Search results for ""Author Emilio Peral Vega""

Book SynopsisJuan Mayorga (Madrid, 1965) es el dramaturgo con mayor proyección escénica nacional e internacional. Presentamos aquí dos de sus piezas mayores ? " Hamelin " y " La tortuga de Darwin " ? como ejemplos destacados de una poética basada en la conjunción de filosofía y drama, y que tiene en Walter Benjamin, entre otros pensadores y escritores contemporáneos (Blumenberg, Kafka, Buero Vallejo.), su más destacado guía. Se trata de una concepción dramática que no busca la complacencia fácil del auditorio y que invita al espectador a ser elemento activo de la propuesta, en un cuestionamiento continuo de sus convicciones previas. Porque, como el propio Mayorga se ha encargado de señalar, está muy lejos de querer ofrecernos propuestas edulcoradas que se congracien apriorísticamente con el público, y sí, por el contrario, " asaltarlo como un asaltador de caminos al confiado paseante " .

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Book SynopsisPeral Vega explores the importance of Pierrot as a symbol of failure in matters of love in García Lorca's imagery and his literary and personal life. Academic research has paid little attention to the importance of the figure of Pierrot in García Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, García Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth,García Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El público. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both García Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dalí, which can be presented in theatrical terms: Harlequin (Dalí) / Pierrot (García Lorca). Emilio Peral Vega is Associate Professor of Spanish Literature at the Universidad Complutense de Madrid.Trade ReviewEmilio Peral Vega's new monograph, . . . a welcome new title on Lorcan queer studies, restores authorial intention to both creative and critical endeavors, while addressing complex relationships between the personal and the aesthetic, artisticand lived experiences, and visual and literary cultural domains. * STUDIES IN 20TH and 21ST CENTURY LITERATURE *[Peral] combines his deep knowledge of the history of this mask with sharp insights and imaginative thinking to shed new light on García Lorca's multifaceted output. * MODERN LANGUAGE REVIEW *[This] book stands as a mandatory reading for those interested in carnival representation of both the poetic self and the dramatic character in Federico García Lorca's works. * ANAGNÓRISIS *Emilio Peral has written a provocative book that will invite further discussion. * BULLETIN OF SPANISH STUDIES *Table of ContentsPrologue A Modern Mask: from Deburau to The Tramp First Examples of an Effeminate Pierrot: from Verlaine to Lorca Pierrot / Lorca: Alter Ego for a Young Poet Lorca / Pierrot: Between Painting and Theatre Love Game and Masquerade: Dalí / Lorca Perlimplín / Lorca / Pierrot: Frustrated Desire A White Clown for a Black Desire: El público and Así que pasen cinco años Epilogue Bibliography

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