Search results for ""Author Doryun Chong""

Addressing contemporary international art beyond glib expressions of globalism, Brave New Worlds assesses the current state of political consciousness and its multivalent artistic manifestations in an era characterized by the unraveling of a unified world order. Guided by the questions "How do we know?," "How do we experience?" and "How do we dream about the world?," 24 artists from Southeastern Europe to South America, from the Middle East to East Asia and from North Africa to North America propose their own answers in paintings, drawings, sculptures, installations and videos. The catalogue includes several brief "correspondent" essays, inspired by newspaper reports and penned by an international cast of young art historians, critics and curators, including Max Andrews and Mariana Canepa Luna (Spain), Cecilia Brunson (Chile), Hu Fang (China), Tone Hansen (Norway), Mihnea Mircan (Romania) and José Roca (Colombia). Recent texts by philosopher Kwame Anthony Appiah, celebrated author and activist Arundhati Roy and award-winning foreign correspondent Janine di Giovanni provide additional perspectives on global affairs of the past decade. In addition, Brave New Worlds features an artist insert by Lia Perjovschi of Romania, entitled "Subjective Art History from Modernism to Today," and entries on each individual artist.

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A major career survey of Yayoi Kusama, one of the most widely admired and popular artists of our time, published in collaboration with M+, Hong Kong, to accompany M+’s first Special Exhibition, Yayoi Kusama: 1945 to Now, from 12 November 2022 to 14 May 2023. Yayoi Kusama is that rare thing: an artist who has achieved truly global acclaim. In a wide-ranging career spanning seven decades and multiple media, she has established profound connections with audiences around the world. Emerging at the forefront of artistic experimentation in Asia in the mid-20th century, Kusama soon became a central figure in the New York art scene of the 1960s. Today, Kusama continues to communicate her highly personal and spiritual world view through her art. Yayoi Kusama: 1945 to Now is the most comprehensive survey of her work to date. Structured around six thematic sections, ‘Infinity’, ‘Accumulation’, ‘The Biocosmic’, ‘Radical Connectivity’, ‘Death’ and ‘Force of Life’, the volume elucidates the aesthetic and philosophical concerns at the heart of the artist’s oeuvre. In addition to a selection of Kusama’s writings, some of which have never been published before, the book features correspondence with Georgia O’Keeffe, an interview with critic and curator Yoshie Yoshida, and a roundtable discussion among leading authorities in the field. Also included are curatorial essays exploring different aspects of Kusama’s practice, and a detailed visual chronology of her life. Appealing not only to those already familiar with Kusama and her work, but also to anyone discovering it for the first time, this monograph reveals an artist who, while shaped by international artistic currents, remains deeply connected to the traditions and culture of her native Japan.

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The new M+ museum of modern and contemporary visual culture will open its permanent new home in the West Kowloon Cultural District of Hong Kong in the autumn of 2021. Designed by Herzog & de Meuron, the building is set to become a striking landmark on the waterfront of Hong Kong’s Victoria Harbour. But even before the new building opened, M+ has been busy engaging with local and international audiences through a broad range of programmes and exhibitions and a strategic approach to collecting. The opening of M+’s new home is undoubtedly a milestone in the institution’s ongoing story, yet it also marks an important moment to reflect on its development to date. The Making of M+ is an immersive visual encounter with the many stages of the museum’s evolution. H. G. Masters, the book’s guest editor, and Sulki & Min, its award-winning designers, present images and words relating to M+’s first three decades – starting with the reclamation of the land on which the M+ building stands. While the hundreds of images in the book document the programmes, collections, staff, audiences and architecture that have helped shape the museum, the texts have been carefully selected from key moments in the institution’s formation, encompassing official pronouncements, staff mantras, public reactions, and snippets from the local and international press. Offering a wide range of perspectives and voices, The Making of M+ is an innovative companion to the creation of a remarkable cultural institution – the first of its kind in Hong Kong and Asia.With 360 illustrations in colour

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A richly illustrated companion to selected works from the collections at M+. At the heart of Hong Kong’s new museum of visual culture are the M+ Collections – the result of a carefully considered programme of collection-building that began with the inception of M+ in 2011. The first of their kind in Asia, the collections comprise four different holdings: the M+ Collection, made up of 6,000-plus works and objects from the worlds of visual art, moving image, and design and architecture, the museum’s core areas of interest; the M+ Sigg Collection, consisting of 1,510 works of contemporary Chinese art; the M+ Collection Archives, composed of over 45,000 items; and the M+ Library Special Collection, with 400-plus items. Together, the holdings serve to embody the bold and ambitious mission with which M+ was founded: to become a multidisciplinary museum of contemporary visual culture, rooted in Hong Kong and Asia but with an international outlook. M+ Collections: Highlights presents the work of more than 300 artists, designers, film-makers, photographers and architects specially selected to represent the collections as a whole, from Zhang Peili and Charlotte Perriand to Nam June Paik, Zaha Hadid, and Shigeru Ban. Organized into seven chapters, each encompassing a different decade of the collections’ span – from the 1950s to the 2010s – the book consists of individual entries on the featured makers composed of one or more of their works and an insightful analysis by an M+ curator. Interspersed among these entries are 24 thematic essays intended to illuminate some of the movements, tendencies and ideas around which the collections have grown, including modernism in Asian art and the future of painting in a digital world. Full of unexpected connections and new perspectives, M+ Collections: Highlights represents not only an invaluable introduction to M+’s unrivalled storehouse of visual culture but also an indispensable work of reference.

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