Search results for ""Author David Lehman""

Poems in the Manner Of is an illuminating journey through centuries of writers who continue to influence new work today, including that of respected poet and series editor of The Best American Poetry David Lehman.“Very few writers can actually shape how you see the world. David Lehman is such a writer,” says Robert Olen Butler. Now the Best American Poetry series editor and New School writing professor channels, translates, and imagines a collection of “poems in the manner of” Emily Dickinson, Robert Frost, Shakespeare, W.B. Yeats, Rilke, William Carlos Williams, and more. Lehman has been writing “poems in the manner of” for years, in homage to the poems and people that have left an impression, experimenting with styles and voices that have lingered in his mind. Finally, he has gathered these pieces, creating a striking book of poems that channels poets from Walt Whitman to Sylvia Plath and also calls upon jazz standards, Freudian questionnaires, and astrological profiles for inspiration. Intelligent and sparkling, this is a great gift for poetry fans and a useful resource for creative writers. These are poems of wit and humor but also deep emotion and clear intelligence, informed by Lehman’s genuine and knowledgeable love of poetry and literature. From Catullus and Lady Murasaki to Wordsworth, Neruda, Virginia Woolf, W.H. Auden, and Charles Bukowski, Poems in the Manner Of shows how much life there is in poets of the past. And like Edward Hirsch’s How to Read a Poem and Robert Pinsky’s Singing School, this book gives you more than poetry. Whether you’re reading for pure enjoyment or examining how a poet can use references and influences in their own work, Poems in the Manner Of is a treasure trove of literary pleasures and food for thought.

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In celebration of his one-hundredth birthday, a charming, irresistibly readable, and handsomely packaged look back at the life and times of the greatest entertainer in American history, Frank Sinatra. Sinatra's Century is an irresistible collection of one-hundred short reflections on the man, his music, and his larger-than-life story, by a lifetime fan who also happens to be one of the poetry world's most prominent voices. David Lehman uses each of these short pieces to look back on a single facet of the entertainer's story-from his childhood in Hoboken, to his emergence as "The Voice" in the 1940s, to the wild professional (and romantic) fluctuations that followed. Lehman offers new insights and revisits familiar stories-Sinatra's dramatic love affairs with some of the most beautiful stars in Hollywood, including Lauren Bacall, Marilyn Monroe, and Ava Gardner; his fall from grace in the late 1940s and resurrection during the "Capitol Years" of the 1950s; his bonds with the rest of the Rat Pack; and his long tenure as the Chairman of the Board, viewed as the eminence grise of popular music inspiring generations of artists, from Bobby Darin to Bono to Bob Dylan. Brimming with Lehman's own lifelong affection for Sinatra, the book includes lists of unforgettable performances; engaging insight on what made Sinatra the model of American machismo-and the epitome of romance; and clear-eyed assessments of the foibles that impacted his life and work. Warm and enlightening, Sinatra's Century is full-throated appreciation of Sinatra for every fan.

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From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales—crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies—some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados—with style, wit, and passion. Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir—cigarettes, cocktails, wisecracks, and jazz standards—and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. Written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir, The Mysterious Romance of Murder will delight fans of the genre and newcomers alike.

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In One Hundred Autobiographies, poet and scholar David Lehman applies the full measure of his intellectual powers to cope with a frightening diagnosis and painful treatment for cancer. No matter how debilitating the medical procedures, Lehman wrote every day during chemotherapy and in the aftermath of radical surgery. With characteristic riffs of wit and imagination, he transmutes the details of his inner life into a prose narrative rich in incident and mental travel. The reader journeys with him from the first dreadful symptoms to the sunny days of recovery. This "fake memoir," as he refers ironically to it, features one-hundred short vignettes that tell a life story. One Hundred Autobiographies is packed with insights and epiphanies that may prove as indispensable to aspiring writers as Rilke's Letters to a Young Poet. Set against the backdrop of Manhattan, Lehman summons John Ashbery, Kenneth Koch, Edward Said, and Lionel Trilling among his mentors. Dostoyevsky shows up, as does Graham Greene. Keith Richards and Patti Hansen put in an appearance, Edith Piaf sings, Clint Eastwood saves the neighborhood, and the Rat Pack comes along for the ride. These and other avatars of popular culture help Lehman to make sense of his own mortality and life story. One Hundred Autobiographies reveals a stunning portrait of a mind against the ropes, facing its own extinction, surviving and enduring.

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In celebration of his one-hundredth birthday, a charming, irresistibly readable, and handsomely packaged look back at the life and times of the greatest entertainer in American history, Frank Sinatra. Sinatra's Century is an irresistible collection of one-hundred short reflections on the man, his music, and his larger-than-life story, by a lifetime fan who also happens to be one of the poetry world's most prominent voices. David Lehman uses each of these short pieces to look back on a single facet of the entertainer's story-from his childhood in Hoboken, to his emergence as "The Voice" in the 1940s, to the wild professional (and romantic) fluctuations that followed. Lehman offers new insights and revisits familiar stories-Sinatra's dramatic love affairs with some of the most beautiful stars in Hollywood, including Lauren Bacall, Marilyn Monroe, and Ava Gardner; his fall from grace in the late 1940s and resurrection during the "Capitol Years" of the 1950s; his bonds with the rest of the Rat Pack; and his long tenure as the Chairman of the Board, viewed as the eminence grise of popular music inspiring generations of artists, from Bobby Darin to Bono to Bob Dylan. Brimming with Lehman's own lifelong affection for Sinatra, the book includes lists of unforgettable performances; engaging insight on what made Sinatra the model of American machismo-and the epitome of romance; and clear-eyed assessments of the foibles that impacted his life and work. Warm and enlightening, Sinatra's Century is full-throated appreciation of Sinatra for every fan.

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Renowned poet Mary Jo Salter, whose command of verse forms and high intelligence is universally acknowledged, selects the poems for the 2024 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets) since 1988. Each volume presents a curated selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves offering unique insight into their work. Here, guest editor Mary Jo Salter, whose own poems display a sublime wit “driven by a compulsion to confront the inexplicable” (James Longenbach), has picked seventy-five poems that capture the dynamism of American poetry today. The series and guest editors contribute valuable introductory essays that assess the cu

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There is a deep tradition of eroticism in American poetry. Thoughtful, provocative, moving, and sometimes mirthful, the poems collected in The Best American Erotic Poems celebrate this exuberant sensuality. These poems range across the varied landscapes of love and sex and desire -- from the intimate parts of the body to the end of an affair, from passion to solitary self-pleasure. With candor and imagination, they capture the delights and torments of sex and sexuality, nudity, love, lust, and the secret life of fantasy. David Lehman, the distinguished editor of the celebrated Best American Poetry series, has culled a witty, titillating, and alluring collection that starts with Francis Scott Key, Emily Dickinson, Walt Whitman, and Hart Crane, encompasses Frank O'Hara, Anne Sexton, John Updike, Charles Simic, Billy Collins, Kevin Young, and Sharon Olds, and concludes with the rising stars of a whole new generation of versifiers, including Sarah Manguso, Ravi Shankar, and Brenda Shaughnessy. In a section of the book that is sure to prompt discussion and further reading, the living poets write about their favorite works of erotic writing. This book will delight, surprise, and inspire.

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The twentieth edition of The Best American poetry series celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor. From the thousands of poems published or posted in one year, McHugh has chosen seventy-five that fully engage the reader while illustrating the formal and tonal diversity of American poetry. With new work by established poets such as Louise Glück, Robert Hass, and Richard Wilbur, The Best American Poetry 2007 also features such younger talents as Ben Lerner, Meghan O'Rourke, Brian Turner, and Matthea Harvey. Graced with McHugh's fascinating introduction, the anthology includes the ever-popular notes and comments section in which the contributors write about their work. Series editor David Lehman's engaging foreword limns the necessity of poetry. The Best American Poetry 2007 is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.

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Here is the eagerly awaited new edition of "The Oxford Book of American Poetry", brought completely up-to-date and dramatically expanded by poet David Lehman. It is a rich, capacious volume, featuring the work of more than 200 poets - almost three times as many as the 1976 edition. With a succinct and often witty head note introducing each author, it is certain to become the definitive anthology of American poetry for our time. Lehman has gathered together all the works one would expect to find in a landmark collection of American poetry, from Whitman's "Crossing Brooklyn Ferry" to Stevens' "The Idea of Order at Key West", and from Eliot's "The Waste Land" to Ashbery's "Self-Portrait in a Convex Mirror". But, equally important, the editor has significantly expanded the range of the anthology. The book includes not only writers born since the previous edition, but also many fine poets overlooked in earlier editions or little known in the past, but highly deserving of attention. The anthology confers legitimacy on the Objectivist poets; the so-called Proletariat poets of the 1930s; famous poets who fell into neglect or were the victims of critical backlash (Edna St. Vincent Millay); poets whose true worth has only become clear with the passing of time (Weldon Kees). Among poets missing from Richard Ellmann's 1976 volume, but published here are: W. H. Auden, Charles Bukowski, Donald Justice, Carolyn Kizer, Kenneth Koch, Stanley Kunitz, Emma Lazarus, Mina Loy, Howard Moss, Lorine Niedecker, George Oppen, James Schuyler, Elinor Wylie, and Louis Zukosky. Many more women are represented: outstanding poets, such as Josephine Jacobsen, Josephine Miles, May Swenson. Numerous African-American poets receive their due, and unexpected figures, such as the musicians Bob Dylan, Patti Smith and Robert Johnson have a place in this important work. This stunning collection redefines the great canon of American poetry from its origins in the 17th century right up to the present. It is a must-have anthology for anyone interested in American literature and a book that is sure to be consulted, debated, and treasured for years to come.

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The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia.The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.

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Award-winning poet Elaine Equi selects the poems for the 2023 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).Since its debut in 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents some of the year’s most striking and innovative poems, with comments from the poets themselves offering insight into their work. For The Best American Poetry 2023 guest editor Elaine Equi, whose own work is “deft, delicate [and] subversive” (August Kleinzahler), has made astute choices representing contemporary poetry at its most dynamic. The result is an exceptionally coherent vision of American poetry today. Including valuable introductory essays contributed by the series and guest editors, the 2023 volume is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series.

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The 2021 edition of the leading collection of contemporary American poetry is guest edited by the former US Poet Laureate Tracy K. Smith, providing renewed proof that this is “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a choice of the year’s most memorable poems, with comments from the poets themselves lending insight into their work. The guest editor of The Best American Poetry 2021 is Tracy K. Smith, the former United States Poet Laureate, whose own poems are, Toi Derricotte’s words, “beautiful and serene” in their surfaces with an underlying “sense of an unknown vastness.” In The Best American Poetry 2021, Smith has selected a distinguished array of works both vast and beautiful by such important voices as Henri Cole, Billy Collins, Louise Erdrich, Nobel laureate Louise Glück, Terrance Hayes, and Kevin Young.

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Matthew Zapruder picks the poems for the 2022 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are “for everyone, everywhere...democratic in [their] insights and feelings” (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.

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The 2018 edition of the Best American Poetry—“a ‘best’ anthology that really lives up to its title” (Chicago Tribune)—collects the most significant poems of the year, chosen by Poet Laureate of California Dana Gioia.The guest editor for 2018, Dana Gioia, has an unconventional poetic background. Gioia has published five volumes of poetry, served as the Chairman of the National Endowment for the Arts, and currently sits as the Poet Laureate of California, but he is also a graduate of Stanford Business School and was once a Vice President at General Foods. He has studied opera and is a published librettist, in addition to his prolific work in critical essay writing and editing literary anthologies. Having lived several lives, Gioia brings an insightful, varied, eclectic eye to this year’s Best American Poetry. With his classic essay “Can Poetry Matter?”, originally run in The Atlantic in 1991, Gioia considered whether there is a place for poetry to be a part of modern American mainstream culture. Decades later, the debate continues, but Best American Poetry 2018 stands as evidence that poetry is very much present, relevant, and finding new readers.

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"So welcome, readers, to a plurality of poets, a cornucopia of tropes, and a range of interests." -- From Billy Collins's introduction The Best American Poetry series offers a distinguished poet's selection of poems published in the course of a year. The guest editor for 2006 is Billy Collins, one of our most beloved poets, who has chosen poems of wit, humor, imagination, and surprise, in an array of styles and forms. The result is a celebration of the pleasures of poetry -- from Laura Cronk's marvelous "Sestina for the Newly Married" to the elegant limericks of R. S. Gwynn and from Reb Livingston on butter to Mark Halliday's "Refusal to Notice Beautiful Women." In his charming and candid introduction Collins explains how he chose seventy-five poems from among the thousands he considered. With insightful comments from the poets illuminating their work, and series editor David Lehman's thought-provoking foreword, The Best American Poetry 2006 is a brilliant addition to a series that links the most noteworthy verse and prose poems of our time to a readership as discerning as it is devoted to the art of poetry.

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Matthew Zapruder picks the poems for the 2022 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are “for everyone, everywhere...democratic in [their] insights and feelings” (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.

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In this book, David Lehman, the longtime series editor of the Best American Poetry, offers a masterclass in writing in form and collaborative composition. An inspired compilation of his weekly column on the American Scholar website, Next Line, Please makes the case for poetry open to all. Next Line, Please gathers in one place the popular column’s plethora of exercises and prompts that Lehman designed to unlock the imaginations of poets and creative writers. He offers his generous and playful mentorship on forms such as the sonnet, haiku, tanka, sestina, limerick, and the cento and shares strategies for how to build one line from the last. This groundbreaking book shows how pop-up crowds of poets can inspire one another, making art, with what poet and guest editor Angela Ball refers to as "spontaneous feats of language." How can poetry thrive in the digital age? Next Line, Please shows the way. Lehman writes, "There is something magical about poetry, and though we think of the poet as working alone, working in the dark, it is all the better when a community of like-minded individuals emerges, sharing their joy in the written word."

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