Search results for ""Author Ed Ruscha""

Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius s enigmatic paintings, which of the artist s aesthetic innovations captured Ruscha s imagination, and how his own work relates to and differs from that of the Neglected Marvel Eilshemius.

Read more less

The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobile - gas stations, billboards, building facades, parking lots, and long stretches of roadway - are the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word images - declaring Adios, Rodeo, Wheels over Indian Trails, and Honey...Twisted through More Damn Traffic to Get Here - further underscore a contemporary Western sensibility. Ruscha's interest in what the real West has become - and Hollywood's version of it - plays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D. J. Waldie, and a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painter's lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16-October 9, 2016.

Read more less

The is the first publication to focus on Ed Ruscha’s (born 1937) Ribbon Word works, begun in 1966. It features reproductions of more than 50 masterpieces, along with three essays by the show’s curator Dieter Buchhart, as well as contributions by Glenn O’Brien and Alexandra Schwartz, highlighting the works’ wide array of subtle color and nuanced drawing technique, and showing how Ruscha’s paper ribbons became three-dimensional, illusionistic objects. Ruscha developed this body of work from calligraphic lines and cursive handwriting in order to give his drawings the appearance of three-dimensional forms. His imaginary ribbon-word objects provoke multiple cultural meanings as they suggest sculptures modeled by light. Ruscha’s breathtaking work, using an inimitable trompe l’oeil technique with the application of gunpowder, constitutes a major contribution to 20th-century art.

Read more less

This is the first major publication on the art and lives of twentieth-century Fort Worth artists Scott (1942–2011) and Stuart (1942–2006) Gentling. Prolific modern-day Renaissance men, the brothers created an extensive body of landscapes; portraits of regional and national luminaries; historical studies ranging from a visual reconstruction of the Aztec capital of Tenochtitlan to subjects drawn from the French and American Revolutions; and natural history illustrations of the flora and fauna of Texas. Realist painters, they drew inspiration from past masters such as Jacques-Louis David and John James Audubon, and they corresponded and collaborated with contemporaries such as Andrew Wyeth and Ed Ruscha. The Gentling brothers’ place within the canon of twentieth-century American art is established here. Along with 290 images, including 120 plates, the book includes five essays, two by scholars Erika Doss of the University of Notre Dame and Barbara Mundy of Fordham University; a trio of Carter museum curators provide deep analyses of the Gentlings’ artistic process, the output of their fifty-year career, and a chronology of their lives; plus several brief and incisive takes on specific aspects of the brothers’ multifaceted art and lives are featured throughout.

Read more less