Search results for ""Author Edward Berger""

"Joe Wilder set the table. His struggles made it easier for me and many others."--From the Foreword by Wynton Marsalis Trumpeter Joe Wilder is distinguished for his achievements in both the jazz and classical worlds. He was a founding member of the Symphony of the New World, where he played first trumpet, and he performed as lead trumpet and soloist with Lionel Hampton, Jimmy Lunceford, Dizzy Gillespie, and Count Basie. Yet Wilder is also known as a pioneer who broke down racial barriers, the first African American to hold a principal chair in a Broadway show orchestra, and one of the first African Americans to join a network studio orchestra. In Softly, with Feeling, Edward Berger tells Wilder's remarkable story-from his growing up in working-class Philadelphia to becoming one of the first 1,000 black Marines during World War II-with tremendous feeling and extensive reminiscences by Wilder and his colleagues, including renowned Philadelphia-area musicians Jimmy Heath and Buddy DeFranco. Berger also places Wilder's experiences within a broader context of American musical and social history. Wilder's modesty and ability to perform in many musical genres may have prevented him from achieving popular recognition, but in Softly, with Feeling, his legacy and contributions to music and culture are assured.

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Teddy Reig (1917-1984) was a larger-than-life character, a self-described hustler who had a profound effect on the music world from the 1940s to the 1970s. As a record producer, he captured the work of dozens of leading jazz innovators. He also had an impact on rhythm and blues, rock and roll, and the Latin field. In Part 1, Reig tells his own story. Part 2 consists of interviews with key figures who were close to Reig at various stages of his career. Part 3 is an extensive discography of Reig's productions. The copious illustrations include many previously unpublished photos.

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The Annual Review of Jazz Studies provides a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, numerous unpublished photographs, and bibliographic surveys. This issue contains Anders Svanoe's extensive study of the little-known but highly original saxophonist Sonny Red—a definitive tribute combining oral history, discography, photographs, and charts of every one of his recorded compositions. Charles Hartman analyzes the form of a Steve Swallow composition, with a fascinating excursus into the realm of lyric poetry. Matthew Santa offers a compelling new perspective on John Coltrane's compositional approach. In her examination of Miles Davis's classic "Walkin'," Alona Sagee tracks the evolution of an artist through successive recordings of the same piece. Also included is another installment of a bibliography compiling scholarly articles about jazz in journals not specifically devoted to jazz.

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The Annual Review of Jazz Studies provides a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, numerous unpublished photographs, and bibliographic surveys. This issue contains Anders Svanoe's extensive study of the little-known but highly original saxophonist Sonny Red_a definitive tribute combining oral history, discography, photographs, and charts of every one of his recorded compositions. Charles Hartman analyzes the form of a Steve Swallow composition, with a fascinating excursus into the realm of lyric poetry. Matthew Santa offers a compelling new perspective on John Coltrane's compositional approach. In her examination of Miles Davis's classic 'Walkin',' Alona Sagee tracks the evolution of an artist through successive recordings of the same piece. Also included is another installment of a bibliography compiling scholarly articles about jazz in journals not specifically devoted to jazz.

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The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. This twelfth volume covers the year 2002, celebrating the fiftieth anniversary of the Institute of Jazz Studies. The photo gallery in this issue illustrates some of the persons and locations in its history, both in New York and at the Institute's present home at the Newark campus of Rutgers, The State University of New Jersey. Information is provided on major jazz figures from widely separated eras including, Gil Evans, Django Reinhardt, Lucky Thompson, and Paul Bley. Other articles include an analysis of John Coltrane's harmonics and its impact on later compositions, and a survey of recordings based on Charlie Green's classic 1924 trombone solo on "The Gouge of Armour Avenue." A memorial salutes the contributions of a notable Danish scholar, Erik Wiedemann.

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The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. Continuing the rich tradition, this latest Annual is particularly impressive. The articles in this volume present important technical analyses of four major figures: · Booker Little · Charlie Christian · Herbie Hancock · Miles Davis In addition to an extensive black and white photo gallery, there are seven book reviews that, collectively, span the history of the music.

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The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous musical examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. This volume is a special double issue covering the two years of 1997 and 1998. It begins with a series of studies devoted to the classic ballad, "Stella by Starlight," focusing on various performances by groups led by Miles Davis as well as discussing visits to "Stella" by Oscar Peterson and Bill Evans. Other articles in this volume cover major figures in the heritage of jazz, such as Bix Beiderbecke, Martial Solal, Charlie Parker, John Coltrane, and Ornette Coleman. It also explores two other areas of interest: the Western African drumming tradition and its relation to jazz, and a study of a seminal book, Jazz Dance, by Marshall and Jean Stearns. The reviews include two essays on Paul Berliner's Thinking in Jazz, an assessment of Jazz Research and Performance Materials: A Select Annotated Bibliography, three biographies of Woody Herman, and a review of important Duke Ellington recordings. Finally, there are rare photographs drawn from the files of the Institute of Jazz Studies. This volume is a must-have for collectors of this series and sure to be of interest to all jazz lovers.

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Details studies of individual jazz artists including two articles on the seminal guitarist Charlie Christian. Other articles are devoted to Ornette Coleman, Arthur Taylor, and a proposed standard method of notating melodic elements of jazz performance that are inadequately represented by standard notation.

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Cloth-bound, with a photo insert of jazz pictures by noted trumpeter Joe Wilder Volume 5 features articles and reviews on the Ellington legacy; George Duvivier; Milt Hinton; John Coltrane; a bibliography of British jazz periodicals; an expanded review section; and a review essay on jazz autobiographies.

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