Search results for ""Author Eoin O'Brien""

In his memoir, A Life in Medicine: From Asclepius to Beckett, Eoin O’Brien, a cardiologist with an international reputation as a clinical scientist, recounts his life in medicine and literature. He depicts his relatively privileged upbringing in a medical family in the impoverished city that was post-war Dublin and describes his intensely Catholic schooling in St Conleth’s School and Castleknock College, and his eventual rejection of religion. O’Brien describes his training in medicine in the Royal College of Surgeons in Dublin and in its teaching hospitals, the Richmond and the Rotunda, with personal vignettes of his teachers and how doctors were trained in the nineteen fifties. Moving to England to specialise as a cardiologist, he recounts, from the unique vantage point of a front-line doctor, the early development of the exciting speciality of cardiology. He was actively involved in the development of coronary care units, in which the then horrendous mortality from heart attack would be reduced with the introduction of new drugs, pacemakers and the techniques of resuscitation and defibrillation. Back in Dublin, O’Brien describes the practice of medicine in the city, and how he and his colleagues established a research unit that would gain international recognition for the treatment of patients with high blood pressure. He traces his role in many activities, including journalism and recording the history of Dublin’s voluntary hospitals, which were being closed to usher in a new era of hospital care. O’Brien’s interest in literature brought into a close friendship with many remarkable writers and artists that included Samuel Beckett, Nevill Johnson, Con Leventhal, Edith Fournier, Brian O’Doherty and Niall Sheridan and in the final section, he writes about these associations, giving unique glimpses into the lives of many remarkable people. His recollections of Samuel Beckett, alone, make this an essential text for those interested in the Nobel Prize-winning writer.

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Nevill Johnson is better known as a painter and photographer than as a writer. Eoin O'Brien, close friend of Nevill Johnson and literary executor of his estate, has edited his writings in this volume for the first time. The resulting book, provides an intriguing insight into the life of one of the most innovative artists of the 20th century.

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The Book of Kells is the most famous hand-coloured book in the world. Here’s your chance to colour some of the drawings as the monks did over a thousand years ago. Choose from over sixty drawings of heavenly figures, Biblical people, fantastic creatures, floral, animal and bird motifs, intricate Celtic letters, spirals and designs – and create your own treasures and pull-out poster. You can also colour pictures of the monks themselves making the wonderful Book of Kells in their time, using the tools and materials of their day.

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Ethna MacCarthy (1903-59) was a Scholar and a First-Class Moderator at Trinity College Dublin where she taught languages in the thirties and forties before studying medicine. Perhaps best known to posterity for her relationship with Samuel Beckett and appearance in several of his writings, including the play Krapp's Last Tape, she also had a remarkable influence on a number of writers such as Denis Johnston and Con Leventhal, who she later married. Found among Leventhal's papers when he died were MacCarthy's overlooked work, revealing a highly intelligent and culturally sophisticated poet. This collection, published here for the first time, unearths an exceptionally rich and intriguing body of work by a remarkable woman who was ahead of her time. MacCarthy played an important and creative part of a cosmopolitan and free-thinking post-Independence Dublin, publishing translations from Spanish and German poets before developing a highly distinctive style of her own. Her poetry contains exposed lunar and death-haunted landscapes, tales of multifaceted women, and subversive ideas around femininity. Her work highlights a gifted translator who artfully captures the feeling evoked by the original languages. According to Denis Johnston `she has never been shy, can be frank, and outspoken to a degree, is absolutely fearless, intolerant of mediocrity and finds it difficult to suffer fools gladly'. MacCarthy merits reappraisal as an intellectual presence in an age that did not often promote, if acknowledge at all, the woman's voice. This unique collection of Ethna MacCarthy's poems is published as an innovative first step in establishing her as one of the outstanding Irish poets of the mid-20th century.

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