Search results for ""Author Ellis Cashmore""

For over four decades, Martin Scorsese has been the chronicler of an obsessive society, where material possessions and physical comfort are valued, where the pursuit of individual improvement is rewarded and where male prerogative is respected and preserved. Scorsese has often described his films as sociology and he has a point: his storytelling condenses complex information into comprehensible narratives about society. In this sense, he has been a guide through a dark world of nineteenth century crypto-fascism to a fetishistic twentieth century in which goods, fame, money and power are held to have magical power. Author of Tyson: Nurture of the Beast and Beckham, Ellis Cashmore turns his attention to arguably the most influential living film- maker to explore how Scorsese envisions America. Greed, manhood, the city and romantic love feature on Scorsese's landscape of secular materialism. They are among the themes Cashmore argues have driven and inform Scorsese's work. This is America, as seen through the eyes of Martin Scorsese and it is a deeply unpleasant place. Cashmore's book discloses how, collectively, Scorsese's films present an image of America. It's an image assembled from the perspectives of obsessive people, whether burned-out paramedics, compulsive entrepreneurs, tortured lovers, or celebrity-fixated comedians. It's collected from pool halls, taxicabs, boxing rings and jazz clubs. It's an image that's specific, yet ubiquitous. It is Martin Scorsese's America.

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Michael Jackson died in 2009, but he has never really left us and there are no signs he ever will. A globally acclaimed child star in the 1970s, the world’s premier entertainer in the final decades of the 20th century, a perplexingly odd character in the 21st century, Jackson defied every known category and became borderline incomprehensible. To remedy this, in The Destruction and Creation of Michael Jackson, Ellis Cashmore reflects the restless, unorthodox and mysterious life Jackson led in order to understand more about him as well as his cultural impact. Exploring how Jackson emerged from the post-civil rights era when America was searching for someone who symbolized a new age as it struggled to unburden itself of racial inequality, Cashmore’s book is the first to examine Jackson’s career through the prisms of American racial politics and celebrity culture. Uniquely structured, beginning in the present and journeying back to Jackson’s birth, The Destruction and Creation of Michael Jackson will excite and enliven debates on this controversial figure, one that very much continues to remain embedded within our culture.

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The Beckham enigma continues. Since the publication of Cashmore’s challenging social biography in 2003, the working-class kid from the East London has left Manchester and conquered the world. Undisputedly one of the world’s most famous men, Beckham has transcended sport to become an all-purpose cultural icon for the twenty-first century. What are the sources of Beckham’s godlike status? Why does someone who looks good, but speaks in platitudes and does little but play football, command the adulation of the planet? By dissecting his life and setting it in context of the age of celebrity, Cashmore argues that Beckham has been turned into a product, a commodity that can be bought and sold like any other piece of merchandise. There is not just a person named Beckham: there are countless Beckhams that exist independently of time and space, constructions of peoples’ imaginations. The second edition of Beckham updates the original’s arguments, covering the events that have shaped the Beckham phenomenon: the Flying Boot that symbolized the growing disquiet at Manchester United, the replacement of his first agents SFX with Simon Fuller (the creator of Pop Idol), the failed attempt to capture a US market, the growing presence of adidas, the sportswear giants, and the transfer saga that took Beckham to Madrid – and his influence beyond. Among the other features of the second edition are chapters on: Manchester United, the club that provided Beckham with his first showcase; Rupert Murdoch’s takeover of British football; Beckham’s ambiguous sexual image and his gay following; the importance of Madonna in kick-starting the age of celebrity in which Beckham prospered; Beckham’s curious relationships with the legacy of Warhol. Completely revised and updated, the new text emphasizes the often overlooked part played by Victoria in the making of the icon and the guile with which she helped plan an enterprise that had no precedents.

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Developed from the critically acclaimed and commercially successful Dictionary of Race and Ethnic Relations, now in its fourth edition, Encyclopedia of Race and Ethnic Studies has been assembled by a world-class team of international scholars led by Ellis Cashmore to provide an authoritative, single-volume reference work on all aspects of race and ethnic studies. From Aboriginal Australians to xenophobia, Nelson Mandela to Richard Wagner, sexuality to racial profiling, the Encyclopedia is organized alphabetically and reflects cultural diversity in a global context. The entries range from succinct 400 word definitions to in-depth 2000 word essays to provide comprehensive coverage of: all the key terms, concepts and debates important figures, both historical and contemporary landmark cases historical events Although unafraid to engage with cutting-edge theory, the Encyclopedia is uncluttered by jargon and has been written in a lucid, 'facts-fronted' style to offer an accessible introduction to race and ethnic studies. The Encyclopedia is also fully cross-referenced and thoroughly indexed with most entries followed by annotated up-to-date suggestions for further reading to guide the user to the key sources. It is destined to become an essential resource for scholars and students of race and ethnic studies, as well as a handy reference for journalists and others working in the field.

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Kardashian Kulture uses the royal family of celebrity culture to scrutinize wider understandings of 21st century life. Examining the worlds of business, politics, technology and entertainment, Ellis Cashmore shows how fundamental changes to the way we live have been prompted by celebrities. Examining today's celebrity-obsessed culture through the lives of a host of household names, including the Kardashians themselves, this book shows how celebrities have impacted on the wider culture from the birth of consumerism, the civil rights movements of the 1960s, and the growth of narcissism in the 1970s, to the rise of the paparazzi, reality television and the impact of social media, which has removed the barrier between celebrities and fans and led to the erosion of personal privacy. Celebrities are creations rather than people and ultimately, Cashmore argues, Kardashian Kulture is a product of our own making. Whether you regard celebrities as a witless bunch of overpaid show-offs or the conveyors of the zeitgeist is a matter of judgement and taste, the impact of the Kardashians and their kind is undeniable.

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The Beckham enigma continues. Since the publication of Cashmore’s challenging social biography in 2003, the working-class kid from the East London has left Manchester and conquered the world. Undisputedly one of the world’s most famous men, Beckham has transcended sport to become an all-purpose cultural icon for the twenty-first century. What are the sources of Beckham’s godlike status? Why does someone who looks good, but speaks in platitudes and does little but play football, command the adulation of the planet? By dissecting his life and setting it in context of the age of celebrity, Cashmore argues that Beckham has been turned into a product, a commodity that can be bought and sold like any other piece of merchandise. There is not just a person named Beckham: there are countless Beckhams that exist independently of time and space, constructions of peoples’ imaginations. The second edition of Beckham updates the original’s arguments, covering the events that have shaped the Beckham phenomenon: the Flying Boot that symbolized the growing disquiet at Manchester United, the replacement of his first agents SFX with Simon Fuller (the creator of Pop Idol), the failed attempt to capture a US market, the growing presence of adidas, the sportswear giants, and the transfer saga that took Beckham to Madrid – and his influence beyond. Among the other features of the second edition are chapters on: Manchester United, the club that provided Beckham with his first showcase; Rupert Murdoch’s takeover of British football; Beckham’s ambiguous sexual image and his gay following; the importance of Madonna in kick-starting the age of celebrity in which Beckham prospered; Beckham’s curious relationships with the legacy of Warhol. Completely revised and updated, the new text emphasizes the often overlooked part played by Victoria in the making of the icon and the guile with which she helped plan an enterprise that had no precedents.

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Beast. Monster. Savage. Psycho. The glowering menace of Mike Tyson has spooked us for almost two decades. And still we remain fascinated. Why? Ellis Cashmore's answer is disturbing: white society has created Tyson as vengeance for the loss of privilege produced by civil rights. Cashmore's eviscerating analysis of Tyson's life and the culture in which he grew up, rose to prominence and descended into disgrace provokes the reader into re-thinking the role of one of the most controversial and infamous figures of recent history. Told as an odyssey-style homeward journey to Tyson's multi-pathological origins in the racially-explosive ghettos of the 1960s, Tyson's story is part biography, part tragedy and part exposition. His associations with people like Al Sharpton, Don King and Tupac Shakur shaped his life; and events, such as the O J Simpson trial and the Rodney King riots, formed a turbulent background for the Tyson psychodrama. Over the course of an epic boxing career, Tyson was transformed from the most celebrated athlete on earth to a primal, malevolent hate-figure. Yet, even after being condemned as a brute, Tyson retained a power - a power to captivate. Cashmore reveals that the sources of that power lie as much in us as in Tyson himself.

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Cashmore's controversial study argues that black culture has been converted into a commodity, usually in the interests of white owned corporations. Using detailed studies of the marketing of Motown, Michael Jackson and the Artist Formerly Known as Prince, Cashmore suggests that inflating the significance of this commodified 'black culture' may actually be counter-productive in the struggle for racial justice.

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