Search results for ""Author Emily Carr""

The British Columbia wilderness and the First Nations culture formed the two great themes of Emily Carr's work. Through her landscapes and haunting depictions of totems, she is deservedly considered the premier painter of Canada's Pacific coast. After training in San Francisco and Europe, Carr began her career in Vancouver, producing an impressive body of First Nations images in the year 1912. After a prolonged period of relative inactivity, at the age of 56 she returned to northern British Columbia and began painting the canvases for which she is most noted.

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The British Columbia wilderness and the First Nations culture formed the two great themes of Emily Carr's work. Through her landscapes and haunting depictions of totems, she is deservedly considered the premier painter of Canada's Pacific coast. After training in San Francisco and Europe, Carr began her career in Vancouver, producing an impressive body of First Nations images in the year 1912. After a prolonged period of relative inactivity, at the age of 56 she returned to northern British Columbia and began painting the canvases for which she is most noted.

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Culled from the hand-written pages in old-fashioned scribblers and almost-forgotten typescripts amid drafts for her published stories, Unvarnished features among the last unpublished and highly personal writings of the iconic Canadian author and artist Emily Carr.This highly readable manuscript—edited by Royal BC Museum curator emerita Kathryn Bridge and illustrated with sketches and photographs from the BC Archives—spans nearly four decades, from 1899 to 1944. In an almost stream-of-consciousness outpouring of stories, Carr chronicles her early years as an art student in England, her life-altering sojourn in France and subsequent travels to Indigenous villages along the coast, her encounters with the Group of Seven, conversations with artist Lawren Harris, and her sketching trips in the “Elephant” caravan in the company of a quirky menagerie. Also included are stories written in hospital recovering from a stroke, a particularly vulnerable time in her life.Emily Carr’s books have remained in nearly continuous print since the 1940s. Unvarnished is a fresh addition to her enduring oeuvre, to be enjoyed as a complement to her other writings or as a jewel in its own right.

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Wild Flowers is a collection of Emily Carr's delightfully evocative impressions of native flowers and shrubs. She wrote these short pieces later in life and they rekindled in her strong childhood memories and associations. She delights in the brightness of buttercups that "let Spring's secret out", muses over the hardiness of stonecrop ("How any plant can grow on bare rock and be so fleshy leafed and fat is a marvel.") and declares that "botanical science has un-skunked the skunk cabbage". Carr's playful words often bring a smile to readers. About catnip, she writes: "I did think it was kind of God to make a special flower for cats." In a brief Foreword and Afterword, archivist and historian Kathryn Bridge gives context to Wild Flowers within the body of Carr's previously published writings. Wild Flowers is illustrated with beautiful watercolours of wild plants by Emily Henrietta Woods, one of Carr's childhood drawing teachers in Victoria. The originals of Carr's manuscript and Woods' botanical illustrations reside in collections of the BC Archives; neither have been published until now. "Woods' paintings fit so well with Carr's text. It's serendipity that Woods taught Carr and that we have her art and Carr's manuscript in the Archives' collection, and that neither have been published before now." - Kathryn Bridge

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