Search results for ""Author David I. Kertzer""

Filled with discoveries, this is the dramatic story of Pope Pius XII's struggle to respond to the Second World War, the Holocaust, and the Nazi domination of Europe. The Pope at War is the third in a trilogy of books about the papacy's response to the rise of Fascism and Nazism. It tells the dramatic story of Pope Pius XII's struggle to respond to the Second World War, the Holocaust, and the ongoing Nazi attempts to exterminate the Jews of Europe. It is the first book dealing with the war to make extensive use of the newly opened Vatican archives for the war years. It is based, as well, on thousands of documents from the Italian, German, French, British, and American archives. Among the many new discoveries brought to light is the discovery that within weeks of becoming pope in 1939, Pius XII entered into secret negotiations with Hitler through Hitler's emissary, a Nazi Prince who was married to the daughter of the King of Italy and who was very close to Hitler. The negotiations were kept so secret that not even the German ambassador to the Holy See was informed of them. The book also offers new insight into the thinking behind Pius XII's decision to maintain good relations with the German government during the war, including keeping the Germans happy while they occupied Rome in 1943-1944. And throughout, David I. Kertzer shows the active role of the Italian Church hierarchy in promoting the Axis war while the pope, who as bishop of Rome was responsible for the Italian hierarchy, offered his silent blessings and cast his public speeches in such a way that both sides could claim support for their cause.

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La extraordinaria historia real de cómo un niño judío de seis años, raptado por el Vaticano en 1858, precipitó el derrumbe del poder temporal del Papa en Italia.El libro que fascinó a Steven Spielberg.Bolonia: medianoche, junio de 1858. Un golpe resuena en la puerta del comerciante judío Momolo Mortara. Dos oficiales de la Inquisición buscan dentro a su hijo Edgardo, de seis años de edad, para llevarlo a Roma en un carruaje. Cuando el niño es arrancado de los brazos de su padre, la madre, desesperada, pierde el conocimiento. La razón del secuestro se descubrirá más tarde: el niño había sido secretamente bautizado por una criada de la familia, angustiada ante la idea de verle morir en un trance de enfermedad. De acuerdo con la ley papal y la teología eclesiástica, el niño es católico, y puede ser apartado de su familia e ingresado en un monasterio, donde su conversión al catolicismo será completada.Con esta terrible escena, que marcaría a esa familia para siempre, el premiado

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Days after the assassination of his prime minister in the middle of Rome in November 1848, Pope Pius IX found himself a virtual prisoner in his own palace. The wave of revolution that had swept through Europe now seemed poised to put an end to the popes' thousand-year reign over the Papal States, if not indeed to the papacy itself. Disguising himself as a simple parish priest, Pius escaped through a back door. Climbing inside the Bavarian ambassador's carriage, he embarked on a journey into a fateful exile. Only two years earlier Pius's election had triggered a wave of optimism across Italy. After the repressive reign of the dour Pope Gregory XVI, Italians saw the youthful, benevolent new pope as the man who would at last bring the Papal States into modern times and help create a new, unified Italian nation. But Pius found himself caught between a desire to please his subjects and a fear--stoked by the cardinals--that heeding the people's pleas would destroy the church. The resulting drama--with a colorful cast of characters, from Louis Napoleon and his rabble-rousing cousin Charles Bonaparte to Garibaldi, Tocqueville, and Metternich--was rife with treachery, tragedy, and international power politics. David Kertzer is one of the world's foremost experts on the history of Italy and the Vatican, and has a rare ability to bring history vividly to life. With a combination of gripping, cinematic storytelling, and keen historical analysis rooted in an unprecedented richness of archival sources, The Pope Who Would Be King sheds fascinating new light on the end of rule by divine right in the west and the emergence of modern Europe.

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In its early years anthropology often used demographic research, but the two disciplines have recently grown to distrust each other's assumptions and methods. In order to show that they have much to offer each other, this book seeks to bridge the demography/anthropology divide. The book begins with an historical account of the relations between the fields, then examines the major issues and controversies in anthropological demography, including the demographic implications of differing family and kinship systems; the influence of new developments in cultural, gender and identity theory on population study; the limits of quantitative approaches in demographic study; and demographers' view of the limits of anthropological methods.

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A gripping revisionist history that shows how ordinary Italians played a central role in the genocide of Italian Jews during the Second World WarIn this gripping revisionist history of Italy’s role in the Holocaust, Simon Levis Sullam presents an unforgettable account of how ordinary Italians actively participated in the deportation of Italy’s Jews between 1943 and 1945, when Mussolini’s collaborationist republic was under German occupation. While most historians have long described Italians as relatively protective of Jews during this time, The Italian Executioners tells a very different story, recounting in vivid detail the shocking events of a period in which Italians set in motion almost half the arrests that sent their Jewish compatriots to Auschwitz.This brief, beautifully written narrative shines a harsh spotlight on those who turned on their Jewish fellow citizens. These collaborators ranged from petty informers to Fascist intellectuals—and their motives ran from greed to ideology. Drawing insights from Holocaust and genocide studies and combining a historian’s rigor with a novelist’s gift for scene-setting, Levis Sullam takes us into Italian cities large and small, from Florence and Venice to Brescia, showing how events played out in each. Re-creating betrayals and arrests, he draws indelible portraits of victims and perpetrators alike.Along the way, Levis Sullam dismantles the seductive popular myth of italiani brava gente—the “good Italians” who sheltered their Jewish compatriots from harm. The result is an essential correction to a widespread misconception of the Holocaust in Italy. In collaboration with the Nazis, and with different degrees and forms of involvement, the Italians were guilty of genocide.

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Folklorist Arnold van Gennep's masterwork, The Rites of Passage, has been a staple of anthropological education for more than a century. First published in French in 1909, and translated into English by the University of Chicago Press in 1960, this landmark book explores how the life of an individual in any society can be understood as a succession of stages: birth, puberty, marriage, parenthood, advancement to elderhood, and, finally, death. Van Gennep's command of the ethnographic record enabled him to discern crosscultural patterns in rituals of separation, transition, and incorporation. With compelling precision, he elaborated the terms that would both define twentieth-century ritual theory and become a part of our everyday lexicon. This new edition of his work demonstrates how we can still make use of its enduring critical tools to understand our own social, religious, and political worlds. Featuring an introduction by Pulitzer Prize-winning anthropologist and historian David I. Kertzer, this edition reminds readers just how startlingly insightful The Rites of Passage remains a century after its initial publication.

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