Search results for ""Author Donald Hall""

“These vivid New Hampshire farm sketches from Hall's well-spent youth—all written when he was full-grown—are as much attuned to the supple and enticing utilities of language as they are grounded in a vanished time which may, at a glimpse, seem simple, but were complex and rich and not simple at all.”—Richard Ford This is a collection of story-essays diverse in subject but united by the limitless affection the author holds for the land and the people of New England. Donald Hall tells about life on a small farm where, as a boy, he spent summers with his grandparents. Gradually the boy grows to be a young man, sees his grandparents aging, the farm become marginal, and finally, the cows sold and the barn abandoned. But these are more than nostalgic memories, for in the measured and tender prose of each episode are signs of the end of things: a childhood, perhaps a culture.In an Epilogue written for this edition, Donald Hall describes his return to the farm twenty-five years later, to live the rest of his life in the house that held a box of string too short to be saved.

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Take your children back to 1910 for an old-fashioned New England summer in the country, complete with a July Fourth parade.Poet laureate Donald Hall (author of The Ox-Cart Man and other classics of country life) grew up spending his summers on his grandfather’s farm in rural New Hampshire. It was there he milked cows, raised sheep, and heard stories about the past that are brought to life in this read-aloud picture book for young children.In that long-ago time, the biggest celebration of the year was the July Fourth celebration in Danbury, New Hampshire—complete with flags, marching bands, speeches, and ice cream. A trip to Boston, where toys could be bought for a penny apiece, was a major event. This is a piece of Americana that will bring readers—and listeners—back to a simpler time when pleasure came from making as much as buying, where politics were truly local, and when worth was determined by character, not price.Published in the same format and with the same delightful handcolored scratchboard illustrations by Michael McCurdy as Donald Hall’s Lucy’s Christmas, this is a wonderful way to share old-time summer traditions and history with your child.

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Former poet laureate Donald Hall selects his essential work from a moving and brilliant life in poetry.“When I was twelve I wrote my first poem, and by fourteen I decided that’s what I’d do my whole life. I don’t regret it.” — from the afterword by Donald HallDonald Hall was an American master, one of the nation’s most beloved and accomplished poets. Here, having taken stock of the body of his work—rigorous, gorgeous verse that is the result of seventy years of “ambition and pleasure”—he strips it down. The Selected Poems of Donald Hall reflects the poet’s handpicked, concise selection, showcasing work rich with humor and Eros and “a kind of simplicity that succeeds in engaging the reader in the first few lines” (Billy Collins).From the enduring “My Son My Executioner” to “Names of Horses” to “Without,” Donald Hall’s best poems deliver “a banquet in the mouth” (Charles Simic) and an “aching elegance” (Baltimore Sun). For the first-time reader or an old friend, these are, above all others, the poems to read, reread, and remember.

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Now nearing ninety, Hall delivers a new collection of self-knowing, fierce, and funny essays on aging, the pleasures of solitude, and the sometimes astonishing freedoms arising from both. He intersperses memories of exuberant days - as in Paris, 1951, with a French girl memorably inclined to say, “I couldn’t care less” - with writing, visceral and hilarious, on what he has called the “unknown, unanticipated galaxy” of extreme old age. “Why should a nonagenarian hold anything back?” Hall answers his own question by revealing several vivid instances of “the worst thing I ever did,' and through equally uncensored tales of literary friendships spanning decades, with James Wright, Richard Wilbur, Seamus Heaney, and other luminaries. Cementing his place alongside Roger Angell and Joan Didion as a generous and profound chronicler of loss, Hall returns to the death of his beloved wife, Jane Kenyon, in an essay as original and searing as anything he's written in his extraordinary literary lifetime.

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“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

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Share an old-fashioned New England Christmas with your children—back to a time when making the presents was far more satisfying than buying them.Lucy Wells likes planning ahead. In her quaint New England town the leaves have just begun to change, but Lucy is already thinking of Christmas. She begins to make presents for her family: a pincushion for her mother, a doll for her sister, and a pen-wiper for her best friend. For the whole family, her parents have ordered a new modern range stove. The days grow colder and shorter, the snow grows deeper, and everyone grows more excited. Finally, the day arrives Lucy and her family travel to the South Danbury Church on Christmas to exchange gifts, sing carols with the whole town, and perform in the Christmas pageant.Poet laureate Donald Hall (author of The Ox-Cart Man and the companion to this book, Lucy’s Summer) grew up spending as much time as he could on his grandfather’s farm in rural New Hampshire. It was there he milked cows, raised sheep, and heard stories about Christmases past that are brought to life in this read-aloud picture book for young children.

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