Search results for ""Author David Toop""
Omnibus Press Flutter Echo: Living Within Sound
David Toop has become one of our most significant touchstones of contemporary music writing and reportage. Employing intensified studies into World Music in relation to popular (as well as marginalized) contemporary trends, Toop has created one of the most distinctive publishing histories of modern music thinking for our times. Flutter Echo is his memoir of a life enchanted with all aspects of music both composed and abstract. Toop's personal growth as a practicing musician, visual artist, and witness to some of the most significant events in modern music history is a completely fascinating view into a world of considered thought and random access. From recording for Brian Eno's Obscure Records imprint in 1975 to co-publishing the radical music magazines Musics and Collusion to developing music programming for BBC to releasing recordings he personally made of Yanomami Shaman rituals to working with artists such as creative pop icon Bjoerk and Jamaican dub pioneer Prince Far-I, Toop has experienced one of the most interesting and dynamic timelines in the dynamic world of our contemporary sound world. Player, listener, scholar, reporter, communitarian, parent, iconoclast - David Toop brings his own life in music to focus in a remarkable, wonder-filled, engaging read.
£16.99
Bloomsbury Publishing Plc Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970
Shortlisted for the Penderyn Music Book Prize 2017. In this first installment of acclaimed music writer David Toop’s interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era. Neither strictly chronological, or exclusively a history, Into the Maelstrom investigates a wide range of improvisational tendencies: from surrealist automatism to stream-of-consciousness in literature and vocalization; from the free music of Percy Grainger to the free improvising groups emerging out of the early 1960s (Group Ongaku, Nuova Consonanza, MEV, AMM, the Spontaneous Music Ensemble); and from free jazz to the strands of free improvisation that sought to distance itself from jazz. In exploring the diverse ways in which spontaneity became a core value in the early twentieth century as well as free improvisation’s connection to both 1960s rock (The Beatles, Cream, Pink Floyd) and the era of post-Cagean indeterminacy in composition, Toop provides a definitive and all-encompassing exploration of free improvisation up to 1970, ending with the late 1960s international developments of free music from Roscoe Mitchell in Chicago, Peter Brötzmann in Berlin and Han Bennink and Misha Mengelberg in Amsterdam.
£24.99
Profile Books Ltd Ocean of Sound: Ambient sound and radical listening in the age of communication
David Toop's extraordinary work of sonic history travels from the rainforests of Amazonas to the megalopolis of Tokyo via the work of artists as diverse as Brian Eno, Sun Ra, Erik Satie, Kate Bush, Kraftwerk and Brian Wilson. Beginning in 1889 at the Paris exposition when Debussy first heard Javanese music performed, Ocean of Sound channels the competing instincts of 20th century music into an exhilarating, path-breaking account of ambient sound. 'A meditation on the development of modern music, there's no single term that is adequate to describe what Toop has accomplished here ... mixing interviews, criticism, history, and memory, Toop moves seamlessly between sounds, styles, genres, and eras' Pitchfork's '60 Favourite Music Books'
£11.09