Search results for ""Author Denis Donoghue""

Taking its title from a poem of William Butler Yeats, this collection of essays focuses on "Adam’s Curse"—the burdens and harsh conditions that, as Denis Donoghue underscores throughout, make any human achievement difficult. As he says, those "conditions include at various levels of reference the Fall of Man, categorical failure, loss, the limitations inscribed so insistently in human life that they seem to be in the nature of things, like death and weather." But hope is never ruled out, as Donoghue reminds us of "the possibility of putting up with the conditions and turning them to some account." It is the "putting up with the conditions and turning them to some account"—a post-lapsarian struggle fraught with religious questions—that most interests Donoghue. These essays, which are explorations of both faith and literary works that engage faith, address a dazzling range of texts and writers: Yeats, Milton, Larkin, Heaney, Emmanuel Levinas, Alasdair MacIntyre, John Crowe Ransom, Henry Adams, William Lynch’s Christ and Apollo, and Robert Bellah’s Beyond Belief, among others. Common to all is an alertness to the social bearing of literature and the role it plays in relation to politics, religion, and especially ethics. What emerges, for Donoghue, is the need to restore the primacy of theology and church doctrine without evading the "dark parts" of the Old and New Testaments. Through his probing, reflective encounters with philosophical and religious issues, we witness a magisterial intelligence at work.

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"Warrenpoint" is a memoir, and more than a memoir: with moments of novelistic narrative and lyricism wedded to musings on the aesthetic and theological themes of the author's coming of age--filial piety, original sin, a child's perceptions, and then the nature of terrorism, and of reading itself--it demonstrates the same insight and lucidity that have contributed to Denis Donoghue's fame as one of our most important critics. Taking its title from the seaside town in Northern Ireland whose police barracks served as the residence for the Catholic Donoghues, it has been described as a family romance, dealing not only with the author's love for his strong-willed, taciturn policeman father, but his love for literature and how it shaped his life to come.

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Denis Donoghue turns his attention to the practice of metaphor and to its lesser cousins, simile, metonym, and synecdoche. Metaphor (“a carrying or bearing across”) supposes that an ordinary word could have been used in a statement but hasn’t been. Instead, something else, something unexpected, appears. The point of a metaphor is to enrich the reader’s experience by bringing different associations to mind. The force of a good metaphor is to give something a different life, a new life. The essential character of metaphor, Donoghue says, is prophetic. Metaphors intend to change the world by changing our sense of it.At the center of Donoghue’s study is the idea that metaphor permits the greatest freedom in the use of language because it exempts language from the local duties of reference and denotation. Metaphors conspire with the mind in its enjoyment of freedom. Metaphor celebrates imaginative life par excellence, from Donoghue’s musings on Aquinas’ Latin hymns, interspersed with autobiographical reflection, to his agile and perceptive readings of Wallace Stevens.When Donoghue surveys the history of metaphor and resistance to it, going back to Aristotle and forward to George Lakoff, he is a sly, cogent, and persuasive companion. He also addresses the question of whether or not metaphors can ever truly die. Reflected on every page of Metaphor are the accumulated wisdom of decades of reading and a sheer love of language and life.

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