Search results for ""Author David Martin-Jones""

Columbo is 50 years old. A global smash in the 1970s, it is now a cult TV favourite. What is the reason for this enduring popularity? In this fascinating exploration of a television classic, David Martin-Jones argues that Columbo reveals how our current globalised world of 24/7 capital, invasive surveillance and online labour emerged in the late 20th century. Exploring everything from the influences on Peter Falk's iconic acting style to the show's depiction of Los Angeles, he illuminates how our attention is channelled, via technologies like television and computers, to influence how we perform, learn, police and locate ourselves in today's world. Columbo emerged alongside shows like Kojak and The Rockford Files, but re-viewing the series today reveals how contemporary television hits from Elementary to The Purge continue to shape how and why we pay attention 24/7.

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This book provides a clear and accessible account of political and economic development in Pacific Asia. Adopting a comparative and historical approach, it examines the factors behind the 'East Asian Miracle' which has transformed the economies and societies of South Korea, Taiwan, Hong Kong, Singapore, Indonesia, Thailand and Malaysia. Political Development in Pacific Asia begins by examining the traditional forms of political culture which prevailed in Pacific Asia and which affected, in various ways, post-colonial political development in the region. Subsequent chapters examine the growth strategies pursued by high-performing economies of East Asia and the implications of rapid growth for democratization and civil society. The final chapter explores the place of these economies in a rapidly changing regional and international order. While Jones gives due attention to the remarkable achievements of the high-performing economies of East Asia, he also addresses the social and political costs of this rapid, state-managed growth. The result is a balanced and nuanced account of political and economic development in Pacific Asia which will be invaluable for students and scholars alike.

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Columbo is 50 years old. A global smash in the 1970s, it is now a cult TV favourite. What is the reason for this enduring popularity? In this fascinating exploration of a television classic, David Martin-Jones argues that Columbo reveals how our current globalised world of 24/7 capital, invasive surveillance and online labour emerged in the late 20th century. Exploring everything from the influences on Peter Falk's iconic acting style to the show's depiction of Los Angeles, he illuminates how our attention is channelled, via technologies like television and computers, to influence how we perform, learn, police and locate ourselves in today's world. Columbo emerged alongside shows like Kojak and The Rockford Files, but re-viewing the series today reveals how contemporary television hits from Elementary to The Purge continue to shape how and why we pay attention 24/7.

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New in Paperback Deleuze, Cinema and National Identity challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes), and include Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos and Peppermint Candy. Each film is examined in light of a major historical event - including 9/11, German reunification, and the Asian economic crisis - and the impact it has had on individual nations. This cross-cultural approach illustrates how Deleuze's work can enhance our understanding of the construction of national identity. It also enables a critique of Deleuze's conclusions by examining his work in a variety of national contexts. The book significantly broadens the field of work on Deleuze and cinema. It places equal emphasis on understanding mainstream North American genre films, American independent and European art films. It also examines Asian thrillers, gangster and art films in the light of Deleuze's work on time. With Asian films increasingly crossing over into western markets, this is a timely addition to the expanding body of work on Deleuze and film. Key Features * The first sustained analysis of Deleuze and national identity, bringing together film theory and film history * Examines how narrative time is used to construct national identity across a range of different cinemas, including Britain, Germany, North America, Hong Kong, Japan, South Korea, Italy and Poland * Uses Deleuze in conjunction with a number of different types of recent film, from Hollywood blockbusters to Asian gangster movies.

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A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze Deleuze and Film explores how different films from around the world 'think' about a range of topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books. Key Features * Analyses several Asian films: including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love, and the Iranian comedy The Lizard * Discusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button * Includes a dedicated chapter on the animated documentary Waltz with Bashir * Studies a host of different directors, from Rainer Werner Fassbinder to Baz Luhrmann

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Academic and accepted orthodoxy maintains that Southeast Asia, and Asia generally, is evolving into a distinctive East Asian regional order. This book questions this claim and reveals instead uncertainty and incoherence at the heart of ASEAN, the region's foremost institution.The authors provide a systematic critique of ASEAN's evolution and institutional development, as well as a unified understanding of the international relations and political economy of ASEAN and the Asia-Pacific. It is the first study to provide a sceptical analysis of international relations orthodoxies regarding regionalization and institutionalism, and is based on wide-ranging and rigorous research.Students of international relations, the Asia-Pacific, Southeast Asia, regional studies, international history and security and defence studies will find this book of great interest, as will scholars, policy makers and economic forecasters with an interest in long-term Asia-Pacific trends.

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Academic and accepted orthodoxy maintains that Southeast Asia, and Asia generally, is evolving into a distinctive East Asian regional order. This book questions this claim and reveals instead uncertainty and incoherence at the heart of ASEAN, the region's foremost institution.The authors provide a systematic critique of ASEAN's evolution and institutional development, as well as a unified understanding of the international relations and political economy of ASEAN and the Asia-Pacific. It is the first study to provide a sceptical analysis of international relations orthodoxies regarding regionalization and institutionalism, and is based on wide-ranging and rigorous research.Students of international relations, the Asia-Pacific, Southeast Asia, regional studies, international history and security and defence studies will find this book of great interest, as will scholars, policy makers and economic forecasters with an interest in long-term Asia-Pacific trends.

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Twenty years after the terrorist attacks on the World Trade Center and Pentagon, we can now see that the War on Terror profoundly affected Western self-understanding and the secular liberal image it sought to project onto a global canvas at what was widely assumed to be the end of history. The dramatic change in awareness that 9/11 brought about was particularly vivid, this book maintains, in the media that sustained and displayed the West's self-image. In particular, fiction, film, drama, the visual arts, and popular music have all struggled to come to grips with the phenomena of terror, asymmetrical warfare, home grown jihadist activism, and the moral and political dilemmas they evoke. The book further argues that the evolving progressive response to 9/11 assumed an increasingly ideological character via the critical and normative international relations theories that came to dominate Western campuses after 2001. These perspectives gave substance to an increasingly critical depiction of the West's War on Terror and its popular promotion through works of literature, film, music, and the visual arts. Promoted through these popular genres, it combined the ingredients that formed "woke" ideology in an accessible formula that subsequently dominated both the mainstream media, academia, and, in time, government agencies.

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Explores the intertwining of the ethical with the sociopolitical across a range of screen media in different contexts internationally. Includes such diverse examples as: intersectional feminist ethics (from the housemaid in Brazilian Big House dramas to Carol Morley documentaries); the human/nature dichotomy in John Akomfrah's art installations and Bong Joon-ho's superpig thriller Okja; race in Jordan Peele's Get Out and Us and Luisa Omielan's stand-up comedy on BBC television; the memory of traumatic Cold War pasts in The Look of Silence (Indonesia) and Though I am Gone (China); Nina Wu's exploration of rape culture in the film industry; and the digital visuality of Alejandro G. I rritu's virtual reality experience Carne y arena. Contributes to the decolonizing of thinking by including scholars from various continents discussing screen media from around the world, analysed through engagement with thinkers not typically thought of when considering screen ethics (e.g. Mar a Lugones, Fran oise Verg s, Denise Ferreira da Silva, Kalpana Sheshadri-Crooks, Jos Esteban Mu oz). Contemporary Screen Ethics focuses on the intertwining of the ethical with the socio-political, considering such topics as: care, decolonial feminism, ecology, histories of political violence, intersectionality, neoliberalism, race, and sexual and gendered violence. The collection advocates looking anew at the global complexity and diversity of such ethical issues across various screen media: from Netflix movies to VR, from Chinese romcoms to Brazilian pornochanchadas, from documentaries to drone warfare, from Jordan Peele movies to Google Earth. The analysis exposes the ethical tension between the inclusions and exclusions of global structural inequality (the identities of the haves, the absences of the have nots), alongside the need to understand our collective belonging to the planet demanded by the climate crisis. Informing the analysis, established thinkers like Deleuze, Irigaray, Jameson and Ranci re are joined by an array of different voices Ferreira da Silva, Gill, Lugones, Milroy, Mu oz, Sheshadri-Crooks, Verg s to unlock contemporary screen ethics.

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This innovative work examines the concept of the informal network and its practical utility within the context of counterterrorism. Drawing together a range of practitioner and academic expertise it explores the character and evolution of informal networks, addressing the complex relationship between kinship groups, transnational linkages and the role that globalization and new technologies play in their formation and sustainability. By analysing the informal branch of networked organization in the context of security policy-making, the chapters in this book seek to address three questions: â?¢ how do informal networks operate? â?¢ which combination of factors draws individuals to form such networks?â?¢ what are their structures? Informal networks are necessarily elusive owing to their ad hoc development, amorphous structures and cultural specificity but they are nonetheless pivotal to the way organizations conduct business. Identifying and manipulating such networks is central to effective policy-making. Terrorism, Security and the Power of Informal Networks argues that informal networks are important to policy-makers and their mastery is critical to success both in tackling the challenges of hostile networks and in the processes of organizational reform currently preoccupying governments. Practitioners, policy-makers and researchers in the fields of international politics, international relations, history and political science will find much to interest them in this timely resource.

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David Martin Jones, Nicholas Khoo, M. L. R. Smith

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David Martin Jones, Nicholas Khoo, M. L. R. Smith

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The events of 9/11 gave rise to a new epoch in world history. This Handbook examines how the world order and our understanding of war and peace has been transformed since the global war on terror began. Bringing together expert commentators and academics from Asia, US, Europe and the Middle East, the Handbook of Terrorism and Counter Terrorism Post 9/11 assesses regional responses to terrorism and evaluates the emergence of new threats. This timely reflection on the consequences of the global war on terror considers the future of asymmetric conflict in the context of the fourth industrial revolution, and the evolution of cyber warfare. Providing an analysis of terrorism since 2001, from Al Qaeda to Daesh, and a critical evaluation of counter terrorism and counter insurgency, this Handbook is an essential primer for students, at all levels, researching terrorism, insurgency, global warfare and international relations. It will also benefit defence and security personnel enrolled on postgraduate courses in military academies. Contributors include: B. Ahlhaus, R. Basra, B. Blair, B. Clifford, J. Cook, R. Dellios, C. Duncombe, H. Edwards, P.G. Faber, Z. Gold, M. Groppi, A. Guillaume-Barry, K. Hammerberg, J. Holland-McCowan, S. Hughes, K.E. Irwin, D.M. Jones, I. Kfrir, A. Kiss, D.L. Knoll, B.J. Lutz, J.M. Lutz, P. Mahadevan, J. Maszka, J. McDonald, J. McQuaid, A. Meleagrou-Hitchens, M.-M. Müller, N. Musgrave, A. Powell, W. Rosenau, J. Rovner, N. Sahak, J. Schroden, P. Schulte, M.L.R. Smith, T. Stevens, A.T.H. Tan, C. Ungerer, G. Vale, J.R. Woodier, A. Zingerle

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