Search results for ""Author Dominic Johnson""
Manchester University Press Unlimited Action: The Performance of Extremity in the 1970s
Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance.
£19.10
Oxford University Press Inc God Is Watching You: How the Fear of God Makes Us Human
"And, behold, I, even I, do bring a flood of waters upon the earth, to destroy all flesh, wherein is the breath of life, from under heaven; and every thing that is in the earth shall die." The Flood that God used to destroy the sinful race of man on the earth in Genesis 6:17 crystalizes--in its terrifying, dramatic, simplicity--the universally recognized concept of payback. For millennia human civilization has relied on such beliefs to create a moral order that threatens divine punishment on people who commit crimes or other bad deeds, while promising rewards-abstract or material-for those who do good. Today, while secularism and unbelief are at an all-time high, this almost superstitious willingness to believe in karma persists. We find ourselves imagining what our parents, spouse, or boss would think of our thoughts and actions, even if they are miles away and will never find out. We often feel that we are being monitored. We talk of eyes burning into the backs of our heads, the walls listening, a sense that someone or something is out there, observing our every move, aware of our thoughts and intentions. God Is Watching You is an exploration of this belief as it has developed over time and how it has shaped the course of human evolution. Dominic Johnson explores questions such as: How has a concern for supernatural consequences affected the way human society has changed, how we live today, and how we will live in the future? Does it expand or limit the potential for local, regional and global cooperation today? How will the current decline in religious belief (at least in many western countries) affect selfishness and society in the future? And what, if anything, is replacing our ancient concerns for supernatural punishment as the means to temper self-interest and promote cooperation? In short, do we still need God? Drawing on new research from anthropology, evolutionary biology, experimental psychology, and neuroscience, Johnson presents a new theory of supernatural punishment that offers fresh insight on the origins and evolution of not only religion, but human cooperation and society. He shows that belief in supernatural reward and punishment is no quirk of western or Christian culture, but a ubiquitous part of human nature that spans geographical regions, cultures, and human history.
£21.99
Manchester University Press Glorious Catastrophe: Jack Smith, Performance and Visual Culture
Glorious catastrophe presents a detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989. Dominic Johnson argues that Smith’s work offers critical strategies for rethinking art’s histories after 1960. Heralded by peers as well as later generations of artists, Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously absent from dominant histories of American culture in the 1960s, as well as from narratives of the impact that decade would have on coming years. Smith poses uncomfortable challenges to cultural criticism and historical analysis, which Glorious catastrophe seeks to uncover. The first critical analysis of Smith’s practices across visual art, film, performance and writing, the study employs extensive, original archival research carried out in Smith’s personal papers, and unpublished interviews with friends and collaborators. It will be essential reading for students and scholars interested in the life and art of Jack Smith, and the greater histories that he interrupts, including those of experimental arts practices, and the development of sexual cultures.
£85.00
Intellect Books It's All Allowed: The Performances of Adrian Howells
Adrian Howells (1962–2014) was one of the world’s leading figures in the field of one-to-one performance practice – the act of staging an event for one audience participant at a time. Developed over more than a decade, Howells’s award-winning work demonstrated not only his enduring commitment to this genre of performance, but also his determination to find new challenges and innovations in performance art, 'intimate theatre' and socially engaged art. It’s All Allowed, edited by Deirdre Heddon and Dominic Johnson, is the first book devoted to Howells’s remarkable achievements and legacy. Contributors here testify to the methodological, thematic and historiographical challenges posed by Howells’ performances. Citing his permissive mantra as its title, It’s All Allowed includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores and visual materials, which together reveal new insight into Howells’s groundbreaking process.
£21.95
Hatje Cantz Reza Abdoh
Over a brief, twelve-year career, the Iranian director and playwright Reza Abdoh broke all of the conventions of American theater, pushing actors and audiences past their limits to create hallucinatory, at times nightmarish, dreamscapes shot through with humor, song, and an unlikely spirituality. His productions addressed the bitter political realities of his time— the systemic devaluation of black life, governmental indifference to the AIDS crisis, sexual repression, genocide in Europe, and war in the Middle East—with harrowing eloquence. Just before his death he ordered that his plays should never be performed again. Profusely illustrated, the catalogue contains new essays on the influence and reception of Abdoh’s works in theater, film, and video, published and unpublished interviews with the director, and conversations with his friends and colleagues, as well as scripts of his plays and contemporary reviews.
£45.00
