Search results for ""Author Donald G. Marshall""

The Unremarkable Wordsworth was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.William Wordsworth was attacked by the critics of his time for imposing unremarkable sights and sentiments on his audience. In this book's title essay, an exemplary reading of the Westminster Bridge sonnet, Geoffrey Hartman shows how Wordsworth's "unremarkable phrases" attain their curious vigor. Drawing upon the propositions of semiological analysis—that signs are not signs unless they become perceptible, through the contrast between "marked" and "unmarked"—Hartman, in a deft and sensitive analysis, is able to play these notions of marking and the unremarkable off against each other. Wordsworth, in the end, overcomes both his critics and the science of signs: his quiet sonnet—with its muted or near-absent signs—is itself, as epitaph for an era, a faithful sign of the times.Hartman's capacity to open up a dialogue between contemporary theory and Wordsworth's poetry informs all of these essays, written since the 1964 publication of Wordsworth's Poetry, a book that marked an epoch in the study of that poet and of Romantic poetry in general. In the years since then, the nature of literary study has changed dramatically, and Hartman has been a leader in the turn to theoretical modes of interpretation. The fifteen essays in The Unremarkable Wordsworth draw upon a wide range of contemporary theoretical approaches, from psychoanalysis to structuralism, from deconstruction to phenomenology. Yet, as Donald Marshall points out in his foreword, "Wordsworth remains so much the focus of this book that 'critical method' is strangely transmuted." For Hartman, reading and thinking are inseparable; he has an uncanny power to convey in an intensified form the poet's own consciousness, not under the rubric of "intertextuality" but because he "has ears to hear."Geoffrey H. Hartman is Karl Young Professor of English and Comparative Literature at Yale University. His most recent book is Easy Pieces. Donald G. Marshall is a professor of English at the University of Iowa.

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How do we stand in relation to everything that comes down to us from the past? Is the very idea of tradition still useful in the wake of historical ruptures, such as the Holocaust, changes in the canon, and the end of colonialism? The concept of tradition has gained renewed importance in recent cultural studies. Suspicion of tradition as culturally narrow and oppressive is a persistent theme of modernity and has increased lately with the resurgence of religious traditionalism around the globe. At the same time, various groups demanding recognition for their distinctive cultural identity have reclaimed their traditions. Philosophers from Josiah Royce and Hans-Georg Gadamer to Alasdair MacIntyre have explored the relations between tradition and themes such as freedom, community, self-assertion, originality, and the shared values and interpretations that constitute everyday life. The essays in this volume offer varying, even disparate analyses of religious, literary, and cultural traditions and both responses and resistance to them in a variety of philosophers, novelists, and theologians. They examine works by Gadamer, Royce, MacIntyre, Plato, Jacques Derrida, Charlotte Bronte, Søren Kierkegaard, Ludwig Wittgenstein, Edith Wharton, Chinua Achebe, John Fowles, Heinrich Böll, Samuel Taylor Coleridge, Cotton Mather, Thomas Kuhn, Mikhail Bakhtin, Donald Davidson, Antebellum African-American women preachers, and Christian and Jewish thinkers in the wake of the Holocaust.

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