Search results for ""Author Dylan Riley""

Drawing on a Gramscian theoretical perspective and developing a systematic comparative approach, The Civic Foundations of Fascism in Europe challenges the received Tocquevillian consensus on authoritarianism by arguing that fascist regimes, just like mass democracies, depended on well-organised, rather than weak and atomised, civil societies. In making this argument the book focuses on three crucial cases of interwar authoritarianism: Italy, Spain and Romania, selected because they are all counterintuitive from the perspective of established explanations, while usefully demonstrating the range of fascist outcomes in interwar Europe. Civic Foundations argues that, in all three cases, fascism emerged because of the rapid development of voluntary associations, combined with weakly developed political parties among the dominant class, thus creating a crisis of hegemony. Riley then traces the specific form that this crisis took depending on the form of civil society developed (autonomous, as in Italy; elite-dominated, as in Spain; or state-dominated, as in Romania) in the nineteenth century.

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Our marriage was, from any conventional point of view, wildly implausible; and you, my dear son, are the miraculous product of this beautiful, rather crazy, and all too brief love affair. When Dylan Riley received the devastating news that his wife, Emanuela, had cancer, he turned to writing to express the anguish and disarray brought by her worsening symptoms and then her passing. Perdita, composed for their teenage son, Eamon, is the result of this attempt to represent loss. It is at once a portrait of youth, a lyrical memoir of a marriage, and a raw and moving account of bereavement.Riley describes cancer, Perdita’s central antagonist, as a pitiless opponent, draining hope of its power and reducing it to self-delusion. Its course forces a progressive foreshortening of time. Next year might be terrible, but there can be a few good months now; tomorrow will likely be bad, but let’s focus on today.In this memoir, the disease provokes a broader

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Microverses comprises over a hundred short essays inviting us to think about society - and social theory - in new ways. Lockdown created the conditions for what Adorno once termed 'enforced contemplation'. Dylan Riley responded with the tools of his trade, producing an extraordinary trail of notes exploring how critical sociology can speak to this troubled decade. Microverses analyses the intellectual situation, the political crisis of Trump's last months in office, and love and illness in a period when both were fraught with the public emergency of the coronavirus.Riley brings the theoretical canon to bear on problems of intellectual culture and everyday life, working through Weber and Durkheim, Parsons and Dubois, Gramsci and Lukács, MacKinnon and Fraser, to weigh sociology's relationship to Marxism and the operations of class, race and gender, alongside discursions into the workings of an orchestra and the complicatedness of taking a walk in a pandemic.Invitations rather than finished arguments, the notes attempt to recover the totalising perspective of sociology - the ability to see society in the round, as though from the outside - and to recuperate what Paul Sweezy described as a sense of the 'present as history'.

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