Search results for ""Author Ed Madden""

Blind seer, articulate dead, and mythic transsexual, the figure of Tiresias has always represented a liminal identity and forms of knowledge associated with the crossing of epistemological and ontological boundaries. In twentieth-century literature, the boundaries crossed and embodied by Tiresias are primarily sexual, and the liminal and usually prophetic knowledge associated with Tiresias is based in sexual difference and sexual pleasure. Indeed, in literature of the twentieth century, Tiresias has.com e to function as a cultural shorthand for queer sexualties. This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian and modernist writers re-imagined Ovid's tale of sex change and sexual judgment, they also created a poetics that grounded artistic or performance power in figures of sexual difference- most often a feminized, often homosexual male body, which this study links to the developing discourses of homosexuality and sexual identity. This study reconstructs the cultural history of this transsexual figure through readings of work by late Victorian and modernist writers Edith Cooper and Katharine Bradley, who collaborated using the pen name 'Michael Field', and whose work may inaugurate the shift in Tiresian mythographies; T.S. Eliot, whose poem The Waste Land includes arguably the most well-known uses of Tiresias in modern English Literature; Djuna Barnes, whose queer Irish-American Tiresias provides an insistent voice of sexual and social marginalization; and Irish poet Austin Clarke who set out to revise Eliot's use of Tiresias but ended up narrating a myth of sexual panic. The book also examines work by writers whose use of Tiresian figures consistently linked sexual differences, especially homosexuality, to forms of performative, poetic, and aesthetic power. If The Waste Land established Tiresias as a figure of modernist textual and sexual ambiguity, this book displaces that canonically central representation into a more complex tra

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From a small radio studio in the heart of the Deep South, the voices of gay and lesbian Southerners suddenly filled the AM airwaves. “For far too long,” the announcer stated, “talk radio airwaves have been dominated by the people who talk about us. Starting this fall, we speak for ourselves!” What began as an experiment—Rainbow Radio, South Carolina’s first gay and lesbian radio show—has grown into a grassroots-driven community radio show that, since 2005, has offered diverse, accurate, and often unparalleled stories of gay and lesbian Southerners, their families and their friends. Citadel cadets and drag queens, a slam poet from Columbia and a Spartanburg schoolteacher, a seminary student in Atlanta and a gay Army vet just back from the Middle East, West Columbia rednecks and rural Texas tomboys, as well as South Carolina’s first lesbian Congressional candidate. A young man talking about his gay uncle and a retired attorney talking about her gay son. Two boys who dare to dance at the prom, a psychic who may be attuned to the gay agenda, and a dying man who makes his last visit to church on Christmas. These voices have now been collected in a book, Out Loud: The Best of Rainbow Radio, edited by Ed Madden and Candace Chellew-Hodge. Their stories will inspire you, enrage you, and transform the way you think about what it means to be gay and lesbian in the South.

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