Search results for ""Author Erin Eckhold Sassin""

Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 years—in German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernism—and its continued relevance. Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germany—progressive, reactionary, and radical alike—from the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housing—pointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar “guestworkers,” and even housing for the elderly today.

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Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 years—in German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernism—and its continued relevance. Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germany—progressive, reactionary, and radical alike—from the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housing—pointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar “guestworkers,” and even housing for the elderly today.

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More than one hundred years after the conclusion of the First World War, the edited collection States of Emergency: Architecture, Urbanism, and the First World War reassesses what that cataclysmic global conflict meant for architecture and urbanism from a human, social, economic, and cultural perspective. Chapters probe how underdevelopment and economic collapse manifested spatially, how military technologies were repurposed by civilians, and how cultures of education, care, and memory emerged from battle. The collection places an emphasis on the various states of emergency as experienced by combatants and civilians across five continents--from refugee camps to military installations, villages to capital cities--thus uncovering the role architecture played in mitigating and exacerbating the everyday tragedy of war. Contributors: Aubrey Knox (The Graduate Center of The City University of New York), Deborah Ascher Barnstone (University of Technology Sydney), Emma Thomas (Boston University), Da Hyung Jeong (Institute of Fine Arts, New York University), Julie Willis (The University of Melbourne), Katti Williams (The University of Melbourne), David Caralt (Universidad San Sebastian, Concepcion, Chile), Etien Santiago (Indiana University Bloomington), Theodossis Issaias (Carnegie Museum of Art, Pittsburgh), Min Kyung Lee (Bryn Mawr College), Massimiliano Savorra (Universita degli studi di Pavia), Antje Senarclens de Grancy (Graz University of Technology)

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