Search results for ""Author Eve Arnold""

When they met at a party in the early 1950s, Marilyn Monroe remarked to Eve Arnold that she'd seen the photographer's images of Marlene Dietrich. If you could do that well with Marlene,' Monroe said, can you imagine what you could do with me?' A star in her day and one that continues to captivate the world, Monroe''s multifaceted persona is brilliantly captured through Arnold''s lens in this revised and redesigned edition of the 1987 publication, Marilyn Monroe: An Appreciation. Including newly discovered and restored photographs in colour and in black and white, alongside insightful commentary, Eve Arnold takes us on a photographic journey of Monroe''s life. A detailed biography in Arnold''s own words allows a rare glimpse into the stories behind the photographs and her unique relationship with Monroe. As these two female artists come together in the creation of this stunning photographic collection, an important historical testimonial has been actualised, showing wome

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In the mid-1970s in the United States as feminism gained huge momentum, three American photographers Eve Arnold, Abigail Heyman and Susan Meiselas published books of a new kind. Combining testimonies and images, they offer very original documentaries of women at work, their daily routines and their private lives. The trio brought their own style and experimented with the book format while showing women in a new light through photography. Their work sidestepped clichés to create alternative representations.This catalogue reveals their unusual approach to their works. The first, Growing Up Female by Abigail Heyman, published in 1974, is a kind of feminist personal diary. The photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, The Unretouched Woman, published by Eve Arnold in 1976, shows unknown women and celebrities in unexpected moments of their daily lives. The photos were deliberately not retouched or staged and, through them, the photographer offers a heteroclite and nuanced vision of women far from the glamour of glossy magazines. The third, Carnival Strippers, published in the same year by Susan Meiselas, is the fruit of three years of investigation into fairground striptease sideshows in the north-east of the United States. Through the performers’ long testimonies, the book gives a voice to its silent subjects, depicting their work, their dreams and their ambitions.The images provide an original perspective of female bodies, revealing their invisible make-up artistry and the staging involved behind their public appearances. In doing so it reveals a surprising, previously unseen glimpse into their sometimes prosaic, sometimes harsh private lives. It also reveals the social conventions and norms defining the status of women in society, within couples or within the domestic space to reveal working women, striving for independence and freedom.

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