Search results for ""Author Edna Ferber""

So Big, Así de grande!, es el apodo cariñoso que Selina Peake DeJong le puso a su hijo, Dirk, al que, como toda madre orgullosa, preguntaba: Cómo de grande es mi niño?.Esta mujer tenaz y luchadora es la verdadera protagonista de la novela. Siendo muy joven, tras la muerte de su padre, se instalará en una comunidad agrícola de origen holandés, cercana a Chicago, en la que el papel de las mujeres estaba alejado del trabajo del campo, al que sin embargo ella dedicará su vida al quedarse viuda. Selina sacrificará sus sueños para que su hijo pueda tener la vida que ella anhelaba, una vida plena dedicada a la creación.Selina DeJong encaja perfectamente en el perfil feminista de las obras de Edna Ferber, que se manifiesta en el deseo de afirmación y autonomía de los personajes femeninos que creó, y refleja los ideales que compartió la propia autora durante toda su vida.Esta maravillosa novela recibió el premio Pulitzer en 1925 y ha sido llevada al cine en varias ocasiones.

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Heralded by one reviewer as "the most serious, extended and dignified of [Edna] Ferber's books," Fanny Herself is the intensely personal chronicle of a young girl growing up Jewish in a small midwestern town. Packed with the warmth and the wry, sidelong wit that made Ferber one of the best-loved writers of her time, the novel charts Fanny's emotional growth through her relationship with her mother, the shrewd, sympathetic Molly Brandeis. "You could not have lived a week in Winnebago without being aware of Mrs. Brandeis," Ferber begins, and likewise the story of Fanny Brandeis is inextricable from that of her vigorous, enterprising mother. Molly Brandeis is the owner and operator of Brandeis' Bazaar, a modest general store left to her by her idealistic, commercially inept late husband. As Fanny strives to carve out her own sense of herself, Molly becomes the standard by which she measures her intellectual and spiritual progress. Fanny's ambivalent feelings about being Jewish, her self-deprecating attitude toward her gift for sketching and drawing, and her inspired success as a businesswoman all contribute to the flesh-and-blood complexity of Ferber's youthful, eminently believable protagonist. She is accompanied on her journey by impeccably drawn characters such as Father Fitzpatrick, the Catholic priest in Winnebago; Ella Monahan, buyer for the glove department of the Haynes-Cooper mail order house; Fanny's brother, Theodore, a gifted violinist for whose musical education Molly sacrifices Fanny's future; and Clarence Heyl, the scrappy columnist who never forgot how Fanny rescued him from the school bullies. Ferber's only work of fiction with a strong autobiographical element, Fanny Herself showcases the author's enduring interest in the capacity of strong women to transcend the limitations of their environment and control their own circumstances. Through Fanny's honest struggle with conflicting values–financial security and corporate success versus altruism and artistic integrity–Ferber grapples with some of the most deeply embedded contradictions of the American spirit.

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Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories she published in American Magazine between 1911 and 1913. The stories featured Emma McChesney: smart, savvy, stylish, divorced mother, and Midwest traveling sales representative for T. A. Buck's Featherloom skirts and petticoats. With one hand on her sample case and the other fending off advances from salesmen, hotel clerks, and other predators, Emma holds on tightly to her reputation: honest, hardworking, and able to outsell the slickest salesman. Like her compact bag of traveling necessities, Emma has her life boiled down to essentials: her work and her seventeen-year-old son, Jock. Her experience has taught her that it's best to stick to roast beef, medium--avoiding both physical and moral indigestion--rather than experiment with fancy sauces and exotic dishes. Yet she never shies away from a challenge, and her sharp instincts and common sense serve her well in dealing with the likes of Ed Meyer, a smooth-talking, piano-playing salesman; Blanche LeHay, prima donna of the Sam Levin Crackerjack Belles; and T. A. Buck Jr., the wet-behind-the-ears son of the founder of Featherloom. Roast Beef, Medium is the first of three volumes chronicling the travels and trials of Emma McChesney. The illustrations by James Montgomery Flagg, one of the most highly regarded book illustrators of the period, enhance both the humor and the vivid characterization in this wise and high-spirited tale.

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