Search results for ""Author Denis Hirson""

A “beautifully written, funny and deeply moving” memoir about a son’s reckoning with his father’s political idealism, set against the menacing backdrop of apartheid-era South Africa (Finuala Dowling, author of The Man Who Loved Crocodile Tamers)A bestselling South African writer known for tackling history and memory finally makes his American debutWitty and deeply poignant, My Thirty-Minute Bar Mitzvah is a breathtaking account of one man being confronted by his past and, ultimately, how his daughter proved to be the key in understanding his own father.Recreating 1960s Johannesburg through his adolescent eyes, bestselling South African author Denis Hirson gradually reveals the details of his extraordinary 13th birthday as he explores the familial and political divisions in Apartheid South Africa that weighed on him and his developing consciousness of his Jewish heritage.My Thirty-Minute Bar Mitzvah is a

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Worlds in one country is a compact, inclusive history of writing in South Africa from the nineteenth century to 1994 that crosses boundaries of language and colour, including prose, poetry and theatre. It is an accessible story rather than a theoretical analysis, relating the evolution of writing to the history of the country. Worlds in one country is punctuated with significant and often well-known quotes taken from novels, short stories, poems and plays as well as from statements by writers themselves. At the same time there is precise referencing to works cited, an extensive bibliography and comprehensive index. This story takes the reader from the colonial period and early white exploration, through references to black mythology and affirmations of black and then Afrikaner identity, to writing in the city before and after 1948, through the watersheds of Sharpeville in 1960, Soweto in 1976 and the troubles preceding 1994. Readers will gain an overview of South African writing, beyond the differences of language and colour of what has been a highly fragmented society.

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I remember shaving off my beard in the bathroom on the eve of the camp, with Mahalia Jackson singing rousing spirituals from the living room. Afterwards my chin was strangely smooth, and seemed to have shrunk. I remember that from the Springbok Grounds, where the army has its administrative offices, you could see a whisky ad on a billboard with a moustachioed gentleman suggesting: "Don't be vague, ask for Haig". I remember our arrival at camp, in a roaring truck with wooden plank benches that fetched s from the station. There were many trucks parked or driving along an endless esplanade with their headlights forked into the night. Dust and diesel fumes. People running. Uniforms. Hoarse orders in Afrikaans. I remember 'roer jou gat!", "jou gat", "se gat", "bakgat", "slapgat", "gates", and "don't gooi me grief, hey!" We walk straight so you better get out of the way is author's new book of personal and public memories of growing up in South Africa. Once again he delves deeply into sense memories, making the reader hum long-forgotten tunes, summoning up familiar pictures through his delicate and finely-tuned phrasing. In this title the author deals with the army years, the Grateful Dead years, the loss of his father to prison years and the losing himself to Paris years.

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Violence rendered things visible, writes Denis Hirson in this beautifully crafted, musical story, which is as much about seeing how people lived at that time as it is about desire, loneliness and the desperate, blind need for revenge. Lemon street runs downslope through a leafy, peaceful suburb of Johannesburg. It is early 1960. One resident of the street, a young widow, believes she has finally met the new man of her life. In a narrow room at the back of the garden, her maid impatiently awaits the arrival of her lover. Across the street, while his parents engage in yet another heated argument, a schoolboy dreams of a girl. And down past the willow trees at the bottom of the street this girl's mother prepares a party to celebrate her twentieth wedding anniversary, which will hardly turn out as she expected. Meanwhile, tremors run through South Africa. Hundreds of men die in the great Clydesdale mine disaster. There is an assassination attempt upon the Prime Minister, Dr Verwoerd. There is the Sharpeville Massacre, which will radically shape the political climate of the country, and permanently alter the lives of certain people on Lemon Street.

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White Scars also explores the moments at which Hirson read the four books. They include the arrest of his anti-apartheid activist father, Baruch Hirson in the early 1960's; his own move to Paris in the 1970's; his father's death, and the end of a period of mourning for him. In weaving together these two strands in White Scars, Hirson has referred to many other texts, including other books by Breyten Breytenbach, Raymond Carver and Georges Perec. He has also explored a constellation of key words, which trace, in different ways, the political space of apartheid South Africa and the transience of one who is now looking back at that time through the prism of distance.

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