Search results for ""Author Diane Watt""

The Paston letters viewed in the context of medieval women's writing and medieval letter writing. The Paston letters form one of only two surviving collections of fifteenth-century correspondence, in their case especially rich in letters from the women of the family. Clandestine love affairs, secret marriages, violent family rows, bickering with neighbours, battles and sieges, threats of murder and kidnapping, fears of plague: these are just some of the topics discussed in the letters of the Paston women. Diane Watt's introduction seeks to place these letters in the context of medieval women's writing and and medieval letter writing. Her interpretive essay reconstructs the lives of these women by examining what the letters reveal about women's literacy and education, lifein the medieval household, religion and piety, health and medicine, and love, marriage, family relationships, and female friendships in the middle ages. Professor Diane Watt is Head of the School of English and Languages, University of Surrey.

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Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates.

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Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture.

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The remarkable story of Margaret Paston, whose letters form the most extensive collection of personal writings by a medieval English woman. Drawing on the largest archive of medieval correspondence relating to a single family in the UK, God''s Own Gentlewoman explores what everyday life was like during the turbulent decades at the height of the Wars of the Roses. Covering topics including political conflicts and familial in-fighting, forbidden love affairs and clandestine marriages, bloody battles and sieges, fear of plague and sudden death, friendships and animosity, and childbirth and child mortality, Margaret''s letters provide us with unparalleled insight into all aspects of life in late medieval England. Diane Watt, a world expert on medieval women''s writing, offers insight into Margaret''s activities, experiences, emotions and relationships, presenting the life of a medieval woman who was at times absorbed by the mundane and domestic, but who found herself caught up in the mos

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An exploration of the relations between medical and religious discourse and practice in medieval culture, focussing on how they are affected by gender. Current preoccupations with the body have led to a growing interest in the intersections between religion, literature and the history of medicine, and, more specifically, how they converge within a given culture. This collection of essays explores the ways in which aspects of medieval culture were predicated upon an interaction between medical and religious discourses, particularly those inflected by contemporary gendered ideologies. The essays interrogatethis convergence broadly in a number of different ways: textually, conceptually, historically, socially and culturally. They argue for an inextricable relationship between the physical and spiritual in accounts of health, illness and disability, and demonstrate how medical, religious and gender discourses were integrated in medieval culture. Naoë Kukita Yoshikawa is Professor of English in the Faculty of Humanities and Social Sciences at Shizuoka University. Contributors: Louise M. Bishop, Elma Brenner, Joy Hawkins, Roberta Magnani, Takami Matsuda, Liz Herbert McAvoy, Irina Metzler, Denis Renevey, Patricia Skinner, Juliette Vuille, Diane Watt, Naoë Kukita Yoshikawa.

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