Search results for ""Author David Watt""

Thomas Hoccleve’s Series (1419-21) tells the story of its own making. The Making of Thomas Hoccleve’s Series analyzes this story and considers what it might contribute to the larger story about book production in the fifteenth century. Focusing on four surviving manuscripts made by Hoccleve himself between 1422 and 1426, the first four chapters explore the making of the Series in context. They examine the importance of audience judgment in the selection and juxtaposition of forms, the extent to which the physical flexibility of books could serve the needs of their owners and their makers, the changing tastes of fifteenth-century readers, and the appetite for new paradigms for reform in head and members. The final chapter analyzes the most important non-authorial copy of the Series in order to ask what others made of it. While this study draws on Hoccleve’s experience, it asserts that the Series offers a reflection on, not a reflection of, his conception of book production. The ironic contrast between what Hoccleve’s narrator intends and accomplishes when making his book is its most redeeming feature, for it provides insight into the many conflicting pressures that shaped the way books were made and imagined in early fifteenth-century England.

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This volume, the first collection of essays devoted to Hoccleve since 1996, both confirms his importance in shaping the English poetic tradition after Chaucer's death and demonstrates the depth of ongoing critical interest in Hoccleve's work in its own right. The Middle English poet Thomas Hoccleve, known particularly for his entertainingly biographical verse describing life as a Privy Seal clerk in early fifteenth-century Westminster, is now recognised as a key figure in the literature of later medieval England. This volume, the first collection of essays devoted to Hoccleve since 1996, both confirms his importance in shaping the English poetic tradition after Chaucer's death and demonstrates the depth of ongoing critical interest in Hoccleve's work in its own right. Chapters explore the idiosyncratic forms of his two principle works, The Regiment of Princes and Series, as well as Hoccleve's distinctive imagery of moving feet, of swelling and bursting bodies, and of the actions of personified Death. Other essays consider the presence of the figure of the woman reader, the part played by the codex in posthumous literary sanctification, the links between Hoccleve's formulary of model letters and documents and his own verse, and the mutually informing relations of Hoccleve's minor poetry and major works. They are preceded by a substantial introduction, considering contemporary responses to Hoccleve in the light of current trends in literary criticism and surveying the reception of his works between the fifteenth and nineteenth centuries.

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