Search results for ""Author Donald Nicholson-Smith""

Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.

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Seraphin, dreaming of gardens full of birdsongs, sunny avenues, and flowers, works as a ticket seller in a metro station underground. One day, after being scolded by the stationmaster for trying to save a butterfly that had flown into the station by accident, he learns that he has inherited an old, dilapidated house. Overjoyed by the possibilities, he and his friend Plume set about building the house of their dreams, and much more besides! In a fresh translation, Seraphin now allows a new generation to experience the wonder and inventive spectacle of the original.

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In sixteen ferocious short stories French author Luc Lang encapsulates the brutality of everyday life. Each tale is an admixture of tragedy, comedy, ridicule, and pain. Compassion lurks somewhere, perhaps, but pity is conspicuous by its absence.Lang’s curt, agitated prose disassembles daily life with a swift, unflinching hand and examines it with a sharp, analytic eye. Skinning quotidian moments to bare, raw impulses, confusions, and the agonies underneath, the stories in Cruel Tales from the Thirteenth Floor show the mundane grind of the everyday forces that are fueled by cruel calculation and amoral happenstance and shot through with bizarre surprise. The results are at once coldly comic and powerfully tragic.Interpreting human interactions as a series of precise jabs and desperate flailings, Cruel Tales from the Thirteenth Floor tells truths about the darker sides of our potential and our well-meaning urges dimmed by chance.

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When Guillaume Apollinaire was sent to the trenches during World War I, he had already published his groundbreaking book of poems, Alcools, inspiring artists of the budding Surrealist movement and making a foundational mark on twentieth-century literature. The letters he sent to his fiancée Madeleine Pagès while fighting on the front in Champagne offer an unprecedented look into the life and mind of this literary great. Ranging from memories of his childhood in Rome with his mother (a Polish noblewoman) to his reflections on literary giants like Racine and Tolstoy, the letters also chronicle his daily life as a soldier in the brutal Great War. Letters to Madeleine is a moving portrait of a poet facing one of humanity’s starkest realities, and it will be of interest not only to fans of Apollinaire but to those interested in personal accounts of the First World War as well.

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Serge Pey's stories are lyrical, vivid vignettes of life during and directly following Spain's violent fascist regime of the thirties and forties. The collection is a defiant ode to the resilience of the human spirit, each story depicting a small act of human resistance. Many of the stories are surreal, fable-like impressions from the perspective of children caught in the midst of political violence. Pey's understated prose renders a brutal landscape with childlike wonder. It is a strikingly original meditation on courage, survival, and hope in the face of oppression.

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“Such was the battle that raged between Cousin K and me: good done badly; evil done well.” And such is the twisted logic of good and bad, right and wrong, knitted into this novella by one of the most powerful voices to emerge from North Africa in our time. With his father brutally killed as a traitor during a national liberation war and his older brother an army officer far away, the young narrator lives reclusively with his mother, who scorns him. He turns to his young cousin for affection, only to be mocked and humiliated so deeply that his love becomes hopelessly entangled with hatred. Fate places a young woman in the narrator’s path when he rescues her from a violent attack, and the reawakening of his confused passions proceeds toward terrible vengeance. In this nameless narrator’s tormented reflections, played out against the backdrop of an indifferent world, Yasmina Khadra plumbs the mysteries of the crippled heart’s desires.

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The manifesto that launched the Situationist International (SI) into the public eye and sparked an uprising is back—with the story of its creation and the histories of its publication told like never before.When the Situationist International was a little known revolutionary art group, before Guy Debord’s philosophical masterpiece Society of the Spectacle was published, and before Paris’ universities were occupied in May ’68, a pamphlet titled On the Poverty of Student Life spurred a scandal that would turn into a global revolt. On the Poverty of Student Life was a match that recognized and described student and youth alienation, and the way it was printed and distributed spread that fire. For the first edition, supporters of the SI (mis)appropriated school funds to create and distribute 10,000 copies of the pamphlet. From there, dozens of editions were produced by worker- and student-run printing presses around the world, from Paris to East London, from Tokyo to Detroit. This new edition highlights this global underground circulation and brings attention to the common conditions of students, workers, and anti-imperialist resistance in the world of the sixties—bringing that historic reckoning to the present.Featuring the original English adaptation by former SI member and celebrated translator Donald Nicholson-Smith, an interview with primary author Mustapha Khayati where he traces his map from colonial Algeria to imperial France to the university and the streets, and essays about the political relevance of the manifesto (then and now)—an edition like this has never before existed. With beautiful photographs of nearly one hundred different editions this book provides a cartography of a world uprisings.

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Between 1952 and 1954, Jean-Michel Mension haunted Saint-Germain-des-Pres as a member of the legendary Letterist International, direct progenitor of the Situationist International. In a series of conversations, Mension recounts this very particular vie de boheme whiled away with Guy Debord and a rogue's gallery of hard drinkers and thinkers. The Tribe is a rare, vivid tour of a moment and milieu barely noticed at the time by the tourists who flocked to the Left Bank for a glimpse of Sartre & Co. The rich iconography includes many of Ed van der Elsken's celebrated photographs of "the tribe" and a trove of Letterist leaflets and posters. A rare, vivid tour of a moment and milieu barely noticed at the time by the tourists flocking to Saint-Germain for a glimpse of Sartre & Co. "The Tribe relates the Parisian wanderings of a heterogeneous group of individuals who cultivated laziness and revolt, alcohol and talk, drift and chance, creative hopes and encounters ...in quest of a Rimbaldian derangement of all the senses, of detournement of art and daily life in the defiance of order, by vandalism, by deliquency, but also by an altogether contemporary quest for a supersession of Marxism." -Le Monde libertaire "In his oral memoir The Tribe, Jean-Michel Mension provides a useful context for [Guy] Debord's particular estrangement from postwar modernity. Mension reveals a multicultural dimension that is rarely explored in the burgeoning literature on this group ..." -McKenzie Wark, Bookforum "Mension, who began submitting writing to the Letterist journal at 18, recounts life in this fascinating, emphatically improvident, quasi-anarchist subculture, delivering vivid anecdotes and a still-fresh scoff-law sensibility." -Publishers Weekly Jean-Michel Mension (1934 - 2006) misspent his youth in Saint-Germain-des-Pres in the early 1950s before joining the Communist Party in 1962 and the Ligue Communiste in 1968. The Tribe is Mension's first book; he published his second in 2001: Le Temps gage: aventures politiques et artistique d'un irregulier a Paris.

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