Search results for ""Author David Meara""

Oxfordshire is rich in many things: fine agricultural land and areas of dense woodland; delightful towns like Burford, Woodstock, Dorchester and Henley; the stately River Thames that bisects the county; the ironstone villages of the northern border; the Oxford Canal meandering its way through remote countryside; and splendid country houses at Blenheim, Chastleton and Rousham. The jewel in the crown is the city of Oxford itself, with its ancient honey-coloured buildings and dreaming spires. This book celebrates both Oxfordshire’s well-known glories and hidden gems such as the ruined manor at Hampton Gay, the brewery at Hook Norton and the glories of Wytham Woods. Highlighting these and other gems, this book gives an enticing picture of the rich variety of experiences and sights the county of Oxfordshire has to offer.

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Nicholas Hawksmoor is one of a number of distinguished architects who worked in the seventeenth century. Others included Sir Christopher Wren, Inigo Jones, and Sir John Vanbrugh. But while we remember Wren for St Paul's Cathedral, Inigo Jones for the Banqueting House in Whitehall, and Vanbrugh for Blenheim Palace, Hawksmoor has no major work associated with him, and remains relatively unknown in comparison with his contemporaries. This lavishly illustrated guide to his London churches, including the steeples he designed for Wren's City Churches, also looks at Hawksmoor's life and wider work and includes a guided tour around his churches from former Archdeacon of London David Meara.

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After the German surrender in November 1918, the German High Seas Fleet was interned at Scapa Flow in the Orkney Islands, the anchorage for the Royal Navy’s Grand Fleet throughout the First World War. Determined not to see his ships fall into the hands of the Allied Powers as the protracted peace negotiations at Versailles dragged on, the German commander, Admiral Von Reuter, decided to scuttle his fleet and secretly passed orders between his ships for their skeleton crews to open the seacocks on 21 June 1919. Most ships began to sink within hours, witnessed by a visiting group of school children suddenly caught up in an event of international importance. More than fifty of the seventy-four German ships that had steamed into Scapa Flow were successfully scuttled and sunk, the remainder having been beached before they could sink. More than thirty of the sunken warships would later be raised but the others remain on the seabed, making Scapa Flow one of the world’s top diving destinations. This book follows the events of that momentous day, drawing on the eyewitness accounts of those who saw the crisis unfold at first hand. The book makes extensive use of archive material, personal letters and contemporary photographs to bring alive the extraordinary events of that Midsummer’s Day in 1919.

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Sir John Betjeman was born at the start of the twentieth century, and lived to become Poet Laureate, an accomplished writer and campaigner, and something of a national treasure. All his life he loved churches, which are woven into his poetic output. He wrote extensively about churches and architecture, telling a journalist in 1955 ‘If I have a mission, it is to show people things which are beautiful so that they will very soon realise what is ugly. When you look at things, instead of just looking through them, life starts absolutely crackling with interest and excitement.’ Now, Betjeman’s particular way of looking at churches is in danger of being lost in the face of a more academically driven and forensic art-historical approach. This book picks out some of the buildings, especially churches, which Betjeman was particularly fond of. It highlights and celebrates Betjeman’s more poetic, parochial and personal response to the built environment, and his evocation of the English parish church through the ordinary and the charm of hassocks, old incense and oil lamps. Highlighting his religious, aesthetic and social pre-occupations, this book is both gazetteer and commentary on his own particular vision of England and architecture, which deserves to be celebrated afresh.

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Captain John Alexander served in the Royal Engineers and was posted to the 17th Indian Division, known as the Black Cats, which was sent into Burma against the Japanese as part of the 14th Army. John’s unit was 60 Indian Field Company. After the capture of Hong Kong and the fall of Singapore in February 1942 the Japanese army advanced into Burma, catching the Allies ill-equipped and unprepared. Rangoon fellin March, thus beginning a long fighting retreat by the Allies through thick jungle to the northwest frontier with India. But the Allies regrouped and fought back, and in 1944 fierce fighting, culminating in the battles of the Admin Box, Kohima and Imphal, caused the Japanese forces to begin to withdraw. At the beginning of 1945 the 14th Army launched a successful offensive pushing the Japanese southwards before them. Mandalay was retaken and then Rangoon in May 1945. The Japanese Army finally surrendered on 15 August 1945. Many histories of the Burma Campaign have been written, and the terrible conditions of jungle warfare against a brutal enemy are well known. John Alexander returned home on leave before the end of the conflict with his body weakened by fever, jungle sores and dysentery, and his mind affected by what we now call PTSD. But he also brought back with him a collection of ‘souvenirs’ from the campaign – artefacts that range from Japanese currency and cigarettes to letters, swords, a bayonet, sketches, and his own diaries, letters and decorations. This book will be a reflection on the personal stories behind this terrible and often forgotten war, looking at the conflict both from a British and a Japanese perspective. Through an examination of these artefacts, the horror and humanity of the combatants who took part in this far-away conflict will be vividly brought to life.

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