Search results for ""Author David Rieff""

A leading contrarian thinker explores the ethical paradox at the heart of history's wounds The conventional wisdom about historical memory is summed up in George Santayana’s celebrated phrase, “Those who cannot remember the past are condemned to repeat it.” Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, “inoculate” the present against repeating the crimes of the past. He argues that rubbing raw historical wounds—whether self-inflicted or imposed by outside forces—neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option—sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times—the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11—Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy.

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With the publication of her first book of criticism, Against Interpretation, in 1966, Susan Sontag placed herself at the forefront of an era of cultural and political transformation. “What is important now,” she wrote, “is to recover our senses . . . . In place of a hermeneutics we need an erotics of art.” She would remain a catalyzing presence, whether writing about camp sensibility, the films of Jean-Luc Godard and Alain Resnais, her experiences as a traveler to Hanoi at the height of the Vietnam War, the aesthetics of science-fiction and pornography, or a range of modern thinkers from Simone Weil to E. M. Cioran. She opened dazzling new perspectives on any subject she addressed, whether the nature of photography or cultural attitudes toward illness. This volume, edited by Sontag’s son David Rieff, presents the full texts of four essential books: Against Interpretation, Styles of Radical Will (1969), On Photography (1977), and Illness as Metaphor (1978). Also here as a special feature are six previously uncollected essays including studies of William S. Burroughs and the painter Francis Bacon and a series of reflections on beauty, aging, and the emerging feminist movement.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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In spring 2004, Susan Sontag was diagnosed with the incurable blood cancer. She had a huge appetite for experience, and a wild, extravagant desire to live. Rieff writes movingly about being by her side during that last year and at her death, and about his own contradictory emotions: his guilt both for not consoling her enough, and for somehow colluding with her in her belief that she could beat the disease. Drawing on Sontag's journals and letters, which Rieff read after her death, and on the writings about the deaths of other great thinkers, Swimming in a Sea of Death provides a vivid portrait of Sontag in the last year of her life and a haunting meditation on mortality.

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At the Same Time contains sixteen illuminating essays by Susan Sontag.With a preface by David Rieff.The sixteen essays gathered here represent the last pieces written by Susan Sontag in the years before her ddath in 2004. Reflecting on literature, photography and art, post 9/11 America and political activism, these essays encompass the themes that dominated Sontag's life and work, revealing why she remains one of the twentieth century's preeminent writers and thinkers.'These sixteen pieces brim over with vitality . . . every one of them opening up fresh lines of thought' John Gray, New Statesman'One of America's greatest public intellectuals' Observer'Excellent and essential' Financial Times'Reads like a greatest-hits album - a little politics, something on photography, some lit. crit. - of Sontag's passions' Daily Telegraph'Sontag's clear thinking . . . shines like a spotlight in dark places' The TimesOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

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'In the journal I do not just express myself more openly than I could do to any person; I create myself.'Intimate, vulnerable and unsparing, Reborn bears witness to the evolution of Susan Sontag.With entries dating from 1947-1963, the first instalment from Susan Sontag's diaries charts her ascension from early adolescence to her early thirties. Unabashed, though thoroughly self-reflective, Sontag's diaries reveal the inner workings of her mind, her insecurities and her passions. This compelling account of the evolution of America's greatest post-war intellectual allows us to behold the moral and political awakening of the artist and critic.'An exceptionally vivid, and often moving, account of a young woman's painful journey towards acceptance of her own nature.' Sunday Telegraph 'Moving on several levels . . . thrilling . . . fascinating . . . often reads like a brilliant postmodern bildungsroman' New York Magazine'One can feel Sontag's mind beginning to ripen and bloom, and the full force of the intellectual originality that would be her hallmark emerging' The Guardian

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Originally published in 1999, this A-to-Z guidebook of wartime atrocities has received worldwide acclaim and has been translated into eleven languages. Now substantially updated, with sixteen new entries, this concise guide to the broken rules of war remains unique and essential. More than 140 distinguished experts from the media, military, law, and human rights groups examine recent conflicts in light of international humanitarian law, including: Afghanistan (Patricia Gossman), the Congo (Gerard Prunier), terrorism (Anthony Dworkin), Guantánamo (Mark Huband), Darfur (John Prendergast and Colin Thomas-Jensen), occupation (George Packer), independent contractors (Peter Singer), war and insurgency (John Burns), and detention and interrogation (Dana Priest). Christiane Amanpour writes on Bosnian paramilitaries, Jeremy Bowen on Chechnya, and Gwynne Roberts on Saddam Hussein. Through case studies, definitions of key terms, and explanations of what is legal and what is not—illuminated by 150 stunning duotone photographs—Crimes of War reveals what every citizen should know about war and the law.

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