a book that carries conviction by being honest all the way through.' John Gray, IndependentUnapologetic is a book for those curious about how faith can possibly work in the twenty-first century. But it isn't an argument that Christianity is true - because how could anyone know that (or indeed its opposite)? It's an argument that Christianity is recognisable, drawing on the deep and deeply ordinary vocabulary of human feeling, satisfying those who believe in it by offering a ruthlessly realistic account of the bits of our lives advertising agencies prefer to ignore.

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Estamos todos tan de vuelta de todo, tenemos tanta información, tantas opiniones, tanta ironía. No es fácil escribir un ensayo que descoloque y escandalice, que presente una idea novedosa e inesperada. Spufford lo ha conseguido con el argumento probablemente menos popular de nuestro tiempo: ?Creo en Dios, para mí el cristianismo tiene sentido y estoy harto de que ustedes, los ateos y agnósticos, se crean más listos que yo?. Profesor de literatura, intelectual progresista, Spufford demuestra aquí que se puede ser creyente y vivir en el mundo del siglo XXI sin aguantar que nadie le venga a perdonar la vida.Ya les hemos contado el final, pero háganse un favor: pasen y lean. No se arrepentirán.

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A thrilling tale of murder and mystery in a city where history has run a little differently -- from the best-selling author of Golden Hill.''Utterly immersive.'' Spectator''Thrilling.'' Financial Times''Unlike anything else you will read this year.'' Daily Express''A classic of alternative history.'' Observer''A delight.'' Sunday TelegraphIt's 1922 and Americans are drinking in speakeasies, dancing to jazz, stepping quickly to the tempo of modern times. In the ancient city of Cahokia a teeming industrial metropolis, a tinderbox of every race and creed peace holds. Just about. But on a snowy night at the end of winter, two roughshod detectives are called to the roof of a skyscraper. Their investigation will spill the city's secrets and bring it, against a soundtrack of wailing clarinets, either to destruction or rebirth.What readers are saying:<

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**Longlisted for the Booker Prize 2021****Winner of the RSL Encore Award**From the author of Golden Hill 'My god he can write.' Richard Osman'Glorious.' Evening Standard'Exhilarating.' TLS'Brilliant.' Observer'Dazzling.' The Times'Extraordinary.' Financial Times'Superb.' GuardianNovember 1944. A German rocket strikes London and five young children are atomised in an instant. Here are the futures they might have known, had they experienced the unimaginable changes of the twentieth century - futures that illuminate the miraculous in the everyday, and the preciousness of life itself.

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An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability Francis Spufford’s welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination? Ranging freely across topics as diverse as the medieval legends of Cockaigne, the Christian apologetics of C. S. Lewis, and the tomb of Ayatollah Khomeini, Spufford provides both fresh observations and thought-provoking insights. No less does he inspire an irresistible urge to turn the page and read on.

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The Antarctic: An Anthology features an international mix of classic first-person accounts of exploration, literary travelogues and works of cultural history, natural science and fiction about the South Pole. Contributors include British, American, Australian, Scandinavian, Japanese and Russian explorers such as Ernest Shackleton, Apsely Cherry-Garrard, Robert Falcon Scott, Roald Amundsen, Richard Byrd and Fouglas Mawson; novelists such as H. P. Lovecraft, Diane Ackerman, Jenny Diski and Kim Stanley Robinson; and popular travel writers such as Sara Wheeler. It is published alongside acompanion volume, The Arctic: An Anthology.

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A thrilling tale of murder and mystery in a city where history has run a little differently -- from the bestselling author of Golden Hill.In a city that never was, in an America that never was, on a snowy night at the end of winter, two detectives find a body on the roof of a skyscraper.It's 1922, and Americans are drinking in speakeasies, dancing to jazz, stepping quickly to the tempo of modern times. Beside the Mississippi, the ancient city of Cahokia lives on - a teeming industrial metropolis, containing every race and creed. Among them, peace holds. Just about. But that body on the roof is about to spark off a week that will spill the city's secrets, and bring it, against a soundtrack of wailing clarinets and gunfire, either to destruction or rebirth.The multiple-award-winning Francis Spufford returns, with a lovingly created, richly pleasure-giving, epically scaled tale set in the golden age of wicked entertainments.

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** Cahokia Jazz, the new novel from Francis Spufford, is available for preorder now. ** 'Best book of the century.' Richard Osman'Just wonderful.' Jan Morris'A marvel.' Zadie Smith 'Every bit as superb as everyone says.' Sarah PerryWinner of the Costa First Novel Award 2016Winner of the RSL Ondaatje Prize 2017Winner of the Desmond Elliott Prize 2017Shortlisted for the Walter Scott Prize for Historical Fiction 2017Shortlisted for the Rathbones Folio Prize 2017Shortlisted for the Authors' Club Best First Novel Award 2017Shortlisted for the British Book Awards Debut Novel of the Year 2017A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURYNew York, a small town on the tip of Manhattan Island, 1746. One rainy evening, a charming and handsome young stranger fresh off the boat from England pitches up to a counting house on Golden Hill Street, with a suspicious yet compelling proposition -- he has an order for a thousand pounds in his pocket that he wishes to cash. But can he be trusted? This is New York in its infancy, a place where a young man with a fast tongue can invent himself afresh, fall in love, and find a world of trouble . . .

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'A truly majestic work of scholarship, thought and literary imagination.' Jan Morris, The Times 'Shot through with crystalline brilliance.' Washington Post 'Fascinating.' Sunday Times When Captain Scott died in 1912 on his way back from the South Pole, his story became a myth embedded in the national imagination. Everyone remembers the doomed Captain Oates's last words: 'I'm just going outside, and I may be some time.' Francis Spufford's celebrated and prize-winning history shows how Scott's death was the culmination of a national enchantment with vast empty spaces, the beauty of untrodden snow, and perilous journeys to the end of the earth.Winner of the Sunday Times Young Writer of the Year Award, the Writers' Guild Non-Fiction Book of the Year and the Banff Mountain Book Prize.

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'Utterly immersive' Spectator'Thrilling' Financial Times'Unlike anything else you will read this year' Daily Express 'A classic of alternative history' Observer 'A delight' Sunday TelegraphA Guardian, Financial Times, New Statesman and Times Literary Supplement Book of the Year A thrilling tale of murder and mystery in a city where history has run a little differently -- from the bestselling author of Golden Hill.In a city that never was, in an America that never was, on a snowy night at the end of winter, two detectives find a body on the roof of a skyscraper.It's 1922, and Americans are drinking in speakeasies, dancing to jazz, stepping quickly to the tempo of modern times. But in this 1922, things are a little different. Beside the Mississippi, the ancient city of Cahokia lives on - a teeming industrial metropolis, containing every race and creed. Among them, peace holds. Just about. But that body on the roof is about to spark off a week that will spill the city's secrets, and bring it, against a soundtrack of wailing clarinets and gunfire, either to destruction or rebirth. The multiple-award-winning Francis Spufford returns, with a lovingly created, richly pleasure-giving, epically scaled tale set in the golden age of wicked entertainments.What readers are saying:***** 'A marvellous, atmospheric, beautifully written and gripping read that dares to hope, amidst a background of bleak darkness and the pulsing joy of jazz, that I recommend highly.' ***** 'Original, imaginative, thought provoking, engrossing, engaging and beautifully written with characters who are credible and engaging. What more is there to ask for from a master at the top of his game. I enjoyed this as much as Golden Hill, which is praise indeed.' ***** 'The Yiddish Policemen's Union is an obvious point of comparison; I also got echoes of James Ellroy, though with more light in the darkness, or maybe just a greater readiness to forgive humanity's failings. There's perhaps a dash of Earthly Powers too, and at least one nod to The Leopard; exalted company, to be sure, but Cahokia Jazz can hold its head high among them.'

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'Bizarre and quite brilliant.' Dominic Sandbrook, Sunday Times'Thrilling.' Michael Burleigh, Sunday Telegraph'Francis Spufford has one of the most original minds in contemporary literature.' Nick HornbyThe Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working.Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.

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A brilliant, beautiful account of how British boffins triumphed across the decades in creating everything from computer games to Martian landers.The book contains chapters on the Beagle II, Elite - the 80s computer game, the Blue Streak missile, Concorde, mobile phone technology and the Human Genome Project, among others.Britain is the only country in the world to have cancelled its space programme just as it put its first rocket into orbit. Starting with this forgotten episode, 'Backroom Boys' tells the bittersweet story of how one country lost its industrial tradition and got back something else. Sad, inspiring, funny and ultimately triumphant, it follows the technologists whose work kept Concorde flying, created the computer game, conquered the mobile-phone business, saved the human genome for the human race - and who now are sending the Beagle 2 probe to burrow in the cinnamon sands of Mars. 'Backroom Boys' is a vivid love-letter to quiet men in pullovers, to those whose imaginings take shape not in words but in mild steel and carbon fibre and lines of code. Above all, it is a celebration of big dreams achieved with slender means.

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