Search results for ""Author Eve Tavor Bannet""
Johns Hopkins University Press The Domestic Revolution: Enlightenment Feminisms and the Novel
Alongside the three revolutions we usually identify with the long eighteenth century-the French Revolution, the American Revolution, and the Glorious Revolution of 1688-Enlightenment ideology gave rise to a quieter but no less significant revolution which was largely the fruit of women's imagination and the result of women's work. In The Domestic Revolution, Eve Tavor Bannet explores how eighteenth-century women writers of novels, conduct books, and tracts addressed key social, political, and economic issues, revising public thinking about the family and refashioning women's sexual and domestic conduct. Bannet examines the works of women writers who fell into two distinct camps: "Matriarchs" such as Eliza Haywood, Maria Edgeworth, and Hannah More argued that women had a superiority of sense and virtue over men and needed to take control of the family. "Egalitarians" such as Fanny Burney, Mary Hays, and Mary Wollstonecraft sought to level hierarchies both in the family and in the state, believing that a family should be based on consensual relations between spouses and between parents and children. Bannet shows how Matriarch and Egalitarian writers, in their different ways, sought to raise women from their inferior standing relative to men in the household, in cultural representations, and in prescriptive social norms. Both groups promoted an idealized division of labor between women and men, later to be dubbed the doctrine of "separate spheres." The Domestic Revolution focuses on women's debates with each other and with male ideologues, alternating between discursive and fictional arguments to show how women translated their feminist positions into fictional exemplars. Bannet demonstrates which issues joined and separated different camps of eighteenth-century women, tracing the origins of debates that continue to shape contemporary feminist thought.
£34.11
Johns Hopkins University Press Studies in Eighteenth-Century Culture
A fascinating look at communication in the eighteenth century.This volume addresses questions of communication in several media, from the oral, printed, and visual to the physical. It encompasses essays featuring France, Germany, Early America, Scotland, and Britain more generally.The first section, "Manuscript Communications," opens with Dena Goodman's presidential address on the secret history of learned societies. It is followed by a panel on manuscript and print circulation introduced by Colin Ramsey, which includes essays by Ryan Whyte, Chiara Cillerai, and Jürgen Overhoff. This section concludes with an essay by Carla J. Mulford on Benjamin Franklin's electrification of London politics.The second section, "Arts and Manufactures," opens with David Shields's Clifford Lecture on the flavors of the eighteenth century. It contains essays by Hanna Roman on Buffon's language of heat and Jason Pearl on the perspective of aerostatic bodies and concludes with essays by Matthew Mauger and Michael C. Amrozowicz on the languages of physical disciplines and social organization.The final section, "Devotion and Other Passions," begins with essays on silence and spectacle as means of convening the passions, by Adam Schoene and Anne Vila respectively, and it concludes with a forum introduced by Laura M. Stevens on Enlightenment representations of devotion. This section includes presentations by Clare Haynes, Penny Pritchard, Jennifer L. Airey, Sabine Volk-Birke, Megan E. Gibson, Laura Davies, and Theresa Schoen and an afterword by Emma Salgard Cunha.
£35.75
Johns Hopkins University Press Studies in Eighteenth-Century Culture
The essays in volume 49 of Studies in Eighteenth-Century Culture feature equal attention to multifarious aspects of eighteenth-century culture and archives and to the theories, pedagogies, and media that illuminate them. The place of eighteenth-century studies in the university is a particular focus of this volume. The Caribbean, Ireland, North America, Britain, France, and Poland anchor the range of essays. Featuring the President's Lecture and the Clifford Lecture, the first section addresses issues of race, empire, slavery, and colonial rule in the Caribbean, Americas, and Ireland. It also attends to recently created archives of slaves' music and plantation layout and the anti-racist methodologies scholars employ for researching and teaching them. With a strong visual component, the second section highlights the material culture of transportation on the ground and in the air. It also details the business of manufactures and elite collections in civil and court societies of England, France, and Poland. The final section features current trends in theory that illuminate new aspects of eighteenth-century studies. What does a postcritical eighteenth century look like? How does a study of multiple genres remake Irish studies? What is the role of eighteenth-century studies in today's Humanities?
£35.75
Johns Hopkins University Press Studies in Eighteenth-Century Culture
Addressing the diverse ways in which eighteenth-century contemporaries of different nations and cultures created visual, verbal, and material representations in various media.Focused on conventions of technology, labor, and tolerance on the one hand, and on artistic intentionality on the other hand, these essays also address the implications of this past in our own research today. The first section, “Representing Humans and Technology,” opens with the late Srinivas Aravamudan’s presidential address, “From Enlightenment to Anthropocene.” This is followed by a panel of essays on labor and industry, which includes Valentina Tikoff on the overlap between welfare and the technical training of Spanish orphans for warfare; Susan Egenolf on mythological representations of industry; Susan Libby on the Encyclopédie’s mechanical representations of sugar production on the plantations; and Jon Klancher on technological manuals. The second section, “Inside the Artist’s Studio,” opens with Shearer West’s ASECS/BSECS lecture on “selfiehood” and eighteenth-century celebrity. This is followed by papers on self-promoting self-representations—by painters in Wendy Wassyng Roworth’s essay on Angelica Kauffman’s studio in Rome and Francesca Bove’s essay on George Morland’s studio; and by a self-promoting French society lady in Heather McPherson’s essay on Madame Récamier’s portraits. This section concludes with Leith Davis’s essay on representations in the contemporary press of Ireland and the Glorious Revolution. The final section addresses emerging issues in two forums. The first reconsiders issues of intentionality: participants include Stephanie Insley Hershinow, Sarah Ellenzweig, Edmund J. Goehring, Thomas Salem Manganaro, and Kathleen Lubey. The second section reconsiders issues of tolerance—and the association of Enlightenment tolerance with Voltaire during the recent Charlie Hebdo rallies in Paris. Participants include Jeffrey M. Leichman, Reginald McGinnis, Jack Iverson, Fayçal Falaky, Ourida Mostefai, and Elena Russo.
£35.75
Johns Hopkins University Press Studies in Eighteenth-Century Culture
The first section of this volume consists of a panel, "Transnational Quixotes and Quixotisms," introduced by Catherine Jaffe. It includes essays by Amelia Dale on how female quixotes differed from male quixotes in eighteenth-century England; by Elena Deanda on the Marquis de Sade as a quixotic figure; by Elizabeth Franklin Lewis on English travelers' uses of Spanish cartography; and by Aaron R. Hanlon on quixotism as a global heuristic, with reference to the Pacific as well as the Atlantic. The second panel in the volume, "The Habsburgs and the Enlightenment," is introduced by Rebecca Messbarger. It includes essays by Rita Krueger on conflicts between Maria Theresa's view of the Enlightenment and that of her reigning children; by Julia Doe on Marie Antoinette's promotion of a new nontraditional kind of opera at the French court; by R. S. Agin on questions of judicial torture in Austrian Lombardy; and by Heather Morrison on Habsburg efforts to compete with other empires in botany as well as diplomacy. The third section consists of individual essays: Michael B. Guenter on Britain's subordination of science to imperial goals in the new world; Richard Frohock on the critique of British imperialism in John Gay's Polly; Jeffrey Merrick on the French Revolution's failure to materially alter the legal status of sodomy and suicide; Adam Potkay, comparing Rousseau and Adam Smith's views of pity and gratitude; Jeff Loveland, on the methods used by Diderot to edit the Encyclopedie; and Tamar Mayer, on Jacques-Louis David's use of mirror reversibility in the composition of his painting, "Oath of the Horatii."
£35.75
Johns Hopkins University Press Studies in Eighteenth-Century Culture
Volume 44 of Studies in Eighteenth-Century Culture acknowledges recent changes in the field of eighteenth-century studies while reaffirming SECC's commitment to interdisciplinary approaches that unite the wide array of fields in history, literature, art history, women's and gender studies, political science, musicology, dance, theater, and religious studies. With contributions from Kelly E. Battles, Adam R. Beach, Samara Anne Cahill, Jonathan Blake Fine, Lucas Hardy, Julie Candler Hayes, Paul Kelleher, Rachael Scarborough King, Heidi E. Kraus, Teresa Michals, Andrew M. Pisano, and Yann Robert, this collection of essays highlights new research in disability studies, debates on slavery and literary history, and analyses of literary genre and form.
£35.75
Johns Hopkins University Press Studies in Eighteenth-Century Culture
The volume's first section treats the politics of genre: Maria Soledad Barbon on the colonial politics of panegyric in Peru; Amanda Johnson on Thomas Jefferson's use of Ossianic romance; Catherine M. Jaffe on the gender politics of translation in a Spanish novel; Cecilia Feilla on French Revolutionary politics in London harlequinades; and Rebecca Tierney-Hynes on the economics of comedic form in Susanna Centlivre's plays. The volume's second section, on textual materialisms, includes Daniel Leonard on fetishism and figurism in Charles de Brosses; Beth Fowkes Tobin on the notebooks of the naturalist Dr. Richard Pulteney; Betty Joseph on capitalism and early English fictional treatments of China and India; Dwight Codr on hairs and sneezes in Pope's Rape of the Lock; John Greene on magic lanterns and peepshow boxes in Rousseau's Reveries; Sara Munoz-Muriana on mirrors and gender in Spanish comedy; and David Mazella on cultivation and improvement in Swift's Gulliver's Travels.
£35.75
