Search results for ""Author Derek Ryan""

This book explores Woolf's writing alongside Deleuzian philosophy and new materialist theories of sexuality, animality, and posthuman life. How does Virginia Woolf conceptualise the material world? In what ways has Woolf's modernism affected understandings of materiality, and what new perspectives does she offer contemporary theoretical debates? Derek Ryan demonstrates how materiality is theorised in Woolf's writings by focusing on the connections she makes between culture and nature, embodiment and environment, human and nonhuman, life and matter. Through close readings of texts including To the Lighthouse, Orlando, A Room of One's Own, The Waves, Flush, and 'Sketch of the Past', he details the fresh insights Woolf provides into issues concerning the natural world, sexual difference, sexuality, animality, and life itself. Ryan opens up Woolf studies to new theoretical paradigms by placing Woolf in dialogue with Gilles Deleuze - who cites her modernist aesthetics as exemplary of some of his most important philosophical concepts - as well as eminent contemporary theorists including Rosi Braidotti, Donna Haraway, Karen Barad, and Jane Bennett, all of whom have influenced the recent critical turn towards new materialisms. Locating theory within Woolf's writing as well as locating Woolf within theory, Virginia Woolf and the Materiality of Theory: Sex, Animal, Life brings her modernism firmly into to the foreground of current debates in literary studies, feminist philosophy, queer theory, animal studies and posthumanities.

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From caged orangutans to roasted pig, from dog training to horse phobias, from communicating bees to ruminating cows, Derek Ryan explores how animals are encountered in theoretical discourse. Over the course of an introduction and four thematically organised chapters on 'Animals as Humans', 'Animal Ontology', 'Animal Life' and 'Animal Ethics', he critically engages with a diverse range of ancient, modern and contemporary thinkers including Aristotle, Plutarch, Descartes, Spinoza, Leibniz, Hume, Locke, Nietzsche, Freud, Heidegger, Merleau-Ponty, Lacan, Nagel, Levinas, Deleuze, Derrida, Singer, Regan, Diamond, Adams, Haraway, Nussbaum, Badiou and Braidotti. To supplement the theoretical material, each chapter contains lively close readings of contemporary literary texts by Carter, Coetzee, Auster and Foer. Intended as a resource for researchers, students, teachers and all those interested in human-animal relationships, Animal Theory: A Critical Introduction provides an accessible and authoritative account of the challenges and potential in thinking about and with animals.

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Described by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and an intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel.

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