Search results for ""Author Erin Sullivan""

Back by popular demand! This is the reprint of the original version of Where in the World? Astro*Carto*Graphy and Relocation which was published by the CPA Press in 1999. It was produced in a seminar format, which enables the reader to feel part of the lectures, and so relate to the questions coming from the audience. An expert both in astrology and in world travel, Erin Sullivan has lived in several cultures and made innumerable relocations in her life. Wherever we go, there we are, but more potent aspects of ourselves emerge in various locations. This book explains using the techniques of A*C*G how we experience ourselves in various parts of the world from a person-centred and global perspective. It relates how even a minor a relocation can activate unconscious or sleeping characteristics within the self.

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Back by popular demand! This is the reprint of the original version of Venus and Jupiter: Bridging the Ideal and the Real which was published by the CPA Press in 1998. It was produced in a seminar format, which enables the reader to feel part of the lectures, and so relate to the questions coming from the audience. Bringing to reality our dreams and fantasies of the ideal is not always easy nor even possible. Coming to terms with this natural split in the human psyche is also difficult, but in this book, Erin Sullivan goes deeply into the character, mythological origins and astrological relationship of the two planets most closely associated with ideals, creativity, romance, ethics and social relationships. In Venus we find the inherent duality of the experience, and this lies in the goddess Aphrodite's own duality. In Jupiter she brings the larger, global perspective into the picture, showing how the sky-god Zeus can act as a tyrannical component within our own psyche, and also, how his wisdom is the result of internalizing the more feminine aspects of our archetypal story. Delineation of Venus and Jupiter to the other planets are included. Good for all levels of knowledge from beginner to professional in astrology.

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Shakespeare and Digital Performance in Practice explores the impact of digital technologies on the theatrical performance of Shakespeare in the twenty-first century, both in terms of widening cultural access and developing new forms of artistry. Through close analysis of dozens of productions, both high-profile and lesser known, it examines the rise of live broadcasting and recording in the theatre, the growing use of live video feeds and dynamic projections on the mainstream stage, and experiments in born-digital theatre-making, including social media, virtual reality, and video-conferencing adaptations. In doing so, it argues that technologically adventurous performances of Shakespeare allow performers and audiences to test what they believe theatre to be, as well as to reflect on what it means to be present—with a work of art, with others, with oneself—in an increasingly online world.

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This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.

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