Search results for ""Author David James Duncan""

A random bolt from a DC-8 falls from the sky, killing a child and throwing the faith of a young Jesuit Jesuit into crisis. A boy's mother dies on his fifth birthday, sparking a lifetime of repressed anger that he unleashes once a year in reckless duels with the Fate, God, or Power who let the coincidence happen. A young woman on a run in Seattle experiences a shooting star moment that pierces her with a love that will eventually help heal the Jesuit, the angry young man, and innumerable others.The journeys of this unintentional menagerie carry them to the healing lands of Montana and a newly founded community-where nothing tastes better than Maker's Mark mixed with glacier ice, and nothing seems less likely than the soul-filling delight a troupe of spiritual refugees, urban sophisticates, road-weary musicians, and local cowboys begin to find in each other's company. With Sun House, David James Duncan continues exploring the American search for meaning and love that he began in his acclaimed novels The River Why and The Brothers K.

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The ugly truth about dams is about to be revealed. During the first two decades of the twenty-first century, the whole messy truth about the legacy of last century’s big dam building binge has come to light. What started out as an arguably good government project has drifted oceans away from that original virtuous intent. Governments plugged the nation’s rivers in a misguided attempt to turn them into revenue streams. Water control projects’ main legacy will be one of needless ecological destruction, fostering a host of unnecessary injustices. The estimated 800,000 dams in the world can’t be blamed for destroying the earth’s entire biological inheritance, but they play an outsized role in that destruction. Cracked: The Future of Dams in a Hot, Crazy World is a kind of speed date with the history of water control -- its dams, diversions and canals, and just as importantly, the politics and power that evolved with them. Examples from the American West reveal that the costs of building and maintaining a sprawling water storage and delivery complex in an arid world—growing increasingly arid under the ravages of climate chaos—is well beyond the benefits furnished. Success stories from Patagonia and the Blue Heart of Europe point to a possible future where rivers run free and the earth restores itself.

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When Brian Doyle died of brain cancer at the age of sixty, he left behind dozens of books -- fiction and nonfiction, as well as hundreds of essays -- and a cult-like following who regarded his writing on spirituality as one of the best-kept secrets of the 21st century. Though Doyle occasionally wrote about Catholic spirituality, his writing is more broadly about the religion of everyday things. He writes with a delightful sense of wonder about the holiness of small things, and about love in all its forms: spiritual love, brotherly love, romantic love, friendly love, love of nature, and even the love of a nine-foot sturgeon. At a time when our world feels darker than ever, Doyle's essays are a balm for the tired soul. He finds beauty in the quotidian: the awe of a child the first time she hears a river, the whiskers a grieving widow misses seeing in her sink every day -- but through his eyes, nothing is ordinary. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to the glories hidden in people, places and creatures of little or no size or renown, and brought inimitably playful or soaring or aching or heartfelt language to his tellings." In a time when wonder seems to be in short supply, Your One Wild and Precious Life, Doyle and Duncan invite readers to experience it in the most ordinary of moments, and allow themselves joy in the smallest of things.

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When Brian Doyle passed away at the age of sixty after a bout with brain cancer, he left behind a cult-like following of devoted readers who regard his writing as one of the best-kept secrets of the twenty- first century. Doyle writes with a delightful sense of wonder about the sanctity of everyday things, and about love and connection in all their forms: spiritual love, brotherly love, romantic love, and even the love of a nine-foot sturgeon.At a moment when the world can sometimes feel darker than ever, Doyle's writing, which constantly evokes the humor and even bliss that life affords, is a balm. His essays manage to find, again and again, exquisite beauty in the quotidian, whether it's the awe of a child the first time she hears a river, or a husband's whiskers that a grieving widow misses seeing in her sink every morning. Through Doyle's eyes, nothing is dull. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to quiet glories hidden in people, places and creatures of little or no size, renown, or commercial value, and he brought inimitably playful or soaring or aching or heartfelt language to his tellings." A life's work, One Long River of Song invites readers to experience joy and wonder in ordinary moments that become, under Doyle's rapturous and exuberant gaze, extraordinary.

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A ceramic artist and printmaker, Boyden has explored a wide variety of themes in his prints over the past twenty years, including animals, the landscape, and most recently, the human figure. In this suite of 96 drypoints, Boyden set out to depict horrendous and abhorrent images of humanity: "characters from creation's ineptitudes, vagaries, vengeances, and sad jokes." In the process of creating the series of three-inch-by-two-inch plates, the artist came to the realization that a process that was born in anger and disillusionment had metamorphosed into a state of empathy. Included in this exhibition catalog are prose pieces by Kim Stafford and David James Duncan, and well as a discussion with the artist on his use of the drypoint technique.

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