Search results for ""Author David Morley""

Who are the invisible kings? Why do two bears follow them round Britain? And what happens when a gypsy's curse comes miraculously to life? David Morley's new book reveals extraordinary worlds where the real and imagined converge in stories and charms, just this side of science and magic. When David Morley's Romani poems first appeared in the "London Review of Books" and "PN Review", the strangeness of the language and their narrative power convinced readers that here was a genuinely new imaginative world. Partly Romani himself, the poet follows - and remakes - a tradition of weaving stories, from the conflicts in his own culture and that of the Roma. The personal poems that open the collection develop into a traveller's-eye view of England and Europe as stages for war, passion and betrayal. Never before has a writer made such daring and beautiful use of the Romani language as a vehicle for contemporary poetry, nor has a Romani poem achieved the devastating epic scope of 'Kings', the central narrative of the collection. "The Invisible Kings" continues a cycle of poems that began with David Morley's "Scientific Papers" and which will conclude with "An Island Blown Inland".

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Communications and Mobility is a unique, interdisciplinary look at mobility, territory, communication, and transport in the 21st century with extended case studies of three icons of this era: the mobile phone, the migrant, and the container box. Urges scholars in media and communication to return to broader conceptions of the field that include mobility of all kinds—information, people, and commodities Embraces perspectives from media studies, science and technology studies, sociology, media anthropology, and cultural geography Discusses ideas of virtual and embodied mobility, network geographies, de-territorialization, sedentarism, nomadology, connectivity, containment, and exclusion Integrates the often-neglected transport studies into contemporary communication studies and theories of globalization

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Poetry Book Society Autumn 2020 Choice Shortlisted for the 2020 Forward Prize for Best Collection FURY sees the Ted Hughes Award winner David Morley once more seeking to give imaginative voice to the natural world and to those silenced or overlooked in modern society, ranging from the Romany communities of past and present Britain, to Tyson Fury and Towfiq Bihani, one of the forgotten inmates of the Guantanamo bay detention centre. In poems that bristle with linguistic energy and that celebrate poetry's power to give arresting voice to the unspoken and the untold, in ourselves and our societies, Fury is David Morley's most powerfully political work. It is a passionate testament to poetry’s capacity to speak to, and for, us and our place in the world - its power to be an outreached hand, like the 'trembling hands' of the magician in 'The Thrown Voice' or the 'living hand' of the poets celebrated in 'Translations of a Stammerer'.

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A blacksmith creates a girl from fire. A hedgehog conquers a kingdom. How do you ride a Camargue horse through time? How do circus people live, when the glitterball has stopped turning? In these poem-stories David Morley reinvents the oral tradition of poetry as a form of magic, marvel and making. Opening with a celebration of friendship, the poems tell the world into being. In myths of origin and the natural world, the terrible chronicles of history and the saving power of folk wisdom, the poet weaves spells of Romany and circus language, invents forms and shapes, drawing his readers into a 'lit circle' magical and true. Enchantment concludes a cycle of poems that began with David Morley's celebrated Scientific Papers and The Invisible Kings.

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Communications and Mobility is a unique, interdisciplinary look at mobility, territory, communication, and transport in the 21st century with extended case studies of three icons of this era: the mobile phone, the migrant, and the container box. Urges scholars in media and communication to return to broader conceptions of the field that include mobility of all kinds—information, people, and commodities Embraces perspectives from media studies, science and technology studies, sociology, media anthropology, and cultural geography Discusses ideas of virtual and embodied mobility, network geographies, de-territorialization, sedentarism, nomadology, connectivity, containment, and exclusion Integrates the often-neglected transport studies into contemporary communication studies and theories of globalization

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In his bold new collection, David Morley, winner of the Ted Hughes Award, casts off the worlds of myth and magical fable to focus on the fiercely personal. `Love teaches you how to mind / And how to mend’, he writes in `After a Song by Gustav Mahler’. In The Magic of What’s There Morley uses his eye for precise detail and his linguistic invention to explore childhood suffering and, in counterbalance, the joys of love, friendship and parenthood. He finds the elements of epic in the everyday, navigating the complex connections between past and present selves. His poems acknowledge our capacity for cruelty, but also for love, tenderness and mercy.

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The concept of this text is that each piece of writing is a scientific paper of itself, a series of findings. The practices of writing science and poetry are a single discussion of perception carried out with the same eye and ear, and in the same laboratory of language.

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Stories of nature, folklore and Romani heritage by an award-winning poet, critic and teacher.

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Volumes 1 and 2 of Stuart Hall's Essential Essays are available as a set From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 1: Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics. This volume's stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies;” the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoritarian populism in British politics; and “Encoding and Decoding in the Television Discourse,” one of his most influential pieces of media criticism. As a whole, Volume 1 provides a panoramic view of Hall's fundamental contributions to cultural studies.Volume 2: Identity and Diaspora draws from Hall's later essays, in which he investigated questions of colonialism, empire, and race. It opens with “Gramsci's Relevance for the Study of Race and Ethnicity,” which frames the volume and finds Hall rethinking received notions of racial essentialism. In addition to essays on multiculturalism and globalization, black popular culture, and Western modernity's racial underpinnings, Volume 2 contains three interviews with Hall, in which he reflects on his life to theorize his identity as a colonial and diasporic subject.

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From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 2: Identity and Diaspora draws from Hall's later essays, in which he investigated questions of colonialism, empire, and race. It opens with “Gramsci's Relevance for the Study of Race and Ethnicity,” which frames the volume and finds Hall rethinking received notions of racial essentialism. In addition to essays on multiculturalism and globalization, black popular culture, and Western modernity's racial underpinnings, Volume 2 contains three interviews with Hall, in which he reflects on his life to theorize his identity as a colonial and diasporic subject.

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From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 1: Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics. This volume's stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies"; the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoritarian populism in British politics; and “Encoding and Decoding in the Television Discourse,” one of his most influential pieces of media criticism. As a whole, Volume 1 provides a panoramic view of Hall's fundamental contributions to cultural studies.

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From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 2: Identity and Diaspora draws from Hall's later essays, in which he investigated questions of colonialism, empire, and race. It opens with “Gramsci's Relevance for the Study of Race and Ethnicity,” which frames the volume and finds Hall rethinking received notions of racial essentialism. In addition to essays on multiculturalism and globalization, black popular culture, and Western modernity's racial underpinnings, Volume 2 contains three interviews with Hall, in which he reflects on his life to theorize his identity as a colonial and diasporic subject.

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From his arrival in Britain in the 1950s and involvement in the New Left, to founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many of the cultural and political debates of our time. Essential Essays—a landmark two-volume set—brings together Stuart Hall's most influential and foundational works. Spanning the whole of his career, these volumes reflect the breadth and depth of his intellectual and political projects while demonstrating their continued vitality and importance.Volume 1: Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics. This volume's stand-out essays include his field-defining “Cultural Studies and Its Theoretical Legacies"; the prescient “The Great Moving Right Show,” which first identified the emergent mode of authoritarian populism in British politics; and “Encoding and Decoding in the Television Discourse,” one of his most influential pieces of media criticism. As a whole, Volume 1 provides a panoramic view of Hall's fundamental contributions to cultural studies.

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William Carlos Williams valued Charles Tomlinson’s poetry: `He has divided his line according to a new measure learned, perhaps, for a new world. It gives a refreshing rustle or seething to the words which bespeak the entrance of a new life.’ Of all the poets of his generation, Charles Tomlinson was most alert to English and translated poetry from other worlds. The Mexican poet Octavio Paz admired how he saw `the world as event... He is fascinated – with his eyes open: a lucid fascination – by the universal busyness, the continuous generation and degeneration of things.’ Tomlinson’s take on the world is sensuous; it is also deeply thoughtful, even metaphysical. He spoke of `sensuous cerebration’ as a way of being in the world. His poems are always experimenting with impression and expression. This dynamic selection, edited by the poet and Ted Hughes Award winner David Morley, presents Tomlinson to a new generation of readers.

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